The exhibition "La Mansana de la Discòrdia" in the Lleó i Morera House, opens today in Barcelona. The exhibition takes four examples of buildings, on the same block, as samples of colonization process that the Barcelona bourgeoisie makes of the Eixample in Barcelona, using the formal language of Modernism as expression. This process not always known and for its time radical, as the book's subtitle suggests, "modernism as transgression."

 The exposition shows part of the contents collected in the book '''La Mansana de la Discòrdia' modernism as transgression," that we presented a few days ago.. The History, Architecture and Design Research Group was set up within the field of architectural composition at the School of Architecture at the Universitat Internacional de Catalunya. The project “La Mansana de la discòrdia” was submitted to the call for novel research proposals at the university in 2013.

The aim was to study the five houses of the block, not just the three modernist ones, precisely to see the differences (or discords) in their styles that were contemporaneous with one another. We also wanted to use the word mansana, in Catalan and written with an “s”, because Ildefons Cerdà in his General Theory of Urbanisation from 1867, had dedicated three pages to the etymological justification of the term derived from the Latin mansio,-onis, which means mansion, house. Thus, when towns were being populated, the word mansana was used for a group of mansions or houses, currently referred to as a block. Later on, the “s” was haphazardly replaced for “z” in Spanish. However, the use in Spanish of the word “manzana”, corresponding to the fruit, the apple, allows us to engage in word play, as it also refers to the mythological story of the golden apple thrown by the goddess of discord at the wedding of Thetis and Peleus, leading to the Trojan War.

Authors.-

Manuel Arenas Vidal
Dr. José Juan Barba
Mariola Borrell Escudé
Dr. Guillem Carabí Bescós
María José Díez Chueca
Dra. Fàtima López Pérez
Dra. Judith Urbano

Students participating.- María Alcaraz Ruiz, Rosa Aparici Hornero, Laura Aragonés Ribera, Cristina Ballester Rigo, Marina Baró Bagué, Rafael Bennasar Miquel, Alberto Carlos Bodí Domenech, Pylyp Fomyn, Mª Elena Gistau Bielsa, Claudia Gratacós Grau, Mariona Mayol Batlle, Borja Monsó Galindo, Jaume Nart Parés, Carles Palau Sala, Lara Pérez Verdes, Eric Sanllehy González & Emma Vives Viña.

Venue.- Casa Lleó i Morera, Paseo de Gracia, 35. Barcelona.
Dates.- December 17, 2015 - February 28, 2016

Read more
Read less

More information

José Juan Barba (1964) is an architect, graduated from ETSA Madrid (1991), and holds a Doctorate in Architecture from ETSA Madrid, awarded Cum laude for his thesis Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi (2004). He received a special mention in the National Awards for Completion of Studies (1991) and served as an advisor to various NGOs until 1997. He founded his studio in Madrid in 1992 (www.josejuanbarba.com). 

Barba is an architecture critic and has been the director of METALOCUS magazine since 1999. Since 1998, he has directed the International Architecture Magazine METALOCUS (bilingual, Spanish/English), which has been recognized with multiple national and international awards.

He is a Full Professor at the University of Alcalá, leading the project line of the Habilitation Master's Architecture and City, responsible for several courses in Theory and Criticism, heading the Urban Planning area of the Department of Architecture, and participating in the research group Architecture, History, City, and Landscape at UAH. He has been invited to numerous architecture and urbanism forums, including the II Forum of Mexican Cities World Heritage: Urban Development, History, and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage, and the World Urban Development Forum (FMDU) in Culiacán, Sinaloa, Mexico. He has also participated in the International Architecture and Urbanism Conferences from the perspective of women architects, and has lectured at prestigious national and international universities, including the National Building Museum (Washington, DC), Roma TRE, Politecnico di Milano, UPMF Grenoble, ETSA Madrid, ETSA Barcelona, University of Thessaly (Volos), UNAM Mexico, the Faculty of Architecture Montevideo, schools of architecture in Medellín, Quito-Ecuador, Alicante, Málaga, Granada, Seville, A Coruña, Zaragoza, Valladolid, Universidad Iberoamericana Mexico, IE School, Universidad Europea Madrid, UCJC Madrid, ESARQ-UIC Barcelona, or Università Degli Studi di Genova.

Barba has extensive professional experience in architecture, urban planning, landscape design, and territorial recovery. He has received numerous awards, including the First Prize for Gran Vía Posible for Delirious Gran Vía (Madrid), the River Interpretation Center (Zamora), exhibited at the World Architecture Festival (Barcelona 2008), Santa Bárbara Park (Toledo), the Erich Degner Architecture Prize 1995 promoted by the BBVA Foundation, and his Day Care Center for the Elderly project, featured in Volume 3 of the COAM Madrid Architecture Guide (2007). His work has been published in numerous national and international books and magazines.

He was also Maître de Conférences at IUG-UPMF Grenoble (2013–14), in a position obtained through a European competition. His work has been published internationally. He regularly serves on academic juries, including the editorial competition of Quaderns magazine (2011), as a selector for the Mies van der Rohe Awards (2007–2026), as juror for EUROPAN13 Spain (2015–16), TRANSFER in Zurich (2019), and was invited to participate in the Venice Biennale 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has published several books, including The Dark Line. michele&miquel, dA Vision Design (2024), CONGRESO ANYWAY. The City of Cities (2020), #Positions (2016), and Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi (2015). He has contributed to other publications such as Public Space Gran Vía. The Tourism City (2020), Spaces of Exception / Spazi d’Eccezione (2016), La mansana de la discordia (2015), and Contemporary Architecture of Japan: New Territories (2015), as well as chapters in numerous books including Architects: A Professional Challenge (2009), 21st Century Architectures (2007), Ruta de la Plata, New Conquerors of Space (2019), and The Tourism City (2020).

Selected awards include:

- “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005
- “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005
- “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000
- FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007
- World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008
- Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010
- Reform of the Río Segura Surroundings, Award, Murcia, 2010

Read more
Published on: December 16, 2015
Cite:
metalocus, INÉS LALUETA
"La Mansana de la Discòrdia in the Lleó i Morera House." METALOCUS. Accessed
<https://www.metalocus.es/en/news/la-mansana-de-la-discordia-lleo-i-morera-house> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...