The intervention in the Marfà Factory is based on the elimination of all non-original outbuildings to highlight the main volume of the late nineteenth century, and emphasize its geometry.

Architects pose a ground floor enlargement that allows meeting all program and manage the exterior space, establishing a dialogue with the surrounding buildings.



Factory Marfà by Ravetllat-Ribas. Photography © Adrià Goula

Memory of Project

Marfà Factory was placed over Monar canal that runs Santa Eugènia’s orchards, with the aim of placing a pair of turbines –existing until today– to produce energy to move the textile machinery.

The current set of the factory consists of a main body built in the late nineteenth century, with some extents on the ground floor, and a separate building located in the west, probably from the same period. The project considers the value of the main body, who has a ground floor and two stores, and the openings, all resolved through a single type. The interior structure has three bays with cast iron pillars that support girders with a singular geometry.

The strong character of the nave and its relationship with the immediate environment has been important in defining the level of the intervention. We opted for removing all the auxiliary buildings, highlighting and emphasizing geometry of the the main volume. We raise a new ground-floor extension to put order in the exterior space and complete the program with a multipurpose space, related to the old factory through an outdoor enclosure. It establishes a dialogue with Ninetes Civic Center (placed just in front) as well as with the existing building to the west, which will be arranged as an interpretation center for industrial heritage in the future. We place the civic center, the library and the bar in the main hall.

The façades emphasize the efficiency of the original building, by accepting the module window and its quiet normality. We propose variety in the new division of the windows, so they can be adapted to different uses and, at the same time, keep the unity of the whole.

Text: Ravetllat-Ribas.

 

Elevation and section. Marfà Factory. Courtesy of Ravetllat-Ribas.

CREDITS:

Architects: Pere Joan Ravetllat, Carme Ribas y Olga Schmid.
Team collaborators: Nicola Saladino, Marcos Alloza, Joel Pera (Architects), STATIC Ingeniería (Structural Engineers), JG Ingenieros (M&E Engineers), Javier Toledo, Alfonso Villarreal (Site surveyors).
Enterprise executor: Arcadi Pla S.A.
Developer: Girona Town Hall
Date: September 2011 (Construction ending), July 2008 (Project ending).
Surface: 3.048,51 m².
Budget: 3.158.717,79 € (PEM).
Site: Carrer de Baix, Santa Eugénia. Girona, Spain.

First Prize XV Premios de Arquitectura de Girona.

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Pere Joan Ravetllat Mira. Architect. Professor of Projects at the School of Architecture of Barcelona (ETSAB) since 1982. In 1984 he received a Fullbright scholarship to study the "Master of Science of Building Design" at the Columbia University of New York, and graduated in this same university in 1985. Doctor by the UPC in 1994. 

Professor in 2004. Responsible for the V-VI Projects course. Co-editor of the magazine A-30 during the period 1986-88, he has also collaborated in several national and international journals with articles of opinion and own work made, since 1985, with Carme Ribas Seix. He is the author of the book "Blocks of Homes: a contemporary perspective", coauthor of the books "Habitatge i Tipus" and "Habitatge i Context Urbà to Catalan Architecture" and of several monographs on the subject of housing published by the ETSAB.

Carme Ribas Seix. Architect. Professor of Projects at the School of Architecture of Barcelona (ETSAB) since 1987.

From 1996 to 1998, she is a professor of interior projects at the ELISAVA School. Between 1998 and 2001 she is also a Project Lecturer in the degree of Landscaping at the ETSAB.

Between 1981 and 1986 he was architect of the Servei d'Elements i Urban Projects of the Barcelona City Council, where he made several projects related to urban design.

Co-editor of the magazine A-30 during the period 1986-88, she has also published her own work in several national and international journals, made since 1985 with Pere Joan Ravetllat Mira. In 1985 he obtained the Diploma of the Polytechnic University of Catalonia from the Landscape Architecture Course.
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