New York is a changing city, in constant transformation, but at the same time it is also an iconic city. It is part of our collective imagination and is therefore quite recognizable and stable. It has been the most photographed city in the last century, so when something alters its landscape, it always catches our attention.

The greatest changes in the city's common landscape are not caused by real estate agents, the destruction of historic buildings or the construction of beautiful or disastrous skyscrapers. Major changes are instead caused by nature, demonstrating the fragility of our icons. Sandy, and now Jonas, come to reveal how vulnerable our imaginary is.

In the case of the winter storm Jonas, the first one to affect the East Coast metropolis this season, people are not having a very good time. The cold is tough but it also brings about a calm vision once the storm is over.

When we got Montse Zamorano's images from the day after the storm, we asked her about her first impressions, but above all about the typical silence that lays over everything after the storm.

In a city like New York discovering that you can listen to the silence is always a surprise:

It's strange not to hear noise in New York. However, on Saturday Jonas silenced the bustle of the city, the shouting in the streets, the sound of cars and sirens, only the blizzard was heard instead.

Excited about the first snowfall this season, we decided to go to Central Park. Once on the street, snow came from all directions. Gusts of wind blew up the snow and made it complicated to see and walk. I had my camera with me but didn't take it out in case it would get damaged, so I took all the photos with my phone.

The town was half empty and we only met a shopkeeper removing the snow in front of his store, a couple of taxis or a delivery man moving around very slowly and, surprisingly, several runners training in shorts. Meanwhile, snow was piling up on the sidewalks and in the streets. At 2:30 p.m. all travel was banned except for emergency vehicles and soon after all the shops were closed.

The day after was completely different. It was sunny and groups of friends and entire families carrying sleds and mats could be seen in the streets on their way to Central Park. People threw themselves down the slopes of the park, made snowmen or even went cross-country skiing and snowshoeing. The cars run along the main streets and some sidewalks had been cleared, but side streets were still full of snow, which had turned from white to gray.

Jonas is over now and has left a city full of snow and ice that will take weeks to disappear from the sidewalks. Meanwhile, the continuous bustle of people, beeping of cars and the sound of sirens are back.

Montse Zamorano

Montse's photographs let us discover a different, unpolluted and clean Manhattan, covered by a white mantle it becomes a pristine metaphor of itself. The images of a utopian purity for Manhattan are nothing but another delirious vision of Manhattan, transcribed by Montse Zamorano's exceptional pictures.

José Juan Barba

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Montse Zamorano Gañán (Madrid, 1985) is an architect specialized in architecture photography, always looking to integrate new strategies, tools and methods of marketing and branding for the outreach and support to architecture and design. 

She has photographed for architects such as Foster and Partners, Álvaro Siza or Héctor Fernández Elorza and published in architecture media such as Metalocus, TASCHEN, Casabella, Architectural Record, Arquitectura Viva or Detail. Her visual work has been finalist and selected in international awards and festivals and her pictures displayed in exhibitions in Madrid, Valencia, Milan and Shanghai. She greatly enjoys teaching and has lectured and conducted workshops in Harvard-GSD, Keio, Pratt, NJIT and ETSAM.

She studied architecture at the Polytechnic University of Madrid and IIT Chicago, and she holds a Master in Branding at SVA and a Master in Integrated Marketing from NYU as a Fulbright and LaCaixa Scholar.

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José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

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Published on: January 31, 2016
Cite:
metalocus, JOSÉ JUAN BARBA
"New York after winter storm Jonas" METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-york-after-winter-storm-jonas> ISSN 1139-6415
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