Picoplanktonics at the Canada Pavilion as part of the Biennale di Venezia by Living Room Collective

The Living Room Collective is a group of architects, scientists, artists and educators who work at the intersection of architecture, biology and digital fabrication technologies—led by Canadian architect and biodesigner Andrea Shin Ling. Alongside core team members Nicholas Hoban, Vincent Hui and Clayton Lee, the collective seeks to move society away from exploitative systems of production to regenerative ones by inventing design methods and processes that center on natural systems. They see the Biennale Architettura 2025 as a platform to generate national and international conversations that ask: How does one fabricate a biological architecture? What are the conditions of stewardship? What are the strategies to instigate this at scale, regionally and globally?

Andrea Shin Ling is an architect and biodesigner who works at the intersection of design, digital fabrication and biology. Her work focuses on how the critical application of biologically and computationally mediated design processes can move society away from exploitative systems of production to regenerative ones. She is the 2020 S+T+ARTS Grand Prize winner for her work as Ginkgo Bioworks’ creative resident designing the decay of artifacts in order to access material circularity. Andrea is a founder of designGUILD, a Toronto-based art collective, and was a researcher in the Mediated Matter group at the MIT Media Lab, where she worked on Aguahoja I, a 3D-printed bio-material pavilion. She is currently a doctoral fellow at the Chair of Digital Building Technologies at ETH Zurich.

Nicholas Hoban is a computational designer, fabricator and educator. He works at the intersection of computational design, robotics, construction and simulation in pedagogy, research and practice. Nicholas is the director of applied technologies at the John H. Daniels Faculty of Architecture, Landscape, and Design and a lecturer within the Daniels technology specialist program, leading various research and teaching labs while developing curriculum for studios and seminars on advanced fabrication and robotics within architecture. His research focuses on the application of robotics within fabrication and construction and on how we can solve critical problems in geometry through integrated processes. Nicholas was a lead fabricator and computational designer for two previous Venice Biennales: for the 2014 Canadian Pavilion for Lateral Office’s Arctic Adaptations and for the 2016 Swiss Pavilion for Christian Kerez’s Incidental Space.

Vincent Hui is a distinguished professor at Toronto Metropolitan University’s Department of Architectural Science, imparting knowledge across diverse domains from design studios to digital tools. His pedagogical excellence has earned him multiple teaching accolades, as he delves into the intersections of architecture, fabrication and allied disciplines. With over 25 years of experience, his extensive publication portfolio focuses on design pedagogy, simulation, prototyping and technological convergence, complemented by a rich body of creative work showcased globally. Collaborating with esteemed organizations such as the Royal Architectural Institute of Canada (RAIC), the Ontario Association of Architects (OAA) and the Canadian Architecture Students’ Association (CASA), Vincent endeavours to empower the next generation of designers, navigating emergent shifts in praxis. Committed to bridging academia and industry, he advocates for experiential learning initiatives and outreach endeavours for aspiring designers. His remarkable contributions have culminated in his induction into the esteemed RAIC College of Fellows.

Clayton Lee is a curator, producer and performance artist. He is currently the director (artistic) of the Fierce Festival, in Birmingham, UK. He was previously the director of the Rhubarb Festival, Canada’s longest-running festival of new and experimental performance, at Buddies in Bad Times Theatre. Clayton has also worked as creative producer on Jess Dobkin’s projects, including For What It’s Worth, her commission at the Wellcome Collection, in London, UK; as curatorial associate at the Luminato Festival; and as managing producer of the CanadaHub at the Edinburgh Festival Fringe. His performance projects have been presented in venues across Canada, the United States, the United Kingdom and New Zealand. He was one of the Art Gallery of Ontario’s 2023 artists-in-residence.