The China Pavilion presents the CO-EXIST exhibition, at the 19th International Architecture Exhibition - La Biennale di Venezia 2025, curated by Ma Yansong, founding architect and principal partner of MAD Architects.

Responding to the Biennale's main theme, "Intelligens. Natural. Artificial. Collective," the exhibition explores the evolving dynamics between traditional Chinese spiritual philosophy and the acceleration of contemporary technology.

In a current context dominated by the global transition from industrial civilization to the age of intelligence, CO-EXIST, curated by Ma Yansong, showcases twelve interdisciplinary proposals inspired by China's local traditions to reinterpret cultural heritage and reconnect emotion with nature.

"We hope that this collective presentation will mark a process of transformation, visible and openly debated, revealing the younger generations' interpretation of traditional Chinese culture, their proposals rooted in modernity, and their visions of the future. We believe we are entering a diverse, humanized, and emotionally rich era. In this context, our aim is to offer insights from China so that Chinese wisdom can be shared with the world."

Ma Yansong.

Using Eastern imagination and philosophies as its foundation, the pavilion represents the collective voice of emerging Chinese architects, collaborating with academic institutions, research centers, technological innovators, and digital ecology developers.

CO-EXIST. China Pavilion at the Biennale di Venezia by Ma Yansong. Photograph by Demone.

CO-EXIST. China Pavilion at the Biennale di Venezia by Ma Yansong. Photograph by Demone.

The work of the twelve exhibitors explores new methods for recognizing, adapting, and responding to the complexity and diversity of cities in local contexts. Their proposals illustrate visions of the future rooted in traditional Eastern roots, critiquing contemporary urban development. Framed within a "one place, one solution" approach, the architects merge time, discipline, and method to rethink new possible futures for China's cities, homes, and ways of life.

Highlighted Exhibitions

- 12 Rhythms in Liangzhu by the China Academy of Art, School of Communication and Design.
Interprets the sacrificial rituals and music of the city-state of Liangzhu, the cradle of Chinese civilization, as a dialogue between heaven, earth, and humanity.

- Dunhuang·Con-Stella-Tion by Atelier Alter Architects PLLC.
This piece reimagines the multi-religious vaults of Dunhuang as a floating urban cosmos. Each structure reflects the cosmology of a distinct civilization, embracing cultural differences and celebrating coexistence. 

CO-EXIST. China Pavilion at the Biennale di Venezia by Ma Yansong. Photograph by Demone.

CO-EXIST. China Pavilion at the Biennale di Venezia by Ma Yansong. Photograph by Demone.

- Spring, along Beijing's Central Axis by Dunes Workshop.
Following Beijing's successful bid to declare its Central Axis a UNESCO World Heritage Site in 2024, a video installation maps 10 key sites along the axis using point cloud animation, combining soundscapes of nature and humanity to visualize the axis as a living embodiment of ancient Chinese urban planning.

- Vault of Heaven by Wang Zigeng, Central Academy of Fine Arts.
The green building grids, ubiquitous in China's rapid urbanization, are transformed into a cascading dome inspired by the "sky" of ancient Chinese well architecture. The work interweaves fragmented memories of modernization into a spiritual dialogue between humans and the cosmos.

CO-EXIST. China Pavilion at the Biennale di Venezia by Ma Yansong. Photograph by Demone.

CO-EXIST. China Pavilion at the Biennale di Venezia by Ma Yansong. Photograph by Demone.

- Concrete Spolia: Reuse of Building Waste by [S]Equilibrium Lab, The Chinese University of Hong Kong. This installation repurposes construction waste concrete from Venice using advanced industrial processes. The resulting sculptural piece demonstrates the potential of sustainable reuse while preserving the structural logic of its original components.

- Renew City Plugins by People's Architecture Office; Long Ying Research Group, Tsinghua University.
This collaborative project explores urban revitalization through AI and open-source spatial analysis. Plugins are then deployed to modernize underutilized urban spaces, increasing efficiency and reactivating public life.

- City in China – Nature of All Things by WAY Studio; Tencent Research Institute.
Amid dense megacities, this concept envisions vertical urban ecologies that integrate botanical systems into bottom-up transportation infrastructure, reimagining skyscrapers as living networks.

CO-EXIST. China Pavilion at the Biennale di Venezia by Ma Yansong. Photograph by Demone.

CO-EXIST. China Pavilion at the Biennale di Venezia by Ma Yansong. Photograph by Demone.

- Open Source City by Red Product Design Center (Xiaohongshu/The Rednote).
By translating social media interaction data into spatial design elements, this project repositions everyday users as co-authors of the city, transforming digital behavior into dynamic public spaces.

- Interchange City by Drawing Architecture Studio.
This work celebrates informal, often overlooked spaces beneath highway overpasses. These marginalized areas are reframed as sites of human vitality and alternative urban narratives.

- Chinese Paper Umbrella by MAD.
Reinterpreting the Chinese paper umbrella through modern architectural logic, this installation creates an outdoor microclimatic space that is both practical and poetic, fusing tradition and environmental sensitivity.

More information

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Curator
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Architects
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Atelier Alter Architects PLLC , Zhang Yingfan, Bu Xiaojun. Drawing Architecture Studio,Li Han, Hu Yan, Zhang Xintong. Dunes Workshop , Li Yalun, Chen Feiyue, Zhang Daisy Ziyan. People’s Architecture Office, Long Ying Research Group, School of Architecture, Tsinghua University. MAD, Ma Yansong, Dang Qun, Yosuke Hayano. RED Product Design Center. China Academy of Art, School of Communication & Design, Jiang Jun. [S]Equilibrium Lab, The Chinese University of Hong Kong, Wang Shuaizhong. Wang Zigeng, Central Academy of Fine Arts. WAY Studio,Zheng Tao, Fernie Lai.

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Ministry of Culture and Tourism of the People's Republic of China.

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China International Culture Association.

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China Arts and Entertainment Group Ltd. (CAEG).

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Executive Agency
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China International Exhibition Agency.

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Embassy of the People's Republic of China in the Republic of Italy.

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Dang Qun, Yosuke Hayano, Fiona Qi Ziying, Pan Siyi, Li Ran, Huang Juntao, Zhu Yuanlong, Valentina Olivieri, Zheng Chengwen, Song Jia, Tammy Xie Xiaozhang, Cynthia Liu Qing, Liu Danyang, Li Yingzhou, Sammi Yu Qiannan, Wang Manwei, Aaron Jiang Kuo, Muse Miao Si, Zhang Zhonglin.
Technical Support Team.- RFR Shanghai, bespoke. Sur-Mesure Engineering Studio, RDesign International Lighting.
Graphic Design.- One Thousand Times, aptdotapt.
Exhibition Installation.- We Exhibit, Top Space (China) International Trade Co., Ltd.
Logistics.- Top Space (China) International Trade Co., Ltd.
Printing.- TONEKING, GREEN VIEW.
Editing and proofreading.- Deng Yingying, Wang Wenyang.

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10.05 > 11.11.2025.

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Arsenale - Magazzino Delle Cisterne, Castello 2169/F - 30122 Venezia, Italy.

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Demone.

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Ma Yansong is a Beijing-born architect (1975) recognized as an important voice in a new generation of architects. He graduated from the Beijing Institute of Civil Engineering and Architecture. Ma attended Yale University after receiving the American Institute of Architects Scholarship for Advanced Architecture Research in 2001 and holds a master's degree in Architecture from Yale. 

He shares his knowledge as an adjunct professor at the Beijing University of Civil Engineering and Architecture, Tsinghua University, and the University of Southern California. Ma Yansong's journey is a continuous narrative unfolding, exploring innovation and pushing the boundaries of what we perceive as the built environment.

Since the founding of MAD in 2004, his works in architecture and art have been widely published and exhibited. Ma Yansong was awarded the 2006 Architecture League Young Architects Award. In 2008 he was selected as one of the twenty most influential Young Architects today by ICON magazine and Fast Company named him one of the ten most creative people in architecture in 2009. In 2010 he became the first architect from China to receive a RIBA fellowship.

“I work with emotion and with the context. When I design a building, I close my eyes and feel as if I saw a virtual world which lays half way between the city, the nature and the land. It goes from large scale to small scale. Many things travel in front of my eyes; I feel them and try to find the way to express my feelings. The language I use is the least important of it all. It does not matter whether they are straight lines, curves... I only intend for people to feel the same or to find something unexpected” says Ma Yansong. “MAD is an attitude, a posture towards architecture, towards society. Through our work we want people to be inspired by a place through local nature, time and space”, he states.

Photograph by Daniel J.Allen

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mad is a Beijing-based architecture design office dedicated to creating innovative projects. Founded by Ma Yansong in 2004, MAD Architects is led by Ma Yansong, Dang Qun, and Yosuke Hayano. It is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. With a vision for the city of the future based on the spiritual and emotional needs of residents, MAD endeavours to create a balance between humanity, the city, and the environment.

MAD's projects encompass urban planning, urban complexes, municipal buildings, museums, theatres, concert halls, and housing, as well as art and design. Their projects are located in China, Canada, France, Italy, Japan, the Netherlands, and the United States. In 2006, MAD won the design competition for the Absolute Towers in Mississauga, Canada. Through this, MAD became the first Chinese architecture firm to build a significant high-rise project abroad. In 2014, MAD was selected as the principal designer for the Lucas Museum of Narrative Art in Los Angeles, USA, becoming the first China-based architecture firm to design an overseas cultural landmark. MAD’s signature cultural projects include Ordos Museum (2011, China), Harbin Opera House (2015, China), Tunnel of Light (2018, Japan), China Philharmonic Concert Hall (under construction), Yiwu Grand Theater (under construction), FENIX Museum of Migration in Rotterdam (under construction), Cloudscape of Haikou (2021, China), and Shenzhen Bay Culture Square (under construction). Other urban projects include the Clover House kindergarten (2015, Japan), Chaoyang Park Plaza (2017, China), China Entrepreneur Forum Conference Centre (2021, China), Jiaxing Train Station (under construction), Quzhou Sports Campus (under construction), and Nanjing Zendai Himalayas Center (under construction), among others.

While practising architecture, MAD documents and discusses its reflections on architecture, culture, and arts through publications, architectural exhibitions, as well as academic lectures and presentations. MAD’s publications include Mad Dinner, Bright City, MA YANSONG: From (Global) Modernity to (Local) Tradition, Shanshui City, and MAD X. MAD has organized and participated in several contemporary art and design exhibitions, including MAD X, a solo exhibition at the Centre Pompidou in 2019; Shanshui City, at UCCA in 2014; Feelings are Facts, a spatial experience exhibition with artist Ólafur Eliasson at UCCA in 2010; and MAD in China, a solo exhibition at the Danish Architectural Center, Copenhagen in 2007. MAD has participated in significant exhibitions at several iterations of the Venice Architecture Biennale and Milan Design Week. MAD has also participated in exhibitions at the Victoria and Albert Museum (London), the Louisiana Museum of Modern Art (Copenhagen), and MAXXI (Rome). An array of MAD’s architecture models have been acquired by the Centre Pompidou and M+ Museum (Hong Kong) as part of their permanent collections.

MAD has offices in Beijing (China), Jiaxing (China), Los Angeles (USA), and Rome (Italy).

Ma Yansong, Yosuke Hayano and Qun Dand.

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Published on: May 13, 2025
Cite:
metalocus, AGUSTINA BERTA
"CO-EXIST. China Pavilion at the Biennale di Venezia 2025 by Ma Yansong" METALOCUS. Accessed
<https://www.metalocus.es/en/news/co-exist-china-pavilion-biennale-di-venezia-2025-ma-yansong> ISSN 1139-6415
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