Ma Yansong, founder and senior partner of MAD Architects, is in charge of curating CO-EXIST, the China Pavilion at the 19th International Architecture Exhibition at la Biennale di Venezia 2025. The project will be carried out with the support of the Ministry of Culture and Tourism of the People's Republic of China.

CO-EXIST will bring together twelve groups of interdisciplinary exhibitors presenting ten works that show the current coexistence and clash between the spiritual philosophy of the Chinese tradition and the continuous and rapid advances of technology in the context of industrial civilization towards the age of intelligence.

The pavilion curated by Ma Yansong will show how four decades of urbanisation have marked Chinese society, Chinese architects are now facing the beginning of the Intelligent Age, a new challenge associated with today's society that encompasses such different but interrelated themes as ecological, social and cultural identity.

The exhibition will seek to make the user reflect on the definition of architecture, using it to generate multi-spatial experiences over a time supported by technological advances. As an answer or a further question to add to the visitor's thoughts, traditional Chinese wisdom on "nature" appears as a metaphor for emergence, inclusiveness, diversity and a continuum of imagination towards the coexistence of a whole in the cosmos(天人合一tian ren he yi).

Open Source City. Red Product Design Center. Pavilion of China by Ma Yansong.

Open Source City. Red Product Design Center. Pavilion of China by Ma Yansong.

CO-EXIST and its presented works draw inspiration from and cast imaginations upon this wisdom by stratifying diverse epochs, cross-disciplines, technological advancements, and methodologies, answering to the motion of "one place, one solution". It manifests itself more as a journey: Chinese architects working with different elements in search of an inclusive and sustainable path towards a new, diverse and humane era, an era imbued with emotional depth that firmly rejects the mundane.

"If the Industrial Era was about rationality and efficiency, the Intelligent Era must re-center humanity and nature. In classical Chinese philosophy, 'nature' is beyond the mainstream discord as symbols, materials, or techniques. It is a worldview of harmony between heaven and humanity, where the self and the cosmos intertwine as one, and all existence resonates with one’s emotions—gardens, architecture, and cities were all spatial manifestations of this wisdom".

Ma Yansong, founder and senior partner of MAD Architects, curator.

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Curator
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Organizer
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Ministry of Culture and Tourism of the People's Republic of China.

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Co-Organizer
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China International Culture Association.

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Commissioner
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China Arts and Entertainment Group Ltd. (CAEG).

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Executive Agency
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China International Exhibition Agency.

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Supporter
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Embassy of the People's Republic of China in the Republic of Italy.

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Dates
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10.05 > 23.11.2025.

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Arsenale - Magazzino Delle Cisterne, Castello 2169/F - 30122 Venezia, Italy.

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Ma Yansong is a Beijing-born architect (1975) recognized as an important voice in a new generation of architects. He graduated from the Beijing Institute of Civil Engineering and Architecture. Ma attended Yale University after receiving the American Institute of Architects Scholarship for Advanced Architecture Research in 2001 and holds a master's degree in Architecture from Yale. 

He shares his knowledge as an adjunct professor at the Beijing University of Civil Engineering and Architecture, Tsinghua University, and the University of Southern California. Ma Yansong's journey is a continuous narrative unfolding, exploring innovation and pushing the boundaries of what we perceive as the built environment.

Since the founding of MAD in 2004, his works in architecture and art have been widely published and exhibited. Ma Yansong was awarded the 2006 Architecture League Young Architects Award. In 2008 he was selected as one of the twenty most influential Young Architects today by ICON magazine and Fast Company named him one of the ten most creative people in architecture in 2009. In 2010 he became the first architect from China to receive a RIBA fellowship.

“I work with emotion and with the context. When I design a building, I close my eyes and feel as if I saw a virtual world which lays half way between the city, the nature and the land. It goes from large scale to small scale. Many things travel in front of my eyes; I feel them and try to find the way to express my feelings. The language I use is the least important of it all. It does not matter whether they are straight lines, curves... I only intend for people to feel the same or to find something unexpected” says Ma Yansong. “MAD is an attitude, a posture towards architecture, towards society. Through our work we want people to be inspired by a place through local nature, time and space”, he states.

Photograph by Daniel J.Allen

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mad is a Beijing-based architecture design office dedicated to creating innovative projects. Founded by Ma Yansong in 2004, MAD Architects is led by Ma Yansong, Dang Qun, and Yosuke Hayano. It is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. With a vision for the city of the future based on the spiritual and emotional needs of residents, MAD endeavours to create a balance between humanity, the city, and the environment.

MAD's projects encompass urban planning, urban complexes, municipal buildings, museums, theatres, concert halls, and housing, as well as art and design. Their projects are located in China, Canada, France, Italy, Japan, the Netherlands, and the United States. In 2006, MAD won the design competition for the Absolute Towers in Mississauga, Canada. Through this, MAD became the first Chinese architecture firm to build a significant high-rise project abroad. In 2014, MAD was selected as the principal designer for the Lucas Museum of Narrative Art in Los Angeles, USA, becoming the first China-based architecture firm to design an overseas cultural landmark. MAD’s signature cultural projects include Ordos Museum (2011, China), Harbin Opera House (2015, China), Tunnel of Light (2018, Japan), China Philharmonic Concert Hall (under construction), Yiwu Grand Theater (under construction), FENIX Museum of Migration in Rotterdam (under construction), Cloudscape of Haikou (2021, China), and Shenzhen Bay Culture Square (under construction). Other urban projects include the Clover House kindergarten (2015, Japan), Chaoyang Park Plaza (2017, China), China Entrepreneur Forum Conference Centre (2021, China), Jiaxing Train Station (under construction), Quzhou Sports Campus (under construction), and Nanjing Zendai Himalayas Center (under construction), among others.

While practising architecture, MAD documents and discusses its reflections on architecture, culture, and arts through publications, architectural exhibitions, as well as academic lectures and presentations. MAD’s publications include Mad Dinner, Bright City, MA YANSONG: From (Global) Modernity to (Local) Tradition, Shanshui City, and MAD X. MAD has organized and participated in several contemporary art and design exhibitions, including MAD X, a solo exhibition at the Centre Pompidou in 2019; Shanshui City, at UCCA in 2014; Feelings are Facts, a spatial experience exhibition with artist Ólafur Eliasson at UCCA in 2010; and MAD in China, a solo exhibition at the Danish Architectural Center, Copenhagen in 2007. MAD has participated in significant exhibitions at several iterations of the Venice Architecture Biennale and Milan Design Week. MAD has also participated in exhibitions at the Victoria and Albert Museum (London), the Louisiana Museum of Modern Art (Copenhagen), and MAXXI (Rome). An array of MAD’s architecture models have been acquired by the Centre Pompidou and M+ Museum (Hong Kong) as part of their permanent collections.

MAD has offices in Beijing (China), Jiaxing (China), Los Angeles (USA), and Rome (Italy).

Ma Yansong, Yosuke Hayano and Qun Dand.

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Published on: May 4, 2025
Cite:
metalocus, SARA GENT
"A pilgrimage between times. Pavilion of China by Ma Yansong" METALOCUS. Accessed
<https://www.metalocus.es/en/news/pilgrimage-between-times-pavilion-china-ma-yansong> ISSN 1139-6415
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