The Institut Ramon Llull presents the exhibition of Catalonia in Venice's proposal, "Water Parliaments: Projective Ecosocial Architectures," which is part of the collateral events of the 19th International Architecture Exhibition - La Biennale di Venezia 2025.

Taking as a starting point the United Nations' assertion that "the climate crisis is, above all, a water crisis," curators Eva Franch i Gilabert, Mireia Luzárraga and Alejandro Muiño propose a reinterpretation of architecture based on a multispecies collaborative practice, where an interdependence between humans, non-humans, and water systems is evident.

The project by Eva Franch i Gilabert, Mireia Luzárraga and Alejandro Muiño was developed based on the premise of how these systems, including streams, deltas, swamps, and marshes, shape different cultural landscapes, each of which features structures and typologies that have historically supplied land users. To develop the project structure, they relied on four different elements.

The curators focused on studying the areas of Catalonia, Valencia, and the Balearic Islands for their exhibition, collaborating with various institutions to develop multidisciplinary workshops with scientists, artists, farmers, and activists, in which they aimed to identify existing conflicts and propose solutions together. They called this element of the project structure "Futures Laboratories."

Water Parliaments . Photography by Flavio Coddou

Water Parliaments . Photography by Flavio Coddou.

Another element they used was this exhibition, which features two distinct spaces. The first presents the research, posing questions to the user while inviting them to participate in the research, proposing their points of view and experiences. The second space offers a sensorial experience of the study, where models and installations, such as fog cycles and audiovisual media, are presented under a common fabric, explaining how water shapes societies and the lands they inhabit.

The other two elements are The Book and The Atlas. The Libor is a compilation of 100 new water-related terms, described by contributors from around the world. The Atlas, on the other hand, is an online repository, updated through collaborative work, and contains past, current, and future initiatives on water resource management. Among these are architectures, organizations, individuals, collectives, and events that place water governance at the center of the debate.

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Exposition
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Water Parliaments: Projective Ecosocial Architectures.

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Collaborator
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Graphic Design.- Arauna + Paratext.

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Developer
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Institut Ramon Llull.

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Dates
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10.05 > 23.11.2025.

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Locatio
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Docks Cantieri Cucchini. San Pietro di Castello 40A, 30122 Venezia.

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Photography
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José Hevia, Flavio Coddou.

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Takk (Mireia Luzárraga + Alejandro Muiño) is a space for architectural production focused on the development of experimental and speculative material practices in the intersection between nature and culture in the contemporary framework, with a special attention on the overcoming of anthropocentrism on its different ways (political, ecological, cultural, ​on gender...), and also on the definition of new notions of beauty through the articulation of the difference by assembling a multiplicity of materials from different origins and conditions, paying attention both to their physical properties and to their symbolic associations.

Mireia Luzárraga (Madrid, 1981) and Alejandro Muiño (Barcelona, 1982) are architects since 2008 graduated with honours for Escuela Técnica Superior de Arquitectura de Madrid (ETSAM-UPM) and Escuela Técnica Superior de Arquitectura del Vallés (ETSAV-UPC) respectively and M.Arch. Architects for Universidad Internacional de Cataluña (ESARQ-UIC).

Their work has been awarded and distinguished in several national and international competitions. Some of them are: Fad Award on Architecture 2011 for the Project The walls Are Coming Down (2011) on the Ephemeral Interventions Group, Fad Award on Architecture Shortlisted for the Project Dreamhouse (2013), and they have been catalogued on the two last editions of the Arquia Próxima Award for architects under 40 in Spain. Besides, Takk has been awarded with the first Price for the built projects Paradís (2012) and Dreamhouse (2013), has won an Honourable Mention in the 1st Award on Social Architecture of the Konecta Foundation 2012 for the project Suitcase House, and has been invited to participate on the Open Innovation Platform in the Spanish Pavilion on the XIII International Exhibition of the Venice Biennale in 2012. Their work has been distinguised in national and international platforms such as Europan or Pasajes-iGuzzini and it has been published in magazines such as OnDiseño, D+A, Pasajes de Arquitectura y Crítica, AV Proyectos, Arquitectura COAM or Arquine among others. They have been exhibited at the Centre de Cultura Contemporánea de Barcelona (CCCB), the International Art Fair ARCOmadrid, the Cultural Center las Cigarreras at Alicante, and the FAD (Fomento del Arte y del Diseño).

Additionally to this profesional practice, Takk is developing a framework in the field of research and teaching. Mireia Luzárraga and Alejandro Muiño are teachers in the Projects Department of the Universidad de Alicante (UA), on the Instituto Europeo di Design in Madrid (IED Madrid), and Master Tutors in the Institute of Advanced Architecture of Catalonia in Barcelona(IAAC). They have also participated as teachers in different workshops and summer schools and have explained their work in several lectures internationally.

At the present time, Mireia and Alejandro combine their profesional and teaching labour with the development of their respective PhD Thesis on the politics of ornament and self sufficient micro-communities. They have been granted for them with the scholarship “Junior Faculty – La Caixa”.
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Eva Franch i Gilabert (Deltebre, 1978) is an architect, curator, professor, and international lecturer. She specialises in experimental art forms and architectural practice, as well as the development of histories and futures of alternative architecture. She began her higher education studies at the Barcelona School of Architecture in 1996, where she completed her Master of Architecture with honours in 2003. Between 2001 and 2002, she participated in an exchange program at the Technical University of Delft, the Netherlands.

In 2004, after completing her studies, she founded her independent practice, OOAA (Office of Architectural Affairs), where she develops social and architectural projects related to housing and public space. Throughout her career, she has maintained a multifaceted, creative, and deeply investigative trajectory.

From 2010 to 2018, she was chief curator and executive director of Storefront for Art and Architecture in New York, one of the world's most groundbreaking centers for architecture. Founded in 1982, Storefront is a non-profit organization dedicated to promoting the most innovative forms of architecture, art, and design. Through exhibitions, lectures, publications, and performances, it serves as a forum for critical dialogue and experimentation, funded by its members and private donations.

In 2014, with the OfficeUS project—an experimental office for the production of history, ideas, and work—Franch was selected by the U.S. Department of State to represent the country at the 14th Venice Architecture Biennale. During her tenure at Storefront, she spearheaded projects such as Architecture Conflicts, Letters to the Mayor, World Wide Storefront, Storefront TV, and Manifesto Series, among others. Exhibitions included Sharing Models, Measure, POP: Protocols, Obsessions, Aesthetic-Anaesthetic Positions, Past, Present, Future Futures, and Shameless: Showcase for Sale.

One of her most significant projects is Letters to the Mayor, which invites architects to write letters to the mayors of their cities to open a dialogue about the urban future. The project has had more than ten editions in cities such as New York, Mexico City, Buenos Aires, Athens, Taipei, and Madrid.

In March 2018, she was elected director of the Architectural Association School of Architecture in London (AA) by the school's members. However, in July 2020, she was removed after receiving a vote of no confidence from the AA community.

Franch has taught at the GSAPP at Columbia University, IUAV Venice, SUNY Buffalo, and Rice University, and is currently a professor at the Cooper Union School of Architecture. She has served as a juror, guest critic, and lecturer at over fifty academic and cultural institutions worldwide. She has also served on advisory and nominating committees, including the Hong Kong Design Trust, Ideas City, +Pool, and YAP PS1-MoMA.

Her work has been exhibited internationally, including at the FAD in Barcelona, the Venice Architecture Biennale, the Vitra Design Museum, and the Shenzhen and Hong Kong Biennale of Urbanism and Architecture. Her publications include Agenda (2014), Atlas (2015), and Manual (2017), published by Lars Müller as part of OfficeUS. Upcoming publications include The Book of Architecture, Books and Letters to the Mayor.

She has been interviewed and published in media such as AD, Arquine, Bauwelt, Domus, Dwell, El País, the New York Times, Metropolis, MOUSE, UP, Rolling Stone, and Surface Magazine, consolidating her presence as one of the most critical and provocative voices in contemporary architecture.

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Published on: July 16, 2025
Cite:
metalocus, IRENE ÁLAMO MARTÍN, PABLO GARCÍA-BLANCO MANSILLA
"Humans, non-humans and water. Water Parliaments" METALOCUS. Accessed
<https://www.metalocus.es/en/news/humans-non-humans-and-water-water-parliaments> ISSN 1139-6415
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