"Stonelife" is the exhibition for the 19th International Architecture Exhibition - La Biennale di Venezia 2025, curated by Andrés Jaque, architect of the Office for Political Innovation, together with Gokce Ustunisik, mineralogist at the Department of Geology and Geological Engineering and curator of minerals at the Geology Museum of the University of South Dakota, United States.

Transgressing the idea that commonly associates stones with the inanimate, the opposite of life, the exhibition highlights the importance they have had, and continue to have, in the processes of colonization and extractivism. Throughout history, how rocks have been cut, ground, polished, and plastified evidences the violence inflicted on the different ecosystems and human communities that depend on them.

Contemporary building preservation practices often destroy the lithoecosystems of stone ecology. In response, the exhibition curated by Andrés Jaque / Office for Policy Innovation proposes to address the trans-scalar relationships that exist between marginalized microbial communities across the planet and how their re-articulation can challenge the material foundations of global colonial carbonization.

The biology of stones surpasses that of forests and oceans in its capacity to permanently sequester atmospheric carbon through biomineralization. Minerals, bacteria, fungi, algae, and lichens are intrinsically inseparable and mutually co-produce through mineral-microbial sociability.

"Stonelife" at the Bienal de Venecia by Andrés Jaque / OFFPOLINN. Photograph by José Hevia.

"Stonelife" at the Bienal de Venecia by Andrés Jaque / OFFPOLINN. Photograph by José Hevia.

In response to planetary challenges, it is necessary to care for and venerate lithoecosystems, as diverse cultures around the world do. Far from destroying buildings, these lithoecosystems contribute crucially to the structural performance of ceramic and stone infrastructures.

The "Stonelife" exhibition, located in the second hall of the Arsenale, integrates a series of digitally controlled nozzles that spray a solution containing microbial DNA onto the stones, creating the necessary conditions to multiply the carbon mineralization ecologies that exist in the stones' outer crust. As conceived by certain practices and cosmologies of Aboriginal, Quechua, Aymara, and Lakota peoples, stones are an extensive planetary site for interspecies mutual care.

"Stonelife" at the Bienal de Venecia by Andrés Jaque / OFFPOLINN. Photograph by José Hevia.

"Stonelife" at the Bienal de Venecia by Andrés Jaque / OFFPOLINN. Photograph by José Hevia.

Considering the immeasurable presence of stone facades around the world, if the application of this methodology were widespread, much of the built environment would become a planetary-scale climate repair infrastructure. The stone facades would grow, becoming a massive repository of crystallized carbon.

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Exhibitors
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Andrés Jaque / Office for Political Innovation
In partnership with Gokce Ustunisik (Department of Geology & amp; Geological Engineering and Curator of Minerals at Museum of Geology, South Dakota Mines University).

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Project team
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Office for Political Innovation.- Roberto González, Gema Marín.

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Collaborators
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Technical Collaborators.- Tanvi Govil, South Dakota School of Mines and Technology, United States; José María Miñarro,
M-Marble / 18 Pies de Altura; Antonio Alfonso, Toni Postius, Aqualife Sistemas de Nebulización.

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Dates
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10.05 > 11.11.2025.

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Location
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19th International Architecture Exhibition. Venice, Italy.

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Photography
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José Hevia.

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Video Edition
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Alicia Buades.

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Office for Political Innovation (OFFPOLINN) es un estudio de arquitectura internacional, con sede en Nueva York y Madrid, que trabaja en la intersección del diseño, la investigación y las prácticas ambientales críticas. La oficina desarrolla proyectos que transcurren a través de escalas y medios, con el objetivo de integrar la inclusividad en el entorno construido.

Actualmente, la oficina trabaja en proyectos para Thyssen Bornemisza Art Contemporary, CA2M, Real Madrid, Colegio Reggio y Grupo La Musa; y entre sus clientes se incluyen Lafayette Anticipations, Victoria & Albert Museum, Museum of Modern Art MoMA, Art Institute of Chicago, Fundación Cisneros, Empresa Municipal de la Vivienda y Suelo de Madrid, Matadero-Madrid, Obispado de Plasencia, Feria ARCO, London Design Museum, Power Station of Art (Shanghai), Fundació Mies van der Rohe y MAK Vienna.

En 2016, OFFPOLINN recibió el Premio Frederick Kiesler de Arquitectura y Artes de la Ciudad de Viena. El estudio también ha sido galardonado con el LEÓN DE PLATA al Mejor Proyecto de Investigación en la 14.ª Bienal de Venecia y con el Premio Dionisio Hernández Gil.

La obra de OFFPOLINN forma parte de las colecciones del MoMA y del Instituto de Arte de Chicago, entre muchas otras, y ha sido objeto de exposiciones individuales en el MoMA, el MoMA PS1, el MAK de Viena, la Universidad de Princeton, el Centro de Arte Contemporáneo RED CAT Cal Arts de Los Ángeles, la Cité de l’Architecture et du Patrimoine de París y Tabacalera de Madrid. También se ha exhibido en el Instituto de Arte de Chicago, el Zentrum für Kunst und Medien ZKM (Karlsruhe), el Museo de Diseño de Londres, la Whitechapel Gallery (Londres), el Z33 (Hasselt), el Museo Suizo de Arquitectura (Basilea), las trienales de arquitectura de Lisboa y Oslo, y las bienales de arquitectura de Venecia, Chicago, Gwanju, São Paulo, Santiago de Chile y Seúl.

Andrés Jaque, holds a Ph.D. in architecture. He is the founder of the Office for Political Innovation, an international architectural practice, based in New York and Madrid, working at the intersection of design, research, and critical environmental practices.. He is also the Dean of the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York.

In 2014 he received the Silver Lion at the 14th Mostra Internazionale di Architettura, Biennale di Venezia.

He is the author of award-winning projects such as Plasencia Clergy House (Dionisio Hernández Gil Prize), House in Never Never Land (Mies Van der Rohe European Union Award's finalist), TUPPER HOME (X Bienal Española de Arquitectura y Urbanismo), or ESCARAVOX (COAM Award 2013). He has also developed architectural performances as well as installations that question political frameworks through architectural practice; including IKEA Disobedients (MoMA Collection, 2011); PHANTOM. Mies as Rendered Society (Mies Barcelona Pavilion, 2012) or Superpowers of Ten (Lisbon Triennale, 2014).

Andrés Jaque is a Professor of Advanced Design at Columbia University's Graduate School of Architecture, Planning, and Preservation (GSAPP) and Visiting Professor at Princeton University's School of Architecture.

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Published on: May 9, 2025
Cite:
metalocus, AGUSTINA BERTA
""Stonelife". The microbeplanetary infrastructure of lithoecosystems by Andrés Jaque / OFFPOLINN" METALOCUS. Accessed
<https://www.metalocus.es/en/news/stonelife-microbeplanetary-infrastructure-lithoecosystems-andres-jaque-offpolinn> ISSN 1139-6415
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