OMA. The show was held in the spectacular space, also designed by the Dutch architectural firm, known as the Deposito de la Fondazione Prada in Milan.

As usual, the event generated great excitement due to the innovative vision of Miuccia Prada and Raf Simons, whose designs often anticipate the upcoming season's trends. The Deposito has been transformed for the occasion: completely cleared, letting natural light in through its high windows, while a series of flower-shaped rugs in shades of white, black, and blue partially cover the concrete floor of this space.

The Prada show is always one of the most anticipated events of Milan Fashion Week, which, since 2018, has been held in this space of the Fondazione Prada, known as the Deposito. This space has been used as a blank canvas for the various runways, designed by AMO, the research laboratory of the Rotterdam-based architecture studio OMA, directed by Rem Koolhaas. On this occasion, architects and designers decided to toast a more positive future and seemed to have said: let there be light.

By opening the Depot's usually covered windows, the exhibition space was flooded with a brilliant light that allowed us to admire its raw, industrial beauty.

The Milanese brand has collaborated with the studio for over 25 years, a partnership that began in 1999, when Prada approached OMA to refurbish its New York store on Broadway. The simple wooden steps leading down into the store and its spectacular manipulation of scale have since become one of the most recognized manifestos of fashion retail.

oma amo prada 2026 deposito

Prada’s show set at Milan Fashion Week S/S 2026, with the Deposito space at Fondazione Prada windows opened, allowing light in. Photograph courtesy of Prada.

Project description by AMO/OMA

The design of the Prada Spring/Summer 2026 Menswear show is a simple intervention that exposes the Deposito as it is. A powerful setting in its own right, the space has rarely been shown in its bare form.

After many seasons, its windows are opened, allowing natural light in during the show. The full height and raw surfaces of the room become visible, forming a natural backdrop. The seating is placed directly against the walls, leaving the center open. A layer of oversized flower-shaped carpets covers the concrete floor – the show’s most visible addition. Their form and material are deliberately familiar and unassuming, intended not to draw attention away from the space itself. Models enter through a small door within the building and exit directly outdoors, allowing the show to extend into the surroundings.

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Architects
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AMO/OMA. Partner.- Rem Koolhaas. Associate.- Giulio Margheri.

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Project team
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Luisa Carvalho (Project architect), Ayung Byeon, Raffaele Guercia.

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Client
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Area / dimensions
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The warehouse is part of the approximately 4,700 m² added to the complex following its completion in 2018.

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Dates
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20-23 June, 2025.

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Venue / Location
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Fondazione Prada’s Deposito space. Largo Isarco, 2. 20139 Milan (MI), Italy.
LatLng.- (45.44421, 9.205370000000016).

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Photography
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Courtesy of Prada.

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AMO is the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas in 1999. Applying architectural thinking to domains beyond building, AMO has worked with Prada, the European Union, Universal Studios, Amsterdam’s Schiphol airport, Condé Nast, Harvard University, and the Hermitage. It has produced exhibitions, including Expansion and Neglect (2005) and When Attitudes Become Form: Bern 1969/Venice 2013 (2013) at the Venice Biennale; The Gulf (2006), Cronocaos (2010), Public Works (2012), and Elements of Architecture (2014) at the Venice Architecture Biennale; and Serial Classics and Portable Classics (both 2015) at Fondazione Prada, Milan and Venice, respectively.

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a coloured "barcode" flag – combining the flags of all member states – that was used during the Austrian presidency of the EU.

AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced exhibitions at the Venice Architecture Biennale, including The Gulf (2006), Cronocaos (2010) and Public Works (2012) and for Fondazione Prada including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its principle publication Elements. Other notable projects are a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. 

OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Simone Veil Bridge in Bordeaux (2024), LANTERN in Detroit (2024), Mangalem 21 in Tirana (2023), Aviva Studios – Factory International in Manchester (2023), Apollolaan 171 in Amsterdam (2023), Buffalo AKG Art Museum in Buffalo (2023), Toranomon Hills Station Tower in Tokyo (2023), Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. 

AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: June 28, 2025
Cite:
metalocus, SARA GENT
"Prada SS26 Menswear collection show for Spring Summer 2026 by AMO/OMA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/prada-ss26-menswear-collection-show-spring-summer-2026-amooma> ISSN 1139-6415
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