After 17 years of planning and construction, Lishui Airport, designed by MAD Architects, has begun operations. It is located in a valley in the mountainous region of Zhejiang province, about 15 kilometers southwest of downtown Lishui, China.

This large-scale project with its complex topography, which involved significant earthworks to overcome large differences in elevation, includes a terminal with eight aircraft parking spaces and a transport center that functions as a civic space, an ecological landmark, and a place of psychological transition, rethinking the concept of an airport and linking it to urban life.

MAD Architects got the inspiration from the surrounding landscape, using it as the architectural concept for Lishui Airport. The design follows the natural contours of the terrain, integrating seamlessly with its smooth, continuous volumes of fluid geometry. The building thus resembles a white bird perched atop the mountains.

The structure comprises fourteen umbrella-shaped columns supporting a double-layered roof. The exterior is clad in aluminum panels, while the interior features warm, naturally textured materials. The transparent envelope blurs the boundary between interior and exterior, framing the views of the stunning landscape in which it is situated.

Lishui Airport by MAD. Photograph by CreatAR Images

Lishui Airport by MAD. Photograph by Ding Junhao.

Project description by MAD Architects

The Lishui Airport in Zhejiang Province, designed by MAD, has officially begun operations, marking the region's first direct connection to China’s national aviation network. Initiated in 2,008 and completed after 17 years of planning and construction, the project signals a new chapter for the mountainous region of southwestern Zhejiang.

Located about 15 kilometers southwest of Lishui’s center, the airport sits within a low mountain and foothill valley shaped through extensive land reclamation. The construction required significant earthworks with cut-and-fill differences reaching nearly 100 meters in certain areas. As a result, Lishui Airport ranks amongst the most topographically complex airport projects in East China.

The airport site spans 2,267 hectares. The terminal building measures approximately 12,000 square meters and includes eight aircraft parking bays. In its initial phase, the airport is designed to handle up to one million passengers annually, alongside a cargo throughput capacity of 4,000 tons.

Aeropuerto de Lishui por MAD. Fotografía por CreatAR Images.
Lishui Airport by MAD. Photograph by Arch-Exist.

Traditionally conceived as purely functional infrastructure, airports are often detached from daily urban life. With Lishui Airport, MAD proposes an alternative model: a transportation hub that also operates as a civic space, an ecological landmark, and a place of psychological transition, offering travellers a moment of calm within the movement of travel.

The architectural concept draws directly from the surrounding landscape. The terminal follows the natural contours of the site, integrating its gentle slope into the terrain. Soft, continuous volumes and fluid geometries give the building the appearance of a white bird resting quietly among the mountains and forests.

The terminal’s double-layered roof is clad in silver-white aluminium panels, creating a compact yet expressive silhouette that responds to changing light and weather. The roofline evokes the imagery of mist-covered hills and birds in flight, allowing the architecture to register as part of the broader landscape rather than an isolated object.

Lishui Airport by MAD. Photograph by CreatAR Images.
Lishui Airport by MAD. Photograph by CreatAR Images.

"We used materials with warm tones and natural textures to create a bright and airy interior. By adopting a one and a half story layout, the airport remains compact, while supporting daily comfort and engaging in a dialogue with nature."

Ma Yansong.

Fourteen umbrella-shaped structural columns support the lightweight roof, while wood-toned interior grilles introduce warmth and visual rhythm. At the roof’s apex, a spindle-shaped skylight brings daylight deep into the terminal, animating the interior with changing natural light.

Transparent curtain walls dissolve the boundary between inside and outside, framing views of the surrounding mountains. The first-floor lobby varies in height, ranging from approximately 4.5 meters to 13 meters, creating a carefully calibrated spatial experience that avoids the excess scale typical of large transport halls while reducing energy consumption. Narrow acoustic slots integrated between interior panels help absorb noise, contributing to a quieter and more comfortable waiting environment.

Lishui Airport by MAD. Photograph by Blackstation.

Lishui Airport by MAD. Photograph by Blackstation.
Lishui Airport by MAD. Photograph by Blackstation.

The terminal is organized around a one-and-a-half-story sectional strategy, anchored by a double-height entrance hall that links the ground-floor arrival spaces with the upper-level departure lounge. This compact vertical organization streamlines passenger circulation while maintaining visual continuity across levels.

Below the terminal, a sunken parking structure follows the natural terrain. A landscaped central promenade runs beneath the building, guiding passengers intuitively towards the departure hall and resolving the challenges posed by the mountainous site through architectural continuity rather than separation.

The design also anticipates future growth. Under the long-term master plan, passenger capacity is projected to reach 1.8 million by 2,030 and 5 million by 2,050, with provisions for the addition of an international terminal.

Lishui Airport by MAD. Photograph by CreatAR Images.
Lishui Airport by MAD. Photograph by CreatAR Images.

By the end of 2,025, Lishui Airport will operate multiple domestic destinations, establishing connections to major economic centers and key tourist regions, while positioning the airport as both an infrastructure gateway and a civic threshold to the city. 

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Architects
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MAD architects. Principal Partners in Charge.- Ma Yansong, Dang Qun, Yosuke Hayano.
Associate Partners in Charge.- Liu Huiying, Kin Li.

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Project team
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Sun Shouquan, Zhang Xiaomei, Peng Kaiyu, Lei Lei, Yang Xuebing, Sun Mingze, Luo Yiyun, Yin Jianfeng, Punnin Sukkasem, Zhu Yuhao, Yao Ran.

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Collaborators
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Executive Architects.- CAAC NEW ERA AIRPORT DESIGN INSTITUTE COMPANY LIMITED. 
Interior Design.- MAD, Shanghai Xian Dai Architectural Decoration & Landscape Design Research Institute CO., Ltd.
Façade Consultant.- RFR Shanghai.
Landscape Consultant.- Z' scape Landscape Planning and Design, Huadong Engineering Corporation Limited.
Architecture and Landscape Lighting Consultant.- Ning field lighting design Corp., Ltd.
Interior Lighting Consultant.- Shanghai Xian Dai Architectural Decoration & Landscape Design Research Institute CO., Ltd.

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Client
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Lishui Airport Construction Headquarters.

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Builders
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Beijing Construction Engineering Group.

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Area
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Site Area.- 2,267 hectares.
Building Area.- 12,100 sqm.
Building Height.- 23.95 m.

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Dates
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2018 to 2025.

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Location
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Lishui, China.

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Photography
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mad is a Beijing-based architecture design office dedicated to creating innovative projects. Founded by Ma Yansong in 2004, MAD Architects is led by Ma Yansong, Dang Qun, and Yosuke Hayano. It is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. With a vision for the city of the future based on the spiritual and emotional needs of residents, MAD endeavours to create a balance between humanity, the city, and the environment.

MAD's projects encompass urban planning, urban complexes, municipal buildings, museums, theatres, concert halls, and housing, as well as art and design. Their projects are located in China, Canada, France, Italy, Japan, the Netherlands, and the United States. In 2006, MAD won the design competition for the Absolute Towers in Mississauga, Canada. Through this, MAD became the first Chinese architecture firm to build a significant high-rise project abroad. In 2014, MAD was selected as the principal designer for the Lucas Museum of Narrative Art in Los Angeles, USA, becoming the first China-based architecture firm to design an overseas cultural landmark. MAD’s signature cultural projects include Ordos Museum (2011, China), Harbin Opera House (2015, China), Tunnel of Light (2018, Japan), China Philharmonic Concert Hall (under construction), Yiwu Grand Theater (under construction), FENIX Museum of Migration in Rotterdam (under construction), Cloudscape of Haikou (2021, China), and Shenzhen Bay Culture Square (under construction). Other urban projects include the Clover House kindergarten (2015, Japan), Chaoyang Park Plaza (2017, China), China Entrepreneur Forum Conference Centre (2021, China), Jiaxing Train Station (under construction), Quzhou Sports Campus (under construction), and Nanjing Zendai Himalayas Center (under construction), among others.

While practising architecture, MAD documents and discusses its reflections on architecture, culture, and arts through publications, architectural exhibitions, as well as academic lectures and presentations. MAD’s publications include Mad Dinner, Bright City, MA YANSONG: From (Global) Modernity to (Local) Tradition, Shanshui City, and MAD X. MAD has organized and participated in several contemporary art and design exhibitions, including MAD X, a solo exhibition at the Centre Pompidou in 2019; Shanshui City, at UCCA in 2014; Feelings are Facts, a spatial experience exhibition with artist Ólafur Eliasson at UCCA in 2010; and MAD in China, a solo exhibition at the Danish Architectural Center, Copenhagen in 2007. MAD has participated in significant exhibitions at several iterations of the Venice Architecture Biennale and Milan Design Week. MAD has also participated in exhibitions at the Victoria and Albert Museum (London), the Louisiana Museum of Modern Art (Copenhagen), and MAXXI (Rome). An array of MAD’s architecture models have been acquired by the Centre Pompidou and M+ Museum (Hong Kong) as part of their permanent collections.

MAD has offices in Beijing (China), Jiaxing (China), Los Angeles (USA), and Rome (Italy).

Ma Yansong, Yosuke Hayano and Qun Dand.

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Ma Yansong is a Beijing-born architect (1975) recognized as an important voice in a new generation of architects. He graduated from the Beijing Institute of Civil Engineering and Architecture. Ma attended Yale University after receiving the American Institute of Architects Scholarship for Advanced Architecture Research in 2001 and holds a master's degree in Architecture from Yale. 

He shares his knowledge as an adjunct professor at the Beijing University of Civil Engineering and Architecture, Tsinghua University, and the University of Southern California. Ma Yansong's journey is a continuous narrative unfolding, exploring innovation and pushing the boundaries of what we perceive as the built environment.

Since the founding of MAD in 2004, his works in architecture and art have been widely published and exhibited. Ma Yansong was awarded the 2006 Architecture League Young Architects Award. In 2008 he was selected as one of the twenty most influential Young Architects today by ICON magazine and Fast Company named him one of the ten most creative people in architecture in 2009. In 2010 he became the first architect from China to receive a RIBA fellowship.

“I work with emotion and with the context. When I design a building, I close my eyes and feel as if I saw a virtual world which lays half way between the city, the nature and the land. It goes from large scale to small scale. Many things travel in front of my eyes; I feel them and try to find the way to express my feelings. The language I use is the least important of it all. It does not matter whether they are straight lines, curves... I only intend for people to feel the same or to find something unexpected” says Ma Yansong. “MAD is an attitude, a posture towards architecture, towards society. Through our work we want people to be inspired by a place through local nature, time and space”, he states.

Photograph by Daniel J.Allen

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Published on: February 10, 2026
Cite:
metalocus, SARA GENT
"In a mountain valley. Lishui Airport by MAD" METALOCUS. Accessed
<https://www.metalocus.es/en/news/mountain-valley-lishui-airport-mad> ISSN 1139-6415
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