17 years ago on March 6, 2000, the same year of the death of its author, it was announced the imminent declaration of BIC of the emblematic tower of BBVA designed by Fco. Javier Sáenz de Oiza. The proposal arrived almost hidden behind the fear of its demolition and having as reference the demolition of the building of the "Pagoda" of Miguel Fisac. It was not so fast and has taken a lot more than desirable, but finally, yesterday was confirmed by Paloma Sobrini the statement of the building as BIC, Bien de Interés Cultural, one of the maximum urban qualifications that can receive a building for its protection and conservation.

With 107 meters of height, 37 floors and little more than 36 years (the project was built between 1978 and 1981), the current tower, designed by Fco Javier Sáenz de Oiza, was initially known as the tower of Banco Bilbao, through BBV and BBVA. Now, after its sale and a rather respectful remodeling realized by the study of Ruíz Barbarín Arquitectos, happens to be well-known like Castellana 81, is a reference of the architecture of the XX century in Madrid and Spain, the tower rises in one of the Corners of the Castellana, in the block known as AZCA, an area with shopping centers and offices where it was tried to emulate the modernity image of American cities in the 1970s.
 

The environment affected by the BIC declaration covers an area of 3.97 hectares, also covering the perimeter road of Paseo de la Castellana, some interior streets of the AZCA complex and a series of parcels whose modification could affect the contemplation of the BIC, whose exterior has remained unchanged, except in corporate logos as I mentioned earlier.


The project was launched by Banco Bilbao to create its new headquarters in Madrid, a modern financial district in the capital of the same level as that proposed in other European capitals. The formula chosen was to start with a restricted competition. To this contest were invited architects such as Corrales and Molezún, Antonio Bonet, the team of Rafael de La-Hoz Arderius, Gerardo Olivares and José Chastang, Miró and Fco Javier Sáenz de Oiza.

The project would be win by Oiza. The young architects or students Francisco Alonso, Javier Azofra, Alfonso Valdés, José Carlos Velasco and Javier Vellés collaborated with Oíza in the competition for this project. After winning the contest, in 1972 Oiza renewed completely almost of his collaborators, but that is a little known history, that some day I will count.

The situation of the plot chosen for the competition had advantages and disadvantages. Its visibility turns the tower in the entrance from the Castellana to the Azca complex, an indisputable referent on the most important road axis within the city, La Castellana. One of the major technical difficulties for its execution was the fact that it was built on the tunnel of the railroad that runs through "La Castellana", which forced to the project team to have a damped foundation. The design and calculation of the structure counted with the collaboration of engineers Carlos Fernández Casado, Javier Manterola and Leonardo Fernández Troyano.

Structure

The structural solution has two large "cores" of concrete - located on both sides of the train tunnels - through which the loads of the structure are transmitted to the ground and through which the facilities and communications conduits run. The central frame supports six prestressed concrete platforms and each one supports five floors of metal structure, in total 37 plants, including  installations plants. Of them, every five plants, depart strong cantilevers and slabs, on which, by means of metallic pillars , The technical plants are raised. This structural arrangement is reflected in its façades, from the outside.

Façade system

The façade is independent of the structure, and is realized with a curtain wall in "rusty" steel (a material that oxidizes on its outer face, while protecting itself against atmospheric corrosion), the façade is marked with unique maintenance walkways that run all the perimeter of the tower in each one of the levels, this elements characterize the exterior image of the building. The facade is finished with bronze tinted windows, aluminum carpentry that is hidden by the steel plates that are screwed to the profiles (in the current reform even new bronze screws have been made to replace the worn ones).

Francisco Javier Sáenz de Oíza. (Cáseda, 12 October 1918 - Madrid, 18 July 2000) was a Spanish architect and influential practitioner of the modernist movement in Spain. He studied architecture in Madrid. After a study trip to the United States, in 1949 he returned to Madrid where he started teaching at the School of Architecture, later becoming its director. Among the numerous awards he received in Spain are the National Architecture Award (1954), Gold Medal for Architecture (1989) and the Prince of Asturias Award (1993). Sáenz is considered to be one of the most influential Spanish architects during the second half of the 20th century. He died of cancer in 2000.

One of his most notable projects was the Torres Blancas high-rise apartment and office building in Madrid. With a height of 71 metres, it was built between 1964 and 1969. The façade consists of cylindrical volumes crowned by round overhanging balconies. Other notable projects include the Arantzazu Basilica in Oñati, the Torre Triana administrative building in Seville, the Spanish embassy in Brussels, the Public University of Navarra in Pamplona, the remodelling of an old palace in Las Palmas, Gran Canaria, into the Atlantic Centre of Modern Art, and the Banco de Bilbao Tower in Madrid.
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José Juan Barba (1964) architect from ETSA Madrid in 1991. Special Mention in the National Finishing University Education Awards 1991. PhD in Architecture ETSAM, 2004. He founded his professional practice in Madrid in 1992 (www.josejuanbarba.com). He has been an architecture critic and editor-in-chief of METALOCUS magazine since 1999, and he advised different NGOs until 1997. He has been a lecturer (in Design, Theory and Criticism, and Urban planning) and guest lecturer at different national and international universities (Roma TRE, Polytechnic Milan, ETSA Madrid, ETSA Barcelona, UNAM Mexico, Univ. Iberoamericana Mexico, University of Thessaly Volos, FA de Montevideo, Washington, Medellin, IE School, U.Alicante, Univ. Europea Madrid, UCJC Madrid, ESARQ-U.I.C. Barcelona,...).

Maître de Conférences IUG-UPMF Grenoble 2013-14. Full assistant Professor, since 2003 up to now at the University of Alcalá School of Architecture, Madrid, Spain. And Jury in competitions as Quaderns editorial magazine (2011), Mies van der Rohe Awards, (2010-2024), Europan13 (2015). He has been invited to participate in the Biennale di Venezia 2016 as part "Spaces of Exception / Spazi d'Eccezione".

He has published several books, the last in 2016, "#positions" and in 2015 "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi " and collaborations on "Spaces of Exception / Spazi d'Eccezione", "La Mansana de la discordia" (2015), "Arquitectura Contemporánea de Japón: Nuevos territorios" (2015)...

Awards.-

- Award. RENOVATION OF SEGURA RIVER ENVIRONMENT, Murcia, Sapin, 2010.
- First Prize, RENOVATION GRAN VÍA, “Delirious Gran Vía”, Madrid, Spain, 2010.
- First Prize, “PANAYIOTI MIXELI Award”. SADAS-PEA, for the Spreading of Knowledge of Architecture Athens, 2005.
- First Prize, “SANTIAGO AMÓN Award," for the Spreading of Knowledge of Architecture. 2000.
- Award, “PIERRE VAGO Award." ICAC -International Committee of Art Critics. London, 2005.
- First Prize, C.O.A.M. Madrid, 2000. Shortlisted, World Architecture Festival. Centro de Investigación e Interpretación de los Ríos. Tera, Esla y Orbigo, Barcelona, 2008.
- First Prize. FAD AWARD 07 Ephemeral Interventions. “M.C.ESCHER”. Arquin-Fad. Barcelona, Sapin 2007.

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