Apple Flagship Store in Washington D.C.’s Historic Carnegie Library, it is official. The plans to create an Apple store in Washington, are moving forward, thanks to the approval of the Historic Preservation Review Board (HPRB).
Starting this fall, construction is expected to begin in order to convert the 113 years old structure into an Apple store, the second one in the city, inside the historic building of Carnegie Library at Mount Vernon Square in Washington DC. Lease terms have not yet been finalized, but the expected proposal is for 10 years with two five-year extensions.

Apple is working with London’s Foster + Partners and Beyer Blinder Belle on the project.

According to the staff report and recommendation filed with the HPRB, “The preservation benefits of this project far outweigh the drawbacks—especially on the exterior.”

According to the HPRB staff report, the most significant changes proposed to the building’s interior include removing the original laylights from the Great Hall ceiling in order to create a new retail atrium. In this space, a video screen will be installed, and “circulation bridges” will connect the upper floors. The sales floor will also be tree-lined and with a skylight overtop.
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Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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