2022 marks the 100th anniversary of the birth of Alvar Aalto's second architect wife, Elsa-Kaisa Mäkiniemi / Elissa Aalto. To commemorate the occasion, the Alvar Aalto Foundation inaugurates the exhibition "Architect Elissa Aalto, a touring exhibition" on the work of this interesting architect.

The exhibition will open at Lappia Hall, Rovaniemi, from August 25 to September 26, 2022, subsequently touring Alvar Aalto's cities in Finland. The exhibition sheds light on Elissa Aalto's public and private role in everyday life alongside her famous husband and in Alvar Aalto's architect's office.
The mayor of Rovaniemi, Ulla-Kirsikka Vainio, says that this exhibition marks a new opportunity to show Alvar and Elissa Aalto’s life’s work and contribution to the development of Rovaniemi’s cityscape: “Aalto’s architecture is central to the day-to-day life of our city. The architecturally unique area around the Administrative and Cultural Centre that glows with Arctic light offers citizens a precious, pleasant place to meet, for which we also have to thank the continuer of Alvar Aalto’s life’s work, Elissa Aalto.”

Born in Kemi in 1922, Elissa Aalto (née Elsa Kaisa Mäkiniemi) graduated as an architect in 1949. She began working in Alvar Aalto’s architect’s office in the autumn of that same year, when it was working on some sizeable public commissions and several architecture competitions in Finland and abroad. As her responsibilities grew, Elissa was made supervising architect on a number of major building projects, the first being Säynätsalo Town Hall (1949–52). In between working, in 1952 she would marry Alvar Aalto.


Elissa Aalto viewing architectural drawings. Photograph by Stig Bergström, courtesy of Alvar Aalto Foundation.

From the 1950s onwards, Elissa Aalto led the construction of the campus of Jyväskylä College of Education (now the University of Jyväskylä, 1951–71) and, being fluent in French, was put in charge of the building project for Maison Louis Carré (1956-65, the studio's only construction in France), a private house near Paris. She became a partner in Alvar Aalto Architects early on. In the following decades, Elissa Aalto was closely involved in the construction of the Nordic House culture centre (1962−68) in Reykjavik, Iceland, and in the interior design of the Finlandia Hall concert and congress centre (1962–75) on the shores of Töölönlahti Bay in Helsinki. Over the years, she developed into a skilled interpreter and mediator of Alvar Aalto’s ideas, a role that was accentuated when maintaining contacts during construction projects.

Elissa Aalto’s own architecture output was to be relatively small. Projects known to be her own, independent designs include the SOS Children’s Village in Tapiola, Espoo (1964–65) and the Villa Hauta-aho (1982–83) private house in Seinäjoki. In the 1950s, she made printed-fabric designs for Artek, such as H55, Pisa and Patio, in which architectural elements were playfully incorporated into geometrical shapes.


Lappia-talo, Lappia Hall (1961–75), Rovaniemi, Finland. Photograph by Maija Holma, courtesy of Alvar Aalto Foundation.


Ristinkirkko. Church of the Cross (1969–79), Lahti, Finland. Photograph by Maija Holma, courtesy of Alvar Aalto Foundation.

Elissa Aalto’s work reflects a forward-looking mindset

After the death of her husband, Elissa Aalto ran the office from 1976 to 1994, and she completed several unfinished projects. She completed, for example, the Church of the Cross in Lahti (1969-1979); the Santa Maria Assunta church (1966-1980) in Riola, Italy; and the Essen opera house, the Aalto Theater, in Germany (1959, 1983–88). He also oversaw the construction of the Jyväskylä Theater (1964–82), the Seinäjoki Theater (1981–87), the Rovaniemi City Hall (1963–88), and the Lappia Hall (1961–75), thus completing the extensive plans for the centre of the city ​​created by Alvar Aalto.
 
Elissa Aalto also played an important role as custodian of Alvar Aalto's life's work. For 45 years, she worked alongside Aalto and then continued his work. “The numerous projects carried out and the series of valuable buildings carefully renovated are permanent milestones in Elissa Aalto's life's work. She played a significant role in the discussion of its architectural heritage and the preservation of its buildings of it, and she co-founded the Alvar Aalto Foundation in 1968,” says Alvar Aalto Foundation Executive Director Tommi Lindh.

She was behind the transfer of the collection of drawings, photographs and documents from the architect's office to the property of the Alvar Aalto Foundation, thus keeping everything in one place and making it one of the rare collections of drawings in the world to be kept intact.

Elissa Aalto's centenary is commemorated at the Alvar Aalto Foundation in various ways throughout the year. Aalto's studio is showing an exhibition of Elissa Aalto's life work, and there are guided tours focusing on her at the Foundation's museums in Jyväskylä and Helsinki. To mark the anniversary, the Foundation has launched the Elissa Aalto 100 product range. The Alvar Aalto Foundation will publish a book on Elissa Aalto in the autumn. The centenary celebrations culminate on November 22, Elissa Aalto's 100th birthday.

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25 August to 26 September 2022.
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Lappia Hall. Jorma Eton tie 8 A. 96100 - Rovaniemi, Finland.
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Elsa-Kaisa Mäkiniemi / Elissa Aalto, (22.11.1922–12.4.1994) graduated as an architect in Helsinki in 1949 and commenced work at Alvar Aalto’s architect’s office in that same year. She began using the name Elissa after marrying Alvar Aalto in 1952.

Elissa Aalto worked in Aalto’s office at a time when several competitions and sizeable public commissions were underway. She worked hard as one of the office’s architects and was soon put in charge of a number of major building projects, such as Säynätsalo Town Hall and Maison Louis Carré.

The newly-wed Alvar and Elissa designed the Muuratsalo Experimental House to be their summer residence. As Alvar Aalto grew older, Elissa’s role in the office as the conveyor of Aalto’s ideas was accentuated. After Aalto’s death, Elissa ran the office, carrying to completion several unfinished projects, such as Seinäjoki Civic Centre, the Aalto Theatre in Essen, and Riola Church. Several complementary construction and renovation projects on completed Aalto buildings were also carried out under Elissa’s leadership.

Elissa Aalto also made independent architecture designs: of which we can mention Villa Hauta-aho (1982–83) in Seinäjoki and the SOS Children’s Village in Tapiola, Espoo (1960–70). She also designed textile patterns such as H55, shown at the Helsingborg Exhibition in 1955, which was in Artek’s range.

Implementing Alvar Aalto’s architecture designs and fostering his intellectual heritage formed Elissa Aalto’s major life’s work. She worked actively on behalf of the Vyborg Library restoration project and took part in the discussion about conserving Aalto’s buildings.

Elissa was a long-term resident of the Aalto House on Riihitie road in Helsinki and also continued to spend summers in the Muuratsalo Experimental House right up to the end of her life. In her will, Elissa Aalto left the Experimental House in the care of the Alvar Aalto Museum, under the ownership of the City of Jyväskylä, and as a place for museum audiences to visit. It was on Elissa’s initiative that Studio Aalto was sold to the Alvar Aalto Foundation in 1984.
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Alvar Aalto (1898-1976) qualified as an architect from Helsinki Institute of Technology (later Helsinki University of Technology and now part of the Aalto University) in 1921. He set up his first architectural practice in Jyväskylä. His early works followed the tenets of Nordic Classicism, the predominant style at that time. In the late 1920s and early 1930s, he made a number of journeys to Europe on which he and his wife Aino Marsio, also an architect, became familiar with the latest trends in Modernism, the International Style.

The pure Functionalist phase in Aalto’s work lasted for several years. It enabled him to make an international breakthrough, largely because of Paimio Sanatorium (1929-1933), an important Functionalist milestone. Aalto had adopted the principals of user-friendly, functional design in his architecture. From the late 1930s onwards, the architectural expression of Aalto’s buildings became enriched by the use of organic forms, natural materials and increasing freedom in the handling of space.

From the 1950s onwards, Aalto’s architectural practice was employed principally on the design of public buildings, such as Säynätsalo Town Hall (1948-1952), the Jyväskylä Institute of Pedagogics, now the University of Jyväskylä (1951-1957), and the House of Culture in Helsinki (1952-1956). His urban design master plans represent larger projects than the buildings mentioned above, the most notable schemes that were built being Seinäjoki city centre (1956-1965/87), Rovaniemi city centre (1963-1976/88) and the partly built Jyväskylä administrative and cultural centre (1970-1982).

From the early 1950s onwards, Alvar Aalto’s work focused more and more on countries outside Finland, so that a number of buildings both private and public were built to his designs abroad. Some of his best-known works include Villa Mairea, Noormarkku, Finland (1937–1939), the Finnish Pavilion at the 1939 New York World's Fair, Baker House, Massachusetts Institute of Technology, Cambridge, Massachusetts, USA (1947–1948), Helsinki University of Technology, Espoo, Finland (1949–1966), The Experimental House, Muuratsalo, Finland (1953) or Essen opera house, Essen, Germany (1959–1988).

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Published on: August 23, 2022
Cite: "Architect Elissa Aalto: Touring exhibition. Centenary" METALOCUS. Accessed
<https://www.metalocus.es/en/news/architect-elissa-aalto-touring-exhibition-centenary> ISSN 1139-6415
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