A study carried out three years after the opening to the world of Little Island, the urban oasis project of just one hectare developed by Heatherwick Studio on the Hudson River in New York City, demonstrates the great social impact it has had for the city ​​and for understanding, through an international approach to public space.

Described by visitors as beautiful and uplifting, the project, which attracts more than 1.5 million visitors a year from a wide variety of backgrounds, is a brilliant creative destination where visitors, according to the report, will feel appreciated and taken care for.
The increasingly pressing need for green public spaces generated by the growth of cities gives rise to an international debate that Heatherwick Studio generates from this study to amplify the social debate of the park, with the aim of finding the best way to create and manage urban parks in response to the demand of today's cities.

The study carried out speaks of the great qualities of integration of the space, characteristic of its scenic, inclusive and social value, where both artists and visitors of very diverse nationalities feel welcomed, represented and integrated.


Great social impact study of Little Island for its third anniversary. Photograph by Hufton+Crow.

Little Island may only be 2.4 acres but it makes a super-sized social impact, a new study has shown three years after it opened to the world.

The research examined who uses this free public park and asked what visitors, artists and staff think about the space. It found that:
 
- Little Island attracts over 1.5 million visitors each year from a very diverse range of backgrounds and locations.  70% came from outside New York City and 30% were New York City residents.
- These visitors describe it as beautiful and uplifting, and a place to gather. They feel relaxed and happy in the park, and many people comment on the playfulness of the design and the sense of escape.
- 94% of visitors say Little Island is a place for people like them.
- At least 26 of the 47 alumni of a workforce development programme for young people who live in NYC are currently employed (including 10 by Little Island and 16 elsewhere) while 7 are pursuing full-time education.


Great social impact study of Little Island for its third anniversary. Photograph by Hufton+Crow.

The study shows that Little Island has also become a bright new creative destination for New York. In 2022, the park hosted over 200 free performances and art workshops and over 30 ticketed performances. The following year, in 2023, it commissioned 44 individual artists based in the city and presented 69 unique performances.

These artists say they value the scenic environment and many of them want to return to present their work at the park. Fair pay and a coherent curatorial approach were cited as crucial reasons why performers value working here.  
 
“I think the biggest thing for me is the Amph. It's just a performance space unlike any other in New YorkI feel appreciated as an artist, the way they take care of us.”
An artist comments during the research.
 
“It’s simply not a given that public space gets better over time. In fact, we can all think of places where the opposite is true. That’s why social impact studies matter. It’s a chance to listen. We’ve dug deep into the experience of New Yorkers to better understand how this river-top park is serving the city and now we plan to share those lessons with practitioners all over the world.”
Mat Cash, a Partner and Group Leader at Heatherwick studio.

By 2050, 68% of the world’s population will live in cities, and as they grow, the need for green public space becomes ever more pressing, both for the climate and the community. Little Island and Heatherwick Studio will be using this study to amplify the social impact of the park and to encourage an ongoing international debate about the best way to make and manage 21st century urban parks.

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Architects
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Location
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55 Hudson Greenway, New York City, USA.
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Landscape architecture
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Signe Nielsen (of landscape architecture firm MNLA).
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Thomas Heatherwick established in 1994, Heatherwick Studio recognised for its work in architecture, urban infrastructure, sculpture, design and strategic thinking. Today a team of 180, including architects, designers and makers, works from a combined studio and workshop in Kings Cross, London.

At the heart of the studio’s work is a profound commitment to finding innovative design solutions, with a dedication to artistic thinking and the latent potential of materials and craftsmanship. This is achieved through a working methodology of collaborative rational inquiry, undertaken in a spirit of curiosity and experimentation.

In the twenty years of its existence, Heatherwick Studio has worked in many countries, with a wide range of commissioners and in a variety of regulatory environments. Through this experience, the studio has acquired a high level of expertise in the design and realisation of unusual projects, with a particular focus on the large scale.

The studio’s work includes a number of nationally significant projects for the UK, including the award-winning UK Pavilion at the Shanghai World Expo 2010, the Olympic Cauldron for the London 2012 Olympic Games, and the New Bus for London.

Thomas is an Honorary Fellow of the Royal Institute of British Architects; a Senior Research Fellow at the Victoria & Albert Museum; and has been awarded Honorary Doctorates from the Royal College of Art, University of Dundee, University of Brighton, Sheffield Hallam University and University of Manchester.

He has won the Prince Philip Designers Prize, and, in 2004, was the youngest practitioner to be appointed a Royal Designer for Industry. In 2010, Thomas was awarded the RIBA’s Lubetkin Prize and the London Design Medal in recognition of his outstanding contribution to design.

In 2013 Thomas was awarded a CBE for his services to the design industry.

 

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