Berlin firm Studio Other Spaces, in collaboration with six co-designers from different disciplines, has been chosen to carry out one of the exhibitions that will take place in the Central Pavilion of the Gardens of the 17th International Architecture Exhibition of La Biennale di Venezia.

On this occasion, the Biennale is organized under the slogan of “How will we live together?”, And following this guideline, the authors screened an exhibition that tries to decipher what the multilateral assemblies of the future will be like, based, of course, on what the UN model, with the problems that afflict our planet today.
Studio Other Spaces, founded by artist Olafur Eliasson and architect Sebastian Behmann, proposes a new experience created from collaborative work, not only in terms of design but through the contributions of other actors involved in the Biennale. For this, the authors decided to invite all participants to collaborate imagining an element "more than human" that should be represented in the exhibition.

It is precisely these two strategies that end up defining the main concepts that make up the proposal: the meta-exposure and the displacement of the anthropocentric role of human beings. The latter, specifically oriented to face the climate crisis, encourages reflection on new collective imaginaries where space, design and architecture can have non-human, diverse and inclusive approaches.

Biennale Architettura 2021 Studio Other Spaces designs Future Assembly the “collective exhibition within the Exhibition” in the Central Pavilion, Giardini

Venice, 22 April 2021 – On the occasion of Earth Day, La Biennale di Venezia announces Future Assembly, the collective exhibition within the 17th International Architecture Exhibition, a collaboration between Studio Other Spaces and six co-designers. “We believe our future imaginaries - they stated - must include the more-than-human – that which both includes and exceeds humanity”.

Following the call by the curator of the Biennale Architettura 2021, Hashim Sarkis, to envision a space at the centre of the exhibition where all participants can come together, Studio Other Spaces and the project co-designers have proposed a multilateral contribution on the mezzanine of the Central Pavilion at the Giardini.
 
“By bringing together this year Biennale Architettura participants in this unique “exhibition within the Exhibition” the Future Assembly reaffirms the power of the collective imaginary and architecture’s vital role in visualizing and enabling a more inclusive future.”
Hashim Sarkis

Represented by its founders, artist Olafur Eliasson and architect Sebastian Behmann, Studio Other Spaces (SOS) is collaborating especially for this occasion with Caroline Jones, professor of art history; Hadeel Ibrahim, activist; Kumi Naidoo, ambassador for Africans Rising for Justice, Peace and Dignity; Mariana Mazzucato, professor and founding director of the Institute for Innovation and Public Purpose at University College London; Mary Robinson, chair of the Elders and adjunct professor of climate justice at Trinity College, Dublin; Paola Antonelli, senior curator of architecture and design at the Museum of Modern Art, New York.

As this year’s selection of architects, designers, and artists is the most geographically diverse in the history of the Biennale, SOS feels it is a unique opportunity to come together to reflect on the UN-inspired question, What could a multilateral assembly of the future look like? The project designers have invited all Biennale Architettura 2021 participants to imagine and choose a more-than-human stakeholder that they believe should be represented in Future Assembly. The walls surrounding the overall mezzanine of the Central Pavilion chart a living collection of attempts by humans to recognise and secure the rights of nature during the 75-year history of the UN Charter. It spurs the question, what will the next 75 years bring?
 
“The United Nations – the paradigm for a multilateral assembly of the twentieth century – was founded in 1945 in response to political, social, economic, and humanitarian crises. Today, an equally radical response is needed to the urgent, human-propelled climate crisis. Future Assembly is structured around reciprocity, collaboration, and coexistence. This extends to our design approach: Imagination of possible futures requires us to find novel ways of spatially representing diverse nonhuman agencies so they may take a seat at the table.”
SOS and the co-designers of Future Assembly
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Architects
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Project Team
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Co-designers.- Caroline Jones. Hadeel Ibrahim. Kumi Naidoo. Mariana Mazzucato. Mary Robinson. Paola Antonelli.
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22.05 > 21.11.2021
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Central Pavilion, Giardini, Venice, Italy.
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Studio Other Spaces, founded by artist Olafur Eliasson and architect Sebastian Behmann in Berlin in 2014, connects art and architecture through works on interdisciplinary and experimental building projects and artworks for public space.

Seeking to expand the practice of architecture, they aim at finding experiment-based methods for designing space. Their involvement begins by analyzing the situation and results in the reality of the built project. Their work reflects their approach to a holistic architecture practice.

Olafur Eliasson (Copenhagen, 1967) studied at the Royal Academy of the Arts in Copenhagen between 1989 and 1995. He represented Denmark in the 2003 Venice Biennale and has exhibited his work at numerous international museums. His work is part of private and public collections such as the Solomon R. Guggenheim Museum in New York, The Museum of Contemporary Art (MOCA) in Los Angeles and Tate Modern in London, where his seminal work The weather project was exhibited. Eliasson lives and works in Berlin and Copenhagen.

Eliasson represented Denmark at the 50th Venice Biennale in 2003 and later that year installed The weather project at Tate Modern, London. Take your time: Olafur Eliasson, a survey exhibition organised by SFMOMA in 2007, travelled until 2010 to various venues, including the Museum of Modern Art, New York.

As a professor at the Universität der Künste Berlin, Eliasson founded the Institut für Raumexperimente (Institute of Space Experiments) in 2009, an innovative model of arts education. In 2012, he launched Little Sun, a solar-powered lamp developed together with the engineer Frederik Ottesen to improve the lives of the approximately 1.6 billion people worldwide without access to electricity. Harpa Reykjavik Concert Hall and Conference Centre, for which he created the façade in collaboration with Henning Larsen Architects, was awarded the Mies van der Rohe Award 2013.

Sebastian Behmann. Architect Sebastian Behmann, born in Germany in 1969, has worked with Olafur Eliasson since 2001 and is head of the department of design at Studio Olafur Eliasson, as well as co-founder of Studio Other Spaces. Major projects with Eliasson include the Serpentine Gallery Pavilion 2007 in London, Cirkelbroen (The circle bridge) in Copenhagen (2015), and Fjordenhus in Vejle, Denmark (2009–18), in addition to numerous installations, pavilions, and international exhibitions.
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Sebastian Behmann. Architect Sebastian Behmann, born in Germany in 1969, has worked with Olafur Eliasson since 2001 and is head of the department of design at Studio Olafur Eliasson, as well as co-founder of Studio Other Spaces. Major projects with Eliasson include the Serpentine Gallery Pavilion 2007 in London, Cirkelbroen (The circle bridge) in Copenhagen (2015), and Fjordenhus in Vejle, Denmark (2009–18), in addition to numerous installations, pavilions, and international exhibitions.
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​Olafur Eliasson (Copenhagen, 1967) studied at the Royal Academy of the Arts in Copenhagen between 1989 and 1995. He represented Denmark in the 2003 Venice Biennale and has exhibited his work at numerous international museums. His work is part of private and public collections such as the Solomon R. Guggenheim museum in New York, The Museum of Contemporary Art (MOCA) in Los Angeles and Tate Modern in London, where his seminal work The weather project was exhibited. Eliasson lives and works in Berlin and Copenhagen.

Eliasson represented Denmark at the 50th Venice Biennale in 2003 and later that year installed The weather project at Tate Modern, London. Take your time: Olafur Eliasson, a survey exhibition organised by SFMOMA in 2007, travelled until 2010 to various venues, including the Museum of Modern Art, New York.

As professor at the Universität der Künste Berlin, Eliasson founded the Institut für Raumexperimente (Institute of Space Experiments) in 2009, an innovative model of arts education. In 2012, he launched Little Sun, a solar-powered lamp developed together with the engineer Frederik Ottesen to improve the lives of the approximately 1.6 billion people worldwide without access to electricity. Harpa Reykjavik Concert Hall and Conference Centre, for which he created the façade in collaboration with Henning Larsen Architects, was awarded the Mies van der Rohe Award 2013.

Verklighetsmaskiner (Reality machines) at t he Moderna Museet in Stockholm in 2015, became the museum’s most visited show by a living artist. In 2016 Eliasson created a series of interventions for the palace and gardens of Versailles, including an enormous artificial waterfall that cascaded into the Grand Canal.

His other projects include Studio Other Spaces, an international office for art and architecture which he founded in Berlin in 2014 with  architect Sebastian Behmann; and Little Sun, a social business and global project providing clean, affordable light  and encouraging sustainable development, with engineer Frederik  Ottesen.

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Published on: April 25, 2021
Cite: "Collective meta-exhibition at the 17th Venice Architecture Biennale. Future Assembly by Studio Other Spaces" METALOCUS. Accessed
<https://www.metalocus.es/en/news/collective-meta-exhibition-17th-venice-architecture-biennale-future-assembly-studio-other-spaces> ISSN 1139-6415
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