The design for the new science building at 120th St and Broadway has its origins in the historic Morningside Heights campus plan designed by McKim, Mead and White for Columbia University in 1897.

The architects determined very early on that the new building should respect the McKim Meade & White plan; that it would measure just sixty-five feet in width, and would retain the same separation from its neighbors as indicated in that plan.

Because of the construction of the Manhattanville Campus to the north, the new building was able to provide a much-needed gateway to the old campus for pedestrian traffic to and from the new campus to the north. Drawings and photographs of the Northwest Corner Building following the break.


© Michael Moran Studio

Architects.- Rafael Moneo, Davis Brody Bond Aedas and Moneo Brock Studio
Location.- New York City, New York, USA
Lead Designer.- José Rafael Moneo
Design Project Architect.-
Moneo Brock Studio
Lead Designers.- Belen Moneo and Jeff Brock
Associate Architect.- Davis Brody Bond Aedas
Partner-in-Charge.- William Paxson
Contractor.- Turner Construction Company
Structural/Mechanical Engineer.- Ove Arup & Partners Consulting Engineers
Facade Consultant.- R.A. Heintges & Associates
Geotechnical Engineer.- Mueser Rutledge Consulting Engineers
Environmental Engineer.- Rowan Williams Davies & Irwin
Landscape Consultant.- Langan Engineering & Environmental Services
Lighting.- Fisher Marantz Stone
Cost Estimating: Wolf and Company
Project Management.- Columbia University Facilities – Capital Project Management
Client.- Columbia University
Project Area.- 188,000 sqf
Project Year.- 2010

 

Second floor plan

Once the urban and campus-scale approach had been defined, the principle design challenge was to develop fluid connections between street traffic and the campus some 30 feet higher on a building site severely compromised by the presence of an existing structure, the Francis S. Levien Gymnasium, which occupies the majority of the ground plane. The vast majority of the new building had to be built over the existing gymnasium, while the site’s remaining free area, a mere 65-foot square area at the corner of 120th and Broadway, had to fit elevators, mechanical systems, complex structure and program. The escalators, stairs and café are organized so that the open space of the campus level plaza is visible from all key points along the path from the building’s street entry to the café and on up to the campus level lobby and library. The view of the open space of the campus above is meant to draw the building’s users through the entry and to welcome them to the University.

West Elevation. Broadway.

The structural feat of spanning 125 feet over the existing gym is the defining gesture of the project. The seven double-height floors of open laboratory space suspended above the library and gym below, with the commensurate structural requirements of forty-foot clear spans and a very stiff floor construction, required a sophisticated structural design. A concept of bracing the façade plane in its entirety was developed with ARUP engineers. The boldest expression of this gesture is given to the library, made completely free of columns and occupying the interstitial space between the roof of the gym below and the great mass of the new building overhead. The ellipses or gaps in the McKim Meade and White description of the campus perimeter are here given a twist, with a horizontally disposed interstice suggesting a communication between the campus interior and the street below.

First floor plan.

The irregularity of the pattern of diagonals in the façade is a direct response to the distortion of the otherwise symmetrical loading patterns extent in the simple, prismatic form of the basic structure, distortions exerted by anomalies in the building’s exterior form and interior disposition of structural reinforcements. The cantilevered “bridges” connecting the Science building to its neighbors, the trusses for lateral bracing embedded in the plan, the suspension of the classroom and café spaces (which were also required to be column free), and the eccentricity of the central longitudinal column line, all exert their influence upon the perimeter frame. The building’s own architecture, the specific architectural responses made to accommodate the varied programmatic requirements, constitutes the lion’s share of the input that gave the frame its final composition. The powerful and conspicuous structure becomes the virtual substance of its architecture.

Est (Campus) Elevation.

In the building’s façades the structural frame is represented by a pattern of aluminum fins, creating a patchwork of light and shadow, and the building’s mass appears a shimmering prismatic structure sitting atop a carved stone pedestal. The campus-side façade is almost entirely glass, revealing the interior workings of the building and again emphasizing openness and a connection to the campus community. The new building houses 45,000sf of laboratory space for Physics, Chemistry and Biology and supporting classrooms, offices and study spaces. Additional program includes a 13,000sf research library, a 170-seat auditorium, a public café and a new ‘game day’ entrance to the University’s Gymnasium.

North section.

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José Rafael Moneo Vallés (born May 9. Tudela, Navarra,1937) is a Spanish architect. He was won the Pritzker Prize for architecture in 1996. He studied at the ETSAM, Technical University of Madrid (UPM) from which he received his architectural degree in 1961. From 1958 to 1961 he worked with the architect Francisco Javier Sáenz de Oiza in Madrid and from 1961-62 in Hellebaeck, Denmark with Jørn Utzon. In 1963 he was awarded a fellowship at the Spanish Academy in Rome. Upon his return to Spain in 1965, he opened his office in Madrid and began teaching at the Escuela Técnica Superior of Madrid.

In 1970 he won a teaching chair in architectural theory at the Escuela Técnica Superior of Barcelona. From 1980 to 1985 he was chaired professor of composition at the Escuela Técnica Superior of Madrid. He has taught architecture at various locations around the world and from 1985 to 1990 was the chairman of Harvard Graduate School of Design, where he is the first Josep Lluís Sert Professor of Architecture. In 1991 he was named Josep Lluís Sert Professor of Architecture at Harvard University Graduate School of Design where he continues to lecture as Professor Emeritus. He became Academic Numerary in the Academia de Bellas Artes de San Fernando in Madrid in May 1997.

Spanish constructions of his design include the renovation of the Villahermosa Palace (Thyssen-Bornemisza Museum) in Madrid, the National Museum of Roman Art in Mérida, an expansion of the Madrid Atocha railway station, the Diestre Factory in Zaragoza, Pilar and Joan Miró Foundation in Majorca the headquarters of the Bankinter (again, in Madrid), Town Hall in Logroño. He also designed the annex to the Murcia Town Hall, which was completed in 1998. His latest works are the enlargement of the Prado Museum, the extension of the Bank of Spain, an almost totally mimetic reproduction of the existing building and the extension of the Madrid Atocha railway station 2011.

Some of Moneo's prominent works in the US include the Cathedral of Our Lady of the Angels in Los Angeles, the Davis Art Museum at Wellesley College in Massachusetts and the Audrey Jones Beck Building (an expansion of the Museum of Fine Arts, Houston). Moneo also designed the Chace Center, a new building for the Rhode Island School of Design. Moneo's most recent work is the Northwest Corner Building (formerly the Interdepartmental Science Building) at Columbia University in New York City, which first opened in December 2010.

Moneo is in possession of prestigious international awards including the Prize of architecture Arnold W. Brunner Memorial (1993) of the American Academy of Arts and Letters, the Schock Prize in Visual Arts (1993) in Stockholm, the Pritzker Prize (1996), the Antonio Feltrinelli (1998) of the National Academy of Lincei in Rome and Mies van der Rohe (2001) of Barcelona.

Biography Dates

 1937Born in Tudela, Navarra Spain
 1958-61Worked at the office of Francisco Javier Sáenz de Oiza
 1961Obtained degree from the Escuela Técnica Superior, Madrid
 1962Worked at the office of Jǿrn Utzon, Denmark
 1963Spent two years at the Spanish Academy, Rome
 1967Diestre Factory, Zaragoza, Spain
 1976Bankinter (Bank) in Madrid
 1981City Hall of Logrono, Spain
 1985-90Dean at the Harvard University Graduate School of Design
 1986National Museum of Roman Art, Mérida, Spain
 1987L’Illa Diagonal, Barcelona, Spain, in collaboration with Manuel Solà-Morales
 1990Kursaal Auditorium and Congress Center, San Sebastián, Spain
 1991Murcia City Hall Extension, Spain
San Pablo Airport, Seville, Spain
 1992Madrid Atocha railway station
The Pilar and Joan Miro Foundation, Palma de Mallorca, Spain
 1996Pritzker Architecture Prize
Souks, Beirut, Lebanon
 1998Moderna Museet and Swedish Centre for Architecture and Design, Stockholm, Sweden
 2000Audrey Jones Beck Building, Houston, Texas
 2001Iesu Church, San Sebastián, Spain
 2002Cathedral of Our Lady of the Angels, Los Angeles, California
 2003RIBA Royal Gold Medal
 2005Northwest Corner Building, Columbia University, New York, USA, in collaboration with Moneo-Brock Studio
 2007Museo del Prado extension, Madrid, Spain
Neuroscience Institute and Department of Psychology, Princeton University, USA
 2009New Library of the University of Deusto, Bilbao, Basque Country, Spain
 2012Thomas Jefferson Medal in Architecture
Prince of Asturias Award for the Arts
 2015
2017
Museum University of Navarra, Pamplona, Spain
Praemium Imperiale
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Moneo Brock Studio is an architecture firm characterized by the intensity of its design focus. The Studio's principals, Belén Moneo (Harvard, 1988) and Jeff Brock (Princeton, 1985), formed their professional partnership in 1993 in New York City after receiving their Masters of Architecture from Columbia University's GSAPP in 1991.

Over the course of its 22-year history, the team has completed architectural projects ranging in scale from large public buildings to high-end domestic interiors, and has designed furniture, packaging and bathroom fixtures for industrial production. Moneo and Brock are primarily design architects, with broad experience collaborating with larger firms and consultants in the production and coordination of architectural designs from conceptualization through construction completion. Maintaining ties with New York, the firm opened its principal office in Madrid, Spain, in 2002, where it remains today. They are currently working on international projects in the Dominican Republic and Mexico.
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Published on: July 25, 2011
Cite: "Columbia University Northwest Corner Building" METALOCUS. Accessed
<https://www.metalocus.es/en/news/columbia-university-northwest-corner-building> ISSN 1139-6415
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