Anthony Authié was inspired by the agora of ancient Greek cities, an open public space flanked by public buildings that was the center of all activities, whether social, political, religious, or otherwise. This analogy with the idea of a family dinner generates the idea of a meeting and discussion with visitors.
The perimeter of the installation is enclosed with a net reminiscent of martial arts sports areas, such as octagonal MMA cages. This is a metaphor for the feeling of anger or the emotional outburst that occurs when conflict arises through debate.
The finishes, created with a play on magenta and yellow, envelop the entire installation, making it striking and attractive to the public. The project incorporates contemporary elements that refer to current subcultures and historical public spaces.
The Boxing Dinner by Zyva studio. Photograph by Josema Cutillas.
The table in the center served as the stage for all the battles and encounters. Gabriel Fellous and Victor Mizreh were in charge of the project's cuisine, based on a combat theme divided into "four rounds," consisting of "four rounds of different flavors." Under the "pay-what-you-want" format, the money raised was donated to a charity chosen by the winner of the fight.
Description of project by Zyva studio
This project focuses on the family dinner, a moment that brings together diverse human behaviors: gatherings, debates, and sometimes conflicts. Inspired by the Greek agora and the market as a space for exchange, we envision a multifunctional space, where a table becomes a place for interaction and verbal duels. The design, featuring logos and contemporary aesthetics, not only honors historical public spaces but also pays tribute to current subcultures.
Performative gastronomic experience in the installation. Four rounds, four flavors, a staging where food becomes combat, choreography, and celebration.
