Do you think your personality is unique, the way you dress that you belong only to you? Do you hate the uniformity and generate your own style? Well, maybe you have more in common with others what you think. Think about why advertising works and there are campaigns that are successful.

Since 1994, photographer Ari Versluis and profiler Ellie Uyttenbroek have been trekking the globe together, recording Exactitudes — “exact attitudes” captured in people’s peculiar dress code as an attempt to differentiate themselves from others or identify with a group.

French Touch - Bordeaux 2006

Each “exactitude” consists of twelve distinct portraits structured in a grid. Think of it as street fashion meets cultural anthropology meets data visualization — a visceral exploration of subcultures, group identity and individualism.

Gabberbitches - Rotterdam 1996

The series is also an ethnographic and temporal portrait of our collectively individual identity across time and space — the big bags of 2008, New York’s yupster girls, the tracksuits of Japanese schoolkids, the soccer jersey fetish of European teenage boys, even “street style” at its rawest in the face of the homeless.

Miss Shapes - London 2008

We see the Rotterdam-based duo’s work as a collage of contradictions — between individuality and uniformity, between street style and studio setting, between self and group — that make you question our cultural givens and our self-conception as unique personas.

Pin-ups - London 2008.

For a condensed version of the 15-year-long project, check out the hardcover book, which features a selection of 60 hand-curated exactitudes. Or, save yourself $261.20 and explore Exactitudes online for a fascinating glimpse into the cultural crowd of selves.

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Published on: April 19, 2011
Cite:
metalocus, LAURA ZENTRA
"EXACTITUDES. Cultural Photo-Anthropological" METALOCUS. Accessed
<https://www.metalocus.es/en/news/exactitudes-cultural-photo-anthropological> ISSN 1139-6415
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