Inge Morath was the first photographer in the Magnum Agency and one of those responsible for the increase in female presence in the world of photography. In the footsteps of Inge Morath. Perspectives on the Danube brings together photographs of Inge Morath and contemporary authors and puts in value the role of women in the field of documentary photography. The exhibition highlights the importance of Morath as a pioneer of the history of photography and recalls its influence on future generations.
The sample can be seen in the Espacio Fundación Telefónica until October 2, 2016 relates Morath work with new images created by photographers. Taking the river as its central theme, the exhibition features more than 150 photographs including 60 original copies of Inge Morath belonging to the Fotohof Gallerie counted. The project is curated by Celina Lunsford, Artistic Director Fotografie Forum and generates an interesting dialogue between the past and present of the Danube, a symbol of European identity.
The trip
Inge Morath (Austria, 1923 - USA, 2002) began photographing in 1951. He attended as a researcher Henri Cartier-Bresson between 1953 and 1954 and was the first woman who became a full member of the Magnum Agency in 1955. with little more than 30 years, Morath photographic began a mythical journey along the Danube river, being forced to stop his path in many countries because of the Iron Curtain. In 1993, he returned to the area to complete their work in the countries of the Eastern bloc and for a period of two years, documented the impact that had the reopening of borders in the everyday life of people.
Three of the photographers involved in the project met in 2012 in Salzburg gallery Fotohof. During this meeting the seed of Danube Revisited planted: The Inge Morath Truck Project, the truck ride-gallery that led to the eight winning photographers of Inge Morath Award for all the banks of the Danube during the summer of 2014 to pay tribute to the first woman of the Magnum agency.
They traveled accompanied by the children of some of the photographers and a small support team (a conductive, coordinators for activities, a babysitter, a writer, a filmmaker who produced a documentary project ...) along 6,500 kms for 34 days : from the birth of the river in Germany's Black Forest to its mouth on the Black Sea in Romania, and through 8 of the 10 countries through which the channel extends.
The truck-gallery
From the field of documentary photography but immersed in a profound reflection on the nature of photojournalism, the four promoters of the initiative (Olivia Arthur, Lurdes R. Basoli, Claire Martin and Emily Schiffer) thought mechanisms to promote a deeper and enriching exchange with the environment they would visit. The symbol of this desire was the transformation of a truck traveling in the art gallery. This 'truck-gallery' showed historical photographs of Inge Morath in the same places where they were taken to engage communities with their own history. The initiative paid off: a woman from the city of Passau who visited the truck was recognized in one of the pictures of Morath taken 20 years earlier.
The photographers also organized evening screenings on the truck itself at the different stops of the trip. In addition, they collaborated with institutions of different destinations to host debates and portfolio reviews. Throughout the trip several local artists received scholarships to join the group for a few days encouraging debate and cultural exchange with people in the area.
The documentary
Throughout the tour, a film crew consisting of a camera and a soundman accompanied the group, collecting the testimony of photographers and experience the sites they visited. The result is a 30-minute piece produced by Fundación Telefónica and Piovra included as part of the exhibition.
The sample can be seen in the Espacio Fundación Telefónica until October 2, 2016 relates Morath work with new images created by photographers. Taking the river as its central theme, the exhibition features more than 150 photographs including 60 original copies of Inge Morath belonging to the Fotohof Gallerie counted. The project is curated by Celina Lunsford, Artistic Director Fotografie Forum and generates an interesting dialogue between the past and present of the Danube, a symbol of European identity.
The trip
Inge Morath (Austria, 1923 - USA, 2002) began photographing in 1951. He attended as a researcher Henri Cartier-Bresson between 1953 and 1954 and was the first woman who became a full member of the Magnum Agency in 1955. with little more than 30 years, Morath photographic began a mythical journey along the Danube river, being forced to stop his path in many countries because of the Iron Curtain. In 1993, he returned to the area to complete their work in the countries of the Eastern bloc and for a period of two years, documented the impact that had the reopening of borders in the everyday life of people.
Three of the photographers involved in the project met in 2012 in Salzburg gallery Fotohof. During this meeting the seed of Danube Revisited planted: The Inge Morath Truck Project, the truck ride-gallery that led to the eight winning photographers of Inge Morath Award for all the banks of the Danube during the summer of 2014 to pay tribute to the first woman of the Magnum agency.
They traveled accompanied by the children of some of the photographers and a small support team (a conductive, coordinators for activities, a babysitter, a writer, a filmmaker who produced a documentary project ...) along 6,500 kms for 34 days : from the birth of the river in Germany's Black Forest to its mouth on the Black Sea in Romania, and through 8 of the 10 countries through which the channel extends.
The truck-gallery
From the field of documentary photography but immersed in a profound reflection on the nature of photojournalism, the four promoters of the initiative (Olivia Arthur, Lurdes R. Basoli, Claire Martin and Emily Schiffer) thought mechanisms to promote a deeper and enriching exchange with the environment they would visit. The symbol of this desire was the transformation of a truck traveling in the art gallery. This 'truck-gallery' showed historical photographs of Inge Morath in the same places where they were taken to engage communities with their own history. The initiative paid off: a woman from the city of Passau who visited the truck was recognized in one of the pictures of Morath taken 20 years earlier.
The photographers also organized evening screenings on the truck itself at the different stops of the trip. In addition, they collaborated with institutions of different destinations to host debates and portfolio reviews. Throughout the trip several local artists received scholarships to join the group for a few days encouraging debate and cultural exchange with people in the area.
The documentary
Throughout the tour, a film crew consisting of a camera and a soundman accompanied the group, collecting the testimony of photographers and experience the sites they visited. The result is a 30-minute piece produced by Fundación Telefónica and Piovra included as part of the exhibition.