With a scheme of twelve staggering skyscrapers, an elevated pedestrian network and a green urban park, Mecanoo architecten has been named the winner of the urban design competition for the Shenzhen North Station business district.

Mecanoo’s proposal aims to create a strong identity for the neighbourhood. The main buildings of the business district are set around a central urban park and vary in height between 278 and 428 metres. By situating the transportation nodes on the subterranean levels, the public park appears as an open green space, something the area currently lacks.

The two-level plinth designed by Mecanoo, merges with the design of the park through an intricate network of overpasses, ramps and landscaped platforms that seamlessly weave into the urban setting, offering safe and comfortable access routes to the railway and metro station. Commercial areas face the park in order to generate a lively public space.

The elevated pedestrian network connects all towers of the Shenzhen North Station business district, creating a comfortable small-scale atmosphere that reinforces the sense of a neighbourhood. Water features give the urban park a special character, offering cool places where people can relax, meet, and engage in leisure activities.

Rather than define the exact shape of the towers, the design establishes rules which ensure coherency yet encourage a degree of variation. The smart facade system of glazed, angled elements offers diversity to support the different programmes and respond to the orientation while ensuring the overall appearance. Setbacks allow for the creation of roof gardens, which – together with interior sky gardens at some of the higher levels – integrate the urban park design into the buildings.
 

Description of project by Mecanoo

With a scheme of twelve staggering skyscrapers, an elevated pedestrian network and a beautiful green urban park, Mecanoo architecten gives the Shenzhen North Station business district a distinct character. The 1,36 million square metres development encompasses offices, retail space, apartments and a hotel, integrated with Shenzhen North railway and metro station.

Public park
The proposal aims to create a strong identity for the neighbourhood. The main buildings of the business district are set around a central urban park and vary in height between 278 and 428 metres. By situating the transportation nodes on the subterranean levels, the public park appears as an open green space, something the area currently lacks.

Pedestrian network
The two-level plinth merges with the design of the park through an intricate network of overpasses, ramps and landscaped platforms that seamlessly weave into the urban setting, offering safe and comfortable access routes to the railway and metro station. Commercial areas face the park in order to generate a lively public space. The elevated pedestrian network connects all towers of the Shenzhen North Station business district, creating a comfortable small-scale atmosphere that reinforces the sense of a neighbourhood. Water features give the urban park a special character, offering cool places where people can relax, meet, and engage in leisure activities.

Facade system
Rather than define the exact shape of the towers, the design establishes rules which ensure coherency yet encourage a degree of variation. The smart facade system of glazed, angled elements offers diversity to support the different programmes and respond to the orientation while ensuring the overall appearance.

Setbacks
The towers are conceived within a system of equal setbacks so that the top two-thirds have a smaller footprint than the bottom thirds. The result is an ensemble of towers that respond to each other’s shape, allowing open views and daylight optimisation. From a functional perspective, the variation in perimeters provides better accommodation of the mixed-used programmes. The hotel programme is placed in the upper part of the tower, whereas the programmes that require maximum flexibility, like department stores, congress centres and open-plan office spaces, are incorporated into the base. The setbacks also allow for the creation of roof gardens, which – together with interior sky gardens at some of the higher levels – integrate the urban park design into the buildings.

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Architects
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Mecanoo
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Facade Consultant
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VS-A.KR + VS-A.HK, South Korea and Hong Kong
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Dates
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Design.- 2017
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Client
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Government of Longhua District / Urban Planning, Land & Resources Commission of Shenzhen Municipality, China
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Programme
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Urban design for 1.36 million m² development with offices, retail, apartments and hotel, underground parking, connection to public transport hub, design public space, 1st Prize Competition

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Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.

Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.

Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.

In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.

Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.

Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.

Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.

Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).

“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”

Francine Houben, architect/creative director Mecanoo Architecten.

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