With a sensitive focus on art, culture, and nature, the architecture firm Snøhetta, led by Craig Dykers and Kjetil Thorsen, has won the competition to design the Qiantang Bay Art Museum, located in the Xiaoshan District of Hangzhou, one of China's oldest and most popular cities.

The winning proposal, strategically situated at the confluence of the Qiantang River and the Central Waterway, will revitalize downtown Hangzhou, offering panoramic viewpoints and a renewed art avenue that extends from the cultural hub of the Central Waterway to the river.

The Qiantang Bay Art Museum in Hangzhou by Snøhetta, is a monumental 18,000 m² building comprised of two undulating volumes, inspired by the rhythm of the tides. These volumes integrate all circulation routes into a central hub, shaping the public space. The main exhibition halls are located in the center, surrounded by expansive public areas that foster social interaction and community gatherings.

The team envisions the museum's architecture as a connector between nature and the city in a spatial and symbolic way, proposing to the north emblematic curved paths that guide the route along the entire river landscape, and to the east, walkways that link the urban context and art.

Museo de arte de la bahía de Qiantang en Hangzhou por Snøhetta. Visualización por Atchain.

Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

Project description by Snøhetta

A gateway for imagination where nature and art converge
Snøhetta has won the competition to craft the centerpiece art museum for the Qiantang Bay Future Headquarters development in Xiaoshan District, Hangzhou. Snøhetta’s winning concept celebrates the site’s spectacular setting facing both the waterfront and urban skyline, while resonating with the notion of Time and its relationship with the Arts. The design is a spatial interpretation of Art and Cultural waves and movements, envisioning the institution as a gateway for imagination where nature and art converge.

The 18,000 m2 landmark is part of Hangzhou’s ambitious downtown development along the Qiantang River. Strategically located at the confluence of the Qiantang river and Central water axis with proximate metro access, the art museum offers a striking vantage point, granting visitors sweeping vistas that stretch from one waterway to the other. Snøhetta interprets the fluidity of the waterways as a creative catalyst, shaping a vibrant avenue of creativity and art that will flow from the district’s Central Water Axis cultural cluster to the iconic Qiantang river through an iconic gateway, infusing Hangzhou’s future with renewed vitality.

Museo de arte de la bahía de Qiantang en Hangzhou por Snøhetta. Visualización por Atchain.
Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

Inspired by the flowing forms and connective function of a bridge, the building’s design takes the form of two wave-like volumes. This dynamic configuration not only weaves together all circulation routes into a central node, but also establishes a vibrant public realm. The undulating landscape, like the rhythm of tides, guides visitors on an exploratory journey toward the gateway at the heart of the site and upward to a rooftop terrace with panoramic river and city views, activating the community between the two waterways.

The defining feature is the meandering pathways that draw the landscape indoors. To the north, leisurely promenades lead through scenic riverscape to the rooftop skyline. To the east, bridge-like walkways transition seamlessly from the urban setting into the art museum, allowing wanderers to ascend step-by-step toward the sky and waters.

Museo de arte de la bahía de Qiantang en Hangzhou por Snøhetta. Visualización por Atchain.
Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

At ground level, the central Gateway acts as a spatial and symbolic connector, drawing people toward the Qiantang riverfront and inviting them to pause, reflect, and celebrate its majestic presence. Inside, the main exhibition halls are nestled at the core, surrounded by generous public spaces for social, education, exchange, and communal gathering.

Snøhetta’s design captures the essence of the site’s distinctive context, utilizing architecture and landscape as a bridge to seamlessly connect nature and city. With the Hangzhou Qiantang Bay Art Museum, Snøhetta aims to ignite a spark for arts and creativity that pays homage to the city’s iconic Qiantang River, inspiring the community and visitors alike to unleash their boundless imaginations.

More information

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Architects
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Snøhetta. Lead architects.- Craig Dykers and Kjetil Thorsen.  

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Collaborators
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The Architectural Design & Research Institute of Zhejiang University Co., Ltd., Buro Happold.

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Client
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Hangzhou Xiaoshan Qianjiang Century Development and Construction Co., Ltd.

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Area
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18,000 sqm.

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Dates
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2025.

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Location
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Hangzhou, China.

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Rendering
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Snøhetta is an integrated architecture, landscape, and interior design company based in Oslo, Norway, and New York City, formed in 1989 and led by principals Craig Dykers and Kjetil Thorsen. The firm, founded in 1989, which is named after one of Norway's highest mountain peaks, has approximately 100 staff members working on projects around the world. The practice pursues a collaborative, transdisciplinary approach, with people from multiple professions working together to explore diverse perspectives on each project.

Snøhetta has completed several critically acclaimed cultural projects, including the Bibliotheca Alexandrina in Egypt; the National Opera and Ballet in Oslo, Norway; and the Lillehammer Art Museum in Norway. Current projects include the National September 11 Memorial Museum Pavilion at the World Trade Center site in New York.

In 2004 Snøhetta received the Aga Khan Award for Architecture, and in 2009 the firm was honored with the Mies van der Rohe Award. Snøhetta is the only company to have twice won the World Architecture Award for best cultural building, in 2002 for the Bibliotheca Alexandrina and in 2008 for the National Opera and Ballet in Oslo.

Kjetil Trædal Thorsen (above left) is a multi-award-winning co-founder of the architectural and design firm Snøhetta. He is a visionary architect who has redefined the boundaries of contemporary design. Under his leadership, Snøhetta has created iconic structures that blend cutting-edge innovation with a deep sensitivity to culture and environment. Thorsen’s work is celebrated for its emphasis on social interaction, sustainability, and creating spaces that inspire and connect people. His groundbreaking approach has made him a leading figure in global architecture, shaping the future of how we experience the built environment.

Craig Dykers (above right)co-founded the architecture, landscape, and interior design company of Snøhetta, and he is Principal of the New York City office of the Norwegian-based firm. Snøhetta has developed a reputation for maintaining a strong relationship between landscape and architecture in all of its projects. His major projects include the design of Bibliotheca Alexandrina in Egypt, the Norwegian National Opera and Ballet in Oslo, the recently opened National September 11 Memorial Museum Pavilion at the former World Trade Center site and the redesign of Times Square in New York. Active professionally and academically, Craig has been a member of the Norwegian Architecture Association (NAL), the American Institute of Architects (AIA), and is a Fellow of the Royal Society of Arts in England. He has been the Diploma Adjudicator at the Architectural College in Oslo and has been a Distinguished Professor at City College in New York City. He has lectured extensively in Europe, Asia, and the Americas. In addition, Dykers has been commissioned to complete installation art projects in public spaces, many of which focused on the notion of context, nature and human nature.

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Published on: November 18, 2025
Cite:
metalocus, CAMILA DOYLET
"To the rhythm of the tides. Hangzhou Qiantang Bay Art Museum by Snøhetta" METALOCUS. Accessed
<https://www.metalocus.es/en/news/rhythm-tides-hangzhou-qiantang-bay-art-museum-snohetta> ISSN 1139-6415
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