With a sensitive focus on art, culture, and nature, the architecture firm Snøhetta, led by Craig Dykers and Kjetil Thorsen, has won the competition to design the Qiantang Bay Art Museum, located in the Xiaoshan District of Hangzhou, one of China's oldest and most popular cities.

The winning proposal, strategically situated at the confluence of the Qiantang River and the Central Waterway, will revitalize downtown Hangzhou, offering panoramic viewpoints and a renewed art avenue that extends from the cultural hub of the Central Waterway to the river.

The Qiantang Bay Art Museum in Hangzhou by Snøhetta, is a monumental 18,000 m² building comprised of two undulating volumes, inspired by the rhythm of the tides. These volumes integrate all circulation routes into a central hub, shaping the public space. The main exhibition halls are located in the center, surrounded by expansive public areas that foster social interaction and community gatherings.

The team envisions the museum's architecture as a connector between nature and the city in a spatial and symbolic way, proposing to the north emblematic curved paths that guide the route along the entire river landscape, and to the east, walkways that link the urban context and art.

Museo de arte de la bahía de Qiantang en Hangzhou por Snøhetta. Visualización por Atchain.

Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

Project description by Snøhetta

A gateway for imagination where nature and art converge
Snøhetta has won the competition to craft the centerpiece art museum for the Qiantang Bay Future Headquarters development in Xiaoshan District, Hangzhou. Snøhetta’s winning concept celebrates the site’s spectacular setting facing both the waterfront and urban skyline, while resonating with the notion of Time and its relationship with the Arts. The design is a spatial interpretation of Art and Cultural waves and movements, envisioning the institution as a gateway for imagination where nature and art converge.

The 18,000 m2 landmark is part of Hangzhou’s ambitious downtown development along the Qiantang River. Strategically located at the confluence of the Qiantang river and Central water axis with proximate metro access, the art museum offers a striking vantage point, granting visitors sweeping vistas that stretch from one waterway to the other. Snøhetta interprets the fluidity of the waterways as a creative catalyst, shaping a vibrant avenue of creativity and art that will flow from the district’s Central Water Axis cultural cluster to the iconic Qiantang river through an iconic gateway, infusing Hangzhou’s future with renewed vitality.

Museo de arte de la bahía de Qiantang en Hangzhou por Snøhetta. Visualización por Atchain.
Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

Inspired by the flowing forms and connective function of a bridge, the building’s design takes the form of two wave-like volumes. This dynamic configuration not only weaves together all circulation routes into a central node, but also establishes a vibrant public realm. The undulating landscape, like the rhythm of tides, guides visitors on an exploratory journey toward the gateway at the heart of the site and upward to a rooftop terrace with panoramic river and city views, activating the community between the two waterways.

The defining feature is the meandering pathways that draw the landscape indoors. To the north, leisurely promenades lead through scenic riverscape to the rooftop skyline. To the east, bridge-like walkways transition seamlessly from the urban setting into the art museum, allowing wanderers to ascend step-by-step toward the sky and waters.

Museo de arte de la bahía de Qiantang en Hangzhou por Snøhetta. Visualización por Atchain.
Hangzhou Qiantang Bay Art Museum by Snøhetta. Rendering by Atchain.

At ground level, the central Gateway acts as a spatial and symbolic connector, drawing people toward the Qiantang riverfront and inviting them to pause, reflect, and celebrate its majestic presence. Inside, the main exhibition halls are nestled at the core, surrounded by generous public spaces for social, education, exchange, and communal gathering.

Snøhetta’s design captures the essence of the site’s distinctive context, utilizing architecture and landscape as a bridge to seamlessly connect nature and city. With the Hangzhou Qiantang Bay Art Museum, Snøhetta aims to ignite a spark for arts and creativity that pays homage to the city’s iconic Qiantang River, inspiring the community and visitors alike to unleash their boundless imaginations.

More information

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Architects
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Snøhetta. Lead architects.- Craig Dykers and Kjetil Thorsen.  

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Collaborators
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The Architectural Design & Research Institute of Zhejiang University Co., Ltd., Buro Happold.

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Client
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Hangzhou Xiaoshan Qianjiang Century Development and Construction Co., Ltd.

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Area
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18,000 sqm.

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Dates
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2025.

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Location
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Hangzhou, China.

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Rendering
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Snøhetta is an architecture, landscape, and interior design studio with offices in Oslo, Norway, and New York City, USA. Founded in 1989, it is led by Craig Dykers and Kjetil Thorsen. The studio, named in honour of Mount Snøhetta, the highest peak in the Dovrefjell mountains of Norway, has approximately 100 collaborators working on large-scale international projects across a wide range of typologies. Their approach is deeply collaborative and transdisciplinary, bringing together architects, designers, engineers, and landscape professionals to explore multiple perspectives depending on the nature of each project.

Snøhetta has completed a series of world-renowned cultural and landmark projects, including the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, and the Lillehammer Art Museum in Norway. Current projects include the National Pavilion of the September 11 Memorial Museum at the World Trade Center site in New York, as well as urban and landscape developments that aim to merge local identity, sustainability, and public experience.

In 2004, Snøhetta was awarded the Aga Khan Award for Architecture, and in 2009, the Mies van der Rohe Award. The studio is the only practice to have won the World Architecture Award for Best Cultural Building twice in consecutive years: in 2002 for the Bibliotheca Alexandrina and in 2008 for the Oslo Opera House and Ballet, consolidating its international prestige.

Kjetil Trædal Thorsen (born 1958 on the coastal island of Karmøy, Norway) is a co-founder of the studio and a multiple award-winning architect. He is a visionary and humanist designer who has redefined the boundaries of contemporary practice. Under his leadership, Snøhetta has produced iconic, sustainable structures that are highly sensitive to their cultural context, combining technological innovation with a profound environmental awareness. Thorsen’s work is recognized for its focus on social interaction, sustainability, and the creation of spaces that foster human connection and sensory experience, establishing a benchmark in contemporary global architecture.

Craig Dykers (born 1961 in Frankfurt, Germany) is also a co-founder of the studio and director of its New York office. Snøhetta has earned a reputation for maintaining a deep integration of landscape, architecture, and urban experience across all its projects. Key works include the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, the National Pavilion of the September 11 Memorial Museum in New York, and the redesign of Times Square. Professionally and academically active, Dykers has been a member of the Norwegian Association of Architects (NAL), the American Institute of Architects (AIA), and the Royal Society of Arts in England. He has served as a diploma juror at the Architectural College in Oslo and as a distinguished professor at City College, New York. He has delivered numerous lectures across Europe, Asia, and the Americas, and has undertaken public art installation projects, many of which explore the interplay between context, landscape, and human experience.

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Published on: November 18, 2025
Cite:
metalocus, CAMILA DOYLET
"To the rhythm of the tides. Hangzhou Qiantang Bay Art Museum by Snøhetta" METALOCUS. Accessed
<https://www.metalocus.es/en/news/rhythm-tides-hangzhou-qiantang-bay-art-museum-snohetta> ISSN 1139-6415
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