Carles Enrich architecture and urbanism office is the author of this new access element for the old quarter of Gironella, in the Catalonian region of Berguedá. A lift connecting the old town centre on the top a hill with the bank of the River Llobregat 20 metres below, thus allowing the inhabitants to easily reach the historic centre and enjoy it once again.

Carles Enrich explains to us that Gironella is a municipality has grown divided by the river Llobregat. Its historic centre is located on top of a hill 20 metres over the river, on its right bank, where the medieval castle is located. The walls of the city are protected and were declared a 'Heritage of Cultural Interest'. On the other hand, the modern part of Gironella is placed on the other side of the river, next to the road linking Barcelona and Berga. The flat topography of this area has allowed an expanding urban growth in the last decades.

The 20 metres vertical break between the old and new parts of the town has become a large inconvenient for the accessibility, especially for the elder and, as a consequence, the historic centre has lost its population. The new project seeks to give the city centre to all of its inhabitants and reconnect the two parts of the town and activate and promote the use of the old town.

Description of project by Carles Enrich

Urban discontinuity

The 20 metres vertical break between the old and new parts of the town has generated a social fracture. Over the years, the historic centre has been depopulated due to difficulties in accessibility. The narrow stepped streets that lead to the Vila Square represent a huge effort to the elderly and the little ones.

The proposal involves the insertion of a new access to the historic centre to enhance the urban connectivity between the two parts of the town, boosting the use of the old town and avoiding social exclusion.

Cal Metre path recovery

Gironella’s river facade is formed by a series of medieval remains that mean an architectural and historic heritage for the town, just as so are the industrial colonies of the early twentieth century along the river.

Our proposal seeks to be integrated respectfully as a new layer in the historical memory of the place. We suggest the location of an elevator in a strategic point of Cal Metre path, through where people used to get to the textile industries.

The elevator will improve the accessibility to the old town but it will also be a trigger to recover the use of this ancient river passage offering new urban continuity with the Vila Square public space.

Materiality

Our intention is to dialog with all these pre-existences, enhancing a relation with the textile industries and recognizing the green stratum as a public space.

To this end we solve the case of the elevator with 3 materials: steel, ceramic and glass.

Structure

The steel structure is done entirely in a local workshop and it is moved to the work area in 4 tranches that are definitely placed in 4 different days. It consists of 80.8 tubular columns and 80.8 tubular rings placed every 1.5 metres. Some L 100 profiles welded to the rings allow holding the ceramic lattice sections.

Porosity

A ceramic lattice made by holed bricks placed on their side faces covers the 16 upper metres.

The choice of this enclosure material responds, on the one hand, to its role as a solar filter offering at the same time porosity, light entrance and ventilation to the elevator case. On the other hand, it dematerializes the case by letting the light go across it provoking an appearance of lightness that contrasts with the opacity that it is shown in a farther point of view.

Visual contact

The lattice closes three of the four sides of the structure. The inner face is left open allowing a visual relation with the stone wall during the entire journey.

The lower 8 metres of the case have a glazed enclosure. Its transparency ensures a close relation with Cal Metre river path and its trees, which create a magnificent shadow area that changes with the seasons.

To favour the relationship between the elevator and the activities that take place in the square, the elevators façade towards it is made of glass.

CREDITS.-

Author.- Carles Enrich.
Collaborators.- Adriana Campmany, Àngel Rosales, Ada Sánchez.
Structure.- MA+SAad.
Budget.- Jaume Morro.
Project promoter.- Servei de Patrimoni Arquitectònic Local. Diputació de Barcelona.
Constructor.- Solà Cardona.
Date.- 2015.

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Carles Enrich (Barcelona, 1980) graduated at the ETSAB in Barcelona in 2005. From the beginning of his career he has combined his professional work with research, and obtained a Master degree in Theory and Practice of Architectural Projects from the UPC where he is currently a PhD Candidate. His thesis deals with the temporary occupations in the public space in Barcelona.

Associate lecturer in Projects at the ETSAB since 2016. From 2008 to 2017, he taught Projects and Urban Design at the Reus School of Architecture and, in 2015, Projects at the ETSAV. He was also visiting professor in the Extra-Local workshop organised by Columbia GSAPP in 2019, has collaborated on international master’s degrees such as the BIARCH in 2012 and the master’s degree in Restoration at the UPC in 2014, and directed the Vertical Workshop at the UIC Barcelona School of Architecture in 2018.

Carles Enrich’s aim of producing practice-based knowledge led him in 2013 to set up Carles Enrich Studio, where he develops projects that cover the entire habitable territory, from the domestic sphere to landscape. The quality and rigour of the practice’s built work are endorsed by consecutive nominations for the European Union Mies Award (2017, 2019) and the Lisbon Triennale Début Award 2016; the Spanish Architecture and Urban Design Biennale Awards in 2016 and 2018, the FAD Opinion Prize in 2016, and the AJAC Awards in 2012, 2016 and 2018. They were also recognised in the studio’s participation in the Venice Architecture Biennale in 2012, with the exhibition Context in “Architectural Rowers” in the Catalan Pavilion and, in 2016, as part of the exhibition Unfinished, which earned the Spanish Pavilion the Biennale’s Golden Lion.

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