China is implementing rural revitalization programs that enhance the use of existing resources to attract tourism, capital, and industry to facilitate the stabilization of the existing population and encourage the settlement of new residents.

The integration of cultural projects into rural settings is a new attempt in this direction. In Changshou Village, located in Shenzhen's Pingshan District, a well-known Chinese performing arts studio, Longma Studio, was commissioned to carry out an experimental effort to establish a theater commune. To support this effort and facilitate the growing number of audiences and tourists, architect Zhu Xiaodi was commissioned to lead the overall planning of the village and the design of key areas.

ZXD Architects' performance site is located in the surroundings of Jiang's Hakka Houses, a traditional architectural complex in Changshou Village located in a mountainous area of ​​Pingshan in the northeast of Shenzhen. Built during the Qianlong period of the Qing Dynasty, this 8,000 square-meter complex features a typical Cantonese residential layout, nestled against a mountain and embracing a pond.

As time went by, the urban structure deteriorated, as did the pond which was privatized as a fish farm, substantially altering its form and structure.

Zhu Xiaodi proposed to build a large woven rope net structure over the pond. The installation is integrated into a wide plaza that becomes a new public space in the village. The rope net, with a spacing of 120 mm, is made of ultra-low ductility material with a tensile strength of up to 90 KN, it can support various activities such as walking, standing, sitting or lying down.

To optimize the structure of the rope net and reduce costs, seven circular concrete supports were designed inside the pond, shortening the span of the net. Additional steel supports around these concrete structures balance the horizontal tension exerted by the net on the edges of the pond.

"Soft Square" in Changshou by ZXD Architects. Photograph by Zhang Chao.    «Plaza blanda» en Changshou por ZXD Architects. Fotografía por Zhang Chao.

"Soft Square" in Changshou by ZXD Architects. Photograph by Zhang Chao. 

"Soft Square" in Changshou by ZXD Architects. Photograph by Zhang Chao.    «Plaza blanda» en Changshou por ZXD Architects. Fotografía por Zhang Chao.

"Soft Square" in Changshou by ZXD Architects. Photograph by Zhu Xiaodi. 

Project description by ZXD Architects

I. Preface
China's rural revitalization initiative emphasizes leveraging urban resources to support rural development. A key strategy involves developing tourism to attract capital and industries, foster cultural engagement, promote population retention, and facilitate the settlement of new residents in rural areas.

Integrating cultural projects into rural settings is a new attempt in this regard. In Changshou Village, located in the Pingshan District of Shenzhen, the esteemed Chinese performing art studio, Longma Studio, has embarked on an experimental endeavor to establish a theater commune. This commune is intended to serve as a hub for regular rural art performances, encompassing the entire process from creation and rehearsal to staging dramas. To support this endeavor and accommodate the increasing number of audiences and tourists, architect Zhu Xiaodi was commissioned to steer the village's overall planning and the design of key areas.

"Soft Square" in Changshou by ZXD Architects. Photograph by Zhang Chao.    «Plaza blanda» en Changshou por ZXD Architects. Fotografía por Zhang Chao.
"Soft Square" in Changshou by ZXD Architects. Photograph by Zhang Chao.

II. Site Overview
Changshou Village is situated in a hilly area of Pingshan in northeast Shenzhen. The performance venue is positioned in Jiang's Hakka Houses, a traditional architectural complex in the village. Built during the Qianlong period of the Qing Dynasty, this 8,000-square-meter compound features a typical Cantonese residential layout, nestled against a mountain and embracing a pond. While parts of the houses remain intact, others have been demolished.

The aerial views of Changshou Village reveal its spatial fabric shaped by agricultural roots, showing independent house systems of each household, narrow roads, and a lack of open public spaces. Over the decades, the originally cramped village entrance, streets, lanes, and ponds have lost their charm of gathering people due to the impact of the market economy.

The pond in front of the Hakka houses was leased as a private fish pond. Its natural shoreline was replaced by stone and concrete, and stainless steel railings were installed along its periphery to protect pedestrians and vehicles' safety, fundamentally changing the pond's appearance and role in the village. These alterations clashed with the rural settings and disrupted the natural landscape, causing a sense of alienation in the rural public space.

"Soft Square" in Changshou by ZXD Architects. Photograph by Zhang Chao.    «Plaza blanda» en Changshou por ZXD Architects. Fotografía por Zhang Chao.
"Soft Square" in Changshou by ZXD Architects. Photograph by Zhang Chao.

Longma Studio's performances are expected to significantly impact Changshou Village, Pingshan District, and even broader Shenzhen, potentially evolving into a major cultural event that ignites local interest in drama and rural cultural life. Meanwhile, this will bring an anticipated influx of tourists, posing challenges to the already cramped public spaces in Changshou Village. How to accommodate these visitors while mitigating potential conflicts between local villagers and tourists has become an urgent concern.

In the past, ponds played a vital role in traditional villages in the hilly regions of Southern China. They served as sources of drinking water, washing, and fire prevention. Additionally, they provided landscape and Feng Shui benefits and were essential public spaces and emotional bonds within the village. However, due to urbanized lifestyles, ponds have become isolated "fish ponds," with rigid boundaries cutting off visual and physical access to water, limiting public availability and interaction.

Merely restoring the pond's original shoreline is neither feasible nor practically meaningful. Removing the railings would compromise the safety of villagers and tourists. Additionally, the increasing number of visitors necessitates more public spaces, not only to accommodate their interest in drama but also to allow them to experience and immerse in rural life.

In August 2023, architect Zhu Xiaodi and his team visited the site and proposed a space improvement plan based on their investigation and analysis of the pond. This scheme received strong support from the Pingshan Government and Longma Studio.

 

III. Creation of a "Soft Square"
Zhu Xiaodi's innovative concept involves constructing a large woven rope net structure over the pond. This installation seamlessly integrates with the surrounding roads, creating an expansive square that becomes a new public space in the village. The rope net, made of ultra-low-ductility material with a tensile strength of up to 90KN, can support various activities such as walking, standing, sitting, or lying down. This design offers an innovative way of constructing public space, providing a unique experience for tourists and villagers to relax and commune with nature. This architectural installation is aptly named "Soft Square."

Moving on the rope net requires balance and caution. Although the net is soft and safe, its unique mesh structure demands that people tread cautiously to avoid triggering a sway, akin to a butterfly effect, creating a novel experience. Due to the unique properties of the rope mesh, each individual's steps can be felt by themselves and others, resulting in fun interactions and transforming passive perception into active participation.

As people adjust to the rope net, they are encouraged to release themselves and explore freely. It is not only a net that spans over the pond, but also a bond between individuals, weaving joy and memories together in Changshou Village.

«Plaza blanda» en Changshou por ZXD Architects. Fotografía por Zhang Chao.
"Soft Square" in Changshou by ZXD Architects. Photograph by Zhang Chao.

This "Soft Square" allows people to temporarily forget their identities, blurring the boundaries between each other. At this moment, whether urbanites or local villagers, everyone finds a sense of belonging on this rope net, engaging with the countryside. Here, they experience equality and pleasure, becoming closer to one another with warm greetings.

The rope mesh offers a serene spot for people to leisurely gaze at the vast sky, overlooking the pond, and watch the swimming fish and blooming lotus flowers below. In the evening, they can wait for and appreciate the rising moon, its reflection shimmering on the serene water.

To optimize the rope net's structure and reduce costs, seven circular concrete supports were designed within the pond, shortening the net's span. Additional steel supports around these concrete structures balance the horizontal tension exerted by the net on the pond's edges.

«Plaza blanda» en Changshou por ZXD Architects. Fotografía por Zhang Chao.
Longma Studio Theater Commune in Changshou Village. Photograph by Zhang Chao.

The net's 120mm spacing in between ropes ensures safety and comfort for users of all ages. A secondary slender net beneath the main one prevents items from falling into the pond.

Two openable entrances and exits set on the rope net facilitate daily maintenance. Despite the new rope net, the pond retains its function as a fish pond and its essential role in the village's water system.

IV. Summary
Public space is not a static entity, nor is it a closed system with clearly defined boundaries. Instead, it is an open, inclusive, ever-evolving organism that is continuously explored and expanded. The "Soft Square" architectural installation not only accommodates the daily life of the countryside and integrates various functions of tourism and entertainment, but also holds deep spiritual significance. It serves as an important place for connection and emotional expression, demonstrating that the meaning of space often resonates with specific communities in a particular time and space context. Beyond functional attributes, this space holds cultural and social significance.

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Architects
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ZXD Architects. Lead architect.- Zhu Xiaodi.

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Project team
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Ma Tiangang, Xiao Ruyi.

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Collaborators
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Structure design.- Beijing Institute of Architectural Design Co., Ltd. / Bai Guangbo, Duan Shichang, Gao Zhijun, Wang Yi, Cui Jianhua, Zhu Zhongyi.
Lighting design.- Purilighting (PURI) / Hu Fang, Ma Zanbao.

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Client
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Bureau of Public Works of Pingshan District, Shenzhen.

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Area
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Land area.- 1,463 square meters.
Project area.- 1,463 square meters.

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Dates
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Completion.- July 8, 2024.

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Location
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Changshou Village, Jiangling Community, Pingshan District, Shenzhen, Guangdong, China.

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Photography
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Zhang Chao, Hou Danqing, Xiao Hui, and Zhu Xiaodi.

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ZXD Architects is a Beijing architecture practice founded by Xiaodi Zhu architect.

Xiaodi Zhu is an architect from the Architecture School of Tsinghua University; a Senior Engineer at the Professor Level; a National First-class Registered Architect; an Expert with the State Council Allowance; a Committee Member and Deputy Director in the Architectural Design Committee of Science and Technology for the Ministry of Housing and Urban-Rural Development of the People’s Republic of China; Committee Member in Green and Energy-Efficient Building for the Ministry of Housing and Urban-Rural Development of the People’s Republic of China; Deputy Director in Architectural Art Committee of Chinese Artists Association; Concurrent Professor at Tsinghua University; Visiting Professor at Central Academy of Fine Arts; Editor Committee Member of <Architectural Journal>; Editor Committee Member of <World Architecture>; Editor Committee Member of <Architectural Creation>; Editor Committee Member of <Urban Flux>.

ZXD Architects is a special team. The team makes significant efforts in innovation and originality. No matter how large a project’s area is, they expect that people throughout the world would pay attention to what the project renders. Not only do their works depend on existing knowledge, but also emphasized emotional responses to a scene, thus forming an innovative idea and concept. This is a journey to discovery, and they hope to be pioneers.  

Currently, architecture has become public artwork. The architect Xiaodi Zhu and the team have expanded their horizons to contemporary arts in related fields. And they regard visitors’ interaction with our works as the completion of interpretations of spaces. They originate a new type of art -Architecture Installation.

Recent works:

Wutai Mountain Theater (2015).
Horqin Celebrities' Museum (2015).
Dunhuang Theater (2016).
West Grinding Factory Minzhi Search Institute (2016).
Tian’an Time Art Center (2017).
Beijing Sub-center Administrative Office Area (2017).
Dunhuang Tourist Center (2018).
Wukesong Ice Sports Center (2020).
Kaizhou City Gallery (2023).

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