The Serpentine has announced that the architecture firm LANZA atelier, led by architects Isabel Abascal and Alessandro Arienzo, has been selected to design the 2026 Pavilion, titled “A Serpentine.” The pavilion conceived by LANZA atelier will be presented to the public at Serpentine South from June 6 to October 25, 2026, and is supported by Goldman Sachs for the twelfth consecutive year.

The 2026 Serpentine Pavilion will collaborate with the Zaha Hadid Foundation to commemorate Zaha Hadid’s legacy and celebrate its 25th edition. The program will aim to explore Hadid’s pioneering contributions to the field, while also connecting with a wider audience by bringing together leading architects, thinkers, and cultural professionals to foster transnational and transgenerational architectural dialogue.

The Serpentine Pavilion 2026, designed by the architecture firm LANZA atelier, is inspired by the English architectural element known as a "serpentine wall" or "wavy wall," a type of brick wall composed of alternating curves, which forms one side of the pavilion. This element also subtly evokes the nearby Serpentine lake, so named for its gentle curvature, which resembles the shape of a snake. The pavilion's configuration allows light and air to circulate throughout the space, maintaining a subtle relationship between enclosed and open areas.

In dialogue with the surroundings, a second wall harmonizes with the tree canopy, while the main structure is located on the north side of the site. To celebrate the tradition of the English garden and establish a dialogue with the existing brick façade of the Serpentine's South Gallery, brick was chosen as the primary material.

"A serpentine" features a translucent roof that rests lightly on brick columns, and from a rhythmic repetition of columns of this material, the wall transforms from opaque to permeable, turning the pavilion into a metaphorical bridge between the geographies of Europe and America.

“It is an honour to be selected as the architects of the 25th Serpentine Pavilion, a milestone year for the commission. We are deeply grateful for the opportunity to share our work with a wider public and to contribute to the Pavilion’s ongoing legacy of spatial experimentation and collective encounter. Set within a garden, an evocation of the natural world, the project takes the form of a serpentine wall, conceived as a device that both reveals and withholds: shaping movement, modulating rhythm, and framing thresholds of proximity, orientation, and pause.

Inspired by the figure of the serpent as a generative and protective force, we draw a parallel with England’s winding fruit walls, which are structures that temper climate, create shelter, and enable growth. From this idea emerges a pavilion built of simple clay brick, foregrounding vernacular craft and the elemental capacity of architecture to bring people together. The 2026 Pavilion proposes built forms that are permeable, shaped and held by a gentle geometry, and continually responsive to those who move through it.”

LANZA atelier.

“For 25 years, the Serpentine Pavilion has been a leading global platform for architectural experimentation - first inviting internationally significant architects yet to build in London, and later championing emerging voices. It offers a rare brief: to test ambitious ideas in an open, accessible setting. Conceived as a structure that extends beyond its walls, the Pavilion connects architecture, landscape, and people. With LANZA atelier, we strengthen cultural exchange with Mexico and reaffirm the Pavilion as a free, civic space of connection, central to our summer and autumn programmes. We are deeply grateful to our partners and supporters for making the Pavilion possible.”

Bettina Korek, Chief Executive, Serpentine.

“Over the last 10 years, the Serpentine Pavilion has increasingly focused on giving opportunities to younger architectural practices. We are excited to announce that Mexican architects LANZA atelier will design the 2026 Serpentine Pavilion. LANZA atelier’s architecture always involves a deep engagement with the local context, materials and lived experience. In their own words, they create contemporary spaces whose energy can last. Their spaces invite people to imagine a more connected, compassionate and creative future. As always, the Pavilion will be a content machine with lectures, film screenings and performances. We will also remember Zaha Hadid (1950-2016), who gave us our motto that "there should be no end to experimentation". 

As we mark the 25th Pavilion, we reflect on these origins. Since its inception in 2000, the Pavilion has acted as a catalyst for architects at pivotal moments in their careers. LANZA atelier’s Pavilion will mark the second time Mexican architects are appointed since Frida Escobedo in 2018. We are grateful to LANZA atelier for embracing this invitation, and we extend our sincere thanks to Sou Fujimoto for his generous guidance.”

Hans Ulrich Obrist, Artistic Director, Serpentine. 

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LANZA atelier. Lead architects.- Isabel Abascal and Alessandro Arienzo. 

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From June 6 to October 25, 2026. 

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Serpentine Gallery. Kensington Gardens. London W2 3XA, United Kingdom.
 

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LANZA Atelier is an architecture studio based in Mexico City, founded in 2015 by Isabel Abascal and Alessandro Arienzo, with the purpose of making meaningful contributions to the beauty of the world. Since its foundation, LANZA atelier has been nominated for the 2016 Ibero-American Architecture Biennial Award, the Mies Crown Hall Award for Emerging Architects (IIT Chicago) in 2016 and 2022, and the Brick Award 2021. The studio received an Honourable Mention in the 2016 Competition for the El Eco Museum Pavilion and is a recipient of the Young Architects Prize 2017 and the Emerging Voices Award 2023 from the Architectural League of New York, which described their multimodal work as one that “expresses an inventiveness, a sensitivity to context, and a compositional refinement that spans scales and forms.”

LANZA atelier’s first solo exhibition, New Work, took place at SFMOMA in 2018. Since then, their work has been exhibited at the 12th São Paulo Architecture Biennale (2019), the Lisbon Triennale (2019), the Concéntrico Festival in Spain (2021), and the Latin American Architecture Biennial (BAL) 2023. In addition, they have presented their work at Syracuse University (2025), Yale University (2024), CU Denver (2024), UTSA (2023), Cal Poly Pomona as part of the VDL House Residency Program (2022), and the Constructing Practice Symposium at Columbia University (2019), among others. Upcoming projects include a solo exhibition of their furniture designs at AGO Projects in Mexico City, opening on 3 February 2026, and the design of the Pavilion of the Republic of Kosovo for the 61st Venice Art Biennale, curated by José Esparza Chong Cuy and presenting a new commission by Brilant Milazimi titled Hard Teeth (Dhembë të Fortë).

Isabel Martínez Abascal studied architecture at the Universidad Politécnica de Madrid, the Technische Universität Berlin, and the Vastu Shilpa Foundation in Ahmedabad under B. V. Doshi. She collaborated with SANAA (Tokyo), Aranguren y Gallegos (Madrid), Anupama Kundoo (Berlin), and Pedro Mendes da Rocha (São Paulo). She was a design studio professor for six years at the Faculty of Architecture and Urbanism, Escola da Cidade, in São Paulo. She has participated as a faculty member in the 24th International Workshop in Cartagena, the Ibero-American Biennial in Medellín (2010), the International Seminar in Curitiba (2012), and the Rio Olympics Workshop at the California College of the Arts (2012).

She participated in the comisariado of the 10th Biennial of Architecture of São Paulo (2013) and comisarió the exhibition 13 for the inaugural cycle of the La Conservera Museum, Murcia (2014), as well as the exhibition Visionary Instruments by artist Almudena Lobera at the ECCO Museum, Cádiz (2015). From 2015 to 2017, she was Executive Director of LIGA, Space for Architecture, in Mexico City. She co-edited the book Exposed Architecture, published by Park Books. Her proposal, Mother Architecture: Shaping Birth, was a finalist for the Harvard GSD 2023 Wheelwright Prize, and her project, "Investigaciones sobre creación y procreación", received the National Fund for the Arts Prize 2023.

Alessandro Arienzo studied architecture at the Universidad Iberoamericana in Mexico City, graduating with honours. In 2012, he designed Archivo Diseño y Arquitectura’s inaugural exhibition Happiness Is a Hot (and Cold) Sponge with Rodrigo Escandón. He collaborated with Taller de Arquitectura Rocha + Carrillo, Taller Tornel, and Frida Escobedo, with whom he developed the conceptual project for the Mexico Pavilion at the Victoria & Albert Museum during the London Design Festival 2015, the renovation of the Fondo de Cultura Octavio Paz bookshop (2013), and the Public Stage Pavilion for the Lisbon Triennial (2013).

He explores the possibilities of architectural practice through hand-drawing and publishing projects, including the Housetypes book series. In 2017, he received the National Fund for the Arts Young Creators Prize. With this grant, he developed an investigation into the Security and Citizen Participation Modules network, the resulting work of which became part of SFMOMA’s permanent collection in 2018. Several of his designs have been showcased institutionally, including A Family of 4, which is part of the Denver Art Museum collection.

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Published on: January 20, 2026
Cite:
metalocus, CAMILA DOYLET
"A serpentine. Lanza Atelier selected for the Serpentine Pavilion 2026" METALOCUS. Accessed
<https://www.metalocus.es/en/news/serpentine-lanza-atelier-selected-serpentine-pavilion-2026> ISSN 1139-6415
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