The winning projects to be presented in Alicante and Las Palmas de Gran Canaria as part of the fourth edition of the "TAC! Urban Architecture Festival" have been announced. The festival, sponsored by the Ministry of Housing and Urban Agenda (MIVAU) in collaboration with the Arquia Foundation, will take place between October and November 2025.

The ESPARTAL project, by the studios ELE Arkitektura and GA Estudio, architect Florencia Galecio, and architect Juan Gubbins, will be located in Casa Mediterráneo (Alicante), the first of the venues for this edition. Meanwhile, the DE ROCA MADRE project, by architects Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García, and Andrea Molina Cuadro, will be the centerpiece pavilion in Plaza Stagno (Las Palmas de Gran Canaria).

TAC! 2025 explores the cultural value that characterizes those territories connected by the sea, reclaiming public space as a meeting place and a frontier, a threshold where histories, identities, and ways of living converge. With the collaboration of the Las Palmas de Gran Canaria City Council and Casa Mediterráneo, the projects recognized in this edition highlight architecture linked to their territory, architecture that engages with local history and values ​​the use of traditional materials as tools for a more sustainable future.

"The TAC! festival is committed to architectural quality as a driver of urban and social transformation, promoting a dialogue between the city and its inhabitants based on experimentation, innovation, and a commitment to the environment."

Iñaqui Carnicero, Secretary General of Urban Agenda, Housing and Architecture and President of the Jury.

The festival jury, which recently met at the Casa de la Arquitectura in Madrid, praised the way the winning proposals proposed contextualized interventions that address the physical and social characteristics of the site, illustrating their function as spaces for interaction within the urban fabric.

ESPARTAL, winning project for Casa Mediterráneo (Alicante) by ELE Arkitektura, GA Estudio, Florencia Galecio and Juan Gubbins.

ESPARTAL, winning project for Casa Mediterráneo (Alicante) by ELE Arkitektura, GA Estudio, Florencia Galecio and Juan Gubbins.

ESPARTAL, winning project for Casa Mediterráneo (Alicante) by ELE Arkitektura, GA Estudio, Florencia Galecio and Juan Gubbins.

ESPARTAL, winning project for Casa Mediterráneo (Alicante) by ELE Arkitektura, GA Estudio, Florencia Galecio and Juan Gubbins.

In the case of ESPARTAL (Casa Mediterráneo, Alicante), esparto grass, a native and traditional material no longer used in architecture, inspires the project's design. Meanwhile, in DE ROCA MADRE (Las Palmas de Gran Canaria), native stones and plastic waste collected from the beaches of Gran Canaria invite reflection on the contrast between the profound time reflected in the island's strata and the accelerated human impact on its ecology in recent decades.

"Themes related to the most social aspects of architecture stand out, such as the reuse of materials or the use of local and traditional materials."

Elena Calama Martín, Deputy Director General of Architecture and Construction at the Ministry of Housing and Urban Agenda.

"Innovation through new materialities in the projects and the festival's ability to connect participating architects with a completely new way of thinking."

Sol Candela, director of the Arquia Foundation and member of the festival jury.

About the winning projects

In the current context of extreme weather conditions, the ESPARTAL pavilion, which will be located at Casa Mediterráneo Alicante from October 16 to November 14, proposes a suspended esparto grass ceiling that filters light, creating a thick shade that provides thermal comfort and modifies the microclimate of the Architect Miguel López Square.

The initiative by ELE Arkitektura and GA Estudio, architect Florencia Galecio, and architect Juan Gubbins, seeks to reverse the obsolescence of esparto grass and revalue its use through the connection between the agricultural landscape and the city, "promoting a broader ecological cycle in the use of materials and valuing local material culture from an environmental, functional, and symbolic perspective."

The ROCA MADRE pavilion, which will be installed from October 30th to November 28th in the Plaza de Stagno in Las Palmas de Gran Canaria, will showcase a geological and Anthropocene section. Using various types of stones from the coast of Las Palmas de Gran Canaria and plastics collected by the Precious Plastic Gran Canaria collective as the main architectural materials, it invites reflection on the contrast between the profound time reflected in the island's strata and the accelerated human impact on its ecology in recent decades.

DE ROCA MADRE, proyecto ganador para La Plaza de Stagno (Las Palmas de Gran Canaria) por Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García y Andrea Molina Cuadro.

DE ROCA MADRE, winning project for the Plaza de Stagno (Las Palmas de Gran Canaria) by Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García and Andrea Molina Cuadro.

DE ROCA MADRE, proyecto ganador para La Plaza de Stagno (Las Palmas de Gran Canaria) por Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García y Andrea Molina Cuadro.

DE ROCA MADRE, winning project for the Plaza de Stagno (Las Palmas de Gran Canaria) by Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García and Andrea Molina Cuadro.

In this way, the initiative by Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García, and Andrea Molina Cuadro, on the one hand, "looks to the past, evoking traditional Canarian construction in stone and wood, with geological and natural materials native to the island; and on the other, it opens a critical conversation with a contemporary issue"—the accumulation of waste and microplastics on the coasts of Gran Canaria, most of which is carried by transoceanic currents from other parts of the planet.

The TAC! first prize is awarded €15,000 for each team, and they will be able to carry out their respective projects with an estimated base budget of €90,000 for the construction of the pavilion.

About the finalist projects

In addition to the winners, two second prizes have been selected with a cash prize of €3,000 and two third prizes with a cash prize of €2,000.

In Las Palmas de Gran Canaria, the second prize was awarded to the project Gota a Gota, by Nuria Blanco Cantalozella, Iván Iglesias Palomares, and Marcos Romero Gerechter; an intervention that recovers the symbol of the Canarian distillery and converts it into an urban facility capable of capturing and reusing water from the Panza de Burro.

The third prize for this site was distributed among two equally outstanding projects: ¡Vaya tela! (by architects Marcos García Hurtado and Pablo Ruz Sampalo), which, evoking theatrical tradition, proposes a modular scaffolding structure wrapped in a large curtain made from recycled sugarcane sacks; and Vidas Encuentras (Found Lives), by Álvaro López Rodríguez and Alejandro Escamilla Hadia, which seeks to highlight the reality of immigrants who, in extreme and dangerous conditions, arrive on the island of Gran Canaria, through an architectural installation that incorporates the remains of boats stranded on the coast.

For Casa Mediterráneo (Alicante), second prize went to the Lava project, designed by Juan Manuel López Carreño, Álvaro del Río, Andrea Moreno, and Carlos Pastor, which explores soap as a construction material, transforming it into an ephemeral, sensorial, and enjoyable architectural element.

At this site, the third prize goes to the project La Siesta, by Víctor Ballesteros Mateo, a proposal that involves finding a place (topos), defining it, and cultivating an activity, just as an urban nomadic farmer would.

The TAC! jury also recognized the following projects with a special mention, without any monetary award: "fetd'aigua," by Pedro Escoriza Torralbo, Renato Righi, and Jonathan Leyva Benítez; and "Fondeado[ero], by Carmen Povedano Olleros and Pablo Navas Díaz.

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16.10. > 14.11.2025. Mediterranean House, Alicante.
30.10. > 28.11.2025. Stagno Square, Las Palmas de Gran Canaria.

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Mediterranean House, Alicante, Spain.
The Plaza de Stagno, Las Palmas de Gran Canaria, Spain.

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ELE Arkitektura was founded in 2013 by joining, after several collaborations, Eduardo and Eloi Landia, with the vocation of weaving a multidisciplinary network of independent professionals, capable of tackling projects of a diverse type and scale, combining different artistic and technical skills.

His works include his proposals “Puente Sarasola” (2nd prize), “A refuge for Oteiza” (1st prize) and the competition for the construction of an elevator and an urban staircase in the Blast Furnace of Bizkaia in Sestao (1st prize), in addition to his works “Territorial College of Architects of Valencia” (1st prize. Work selected among the best 20 works in the Valencian Community between 2015/2018) and “Reform of the Ikastola Kurutziaga” (finalist in the COAVN 2019 awards), all of them made with different collaborators.

Eduardo Landia (Durango, 1986), an architect from ETSA del Vallés in 2011, specializes in Sustainable Construction and Energy Efficiency from the University of the Basque Country and begins his professional trajectory. He collaborated with the Xavier Vancells Arquitectos studio in 2012, and during one year in the GA Arquitectos studio (Xaviera Gleixner and Tomás Garcia de la Huerta) in Santiago de Chile.

Eloi Landia (Durango, 1989), an architect from ETSA of the Basque Country, in 2015, during the race, he participated in different exhibitions and publications, he collaborates with the Jesus Angel Landia studio and begins to participate in architectural competitions with Eduardo Landia. After finishing their studies, he complements his work as an architect with other artistic disciplines such as painting and sculpture, carrying out different collaborations and exhibitions.
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GA ESTUDIO was founded in Santiago de Chile in 2008 by architects and educators Tomás García de la Huerta (1981, Chile) and Xaviera Gleixner (1984, Chile). The studio's work has been developed and exhibited mainly in Chile, although it has also reached other countries such as France, Italy, England, Argentina, Germany, and Portugal. Their work has been presented at prominent events such as the 16th Santiago de Chile Architecture Biennial (2008), the 14th Buenos Aires International Architecture Biennial (2013), the 19th Chilean Architecture and Urbanism Biennial (2015), the 16th and 17th Venice Architecture Biennale (2018 and 2020), and the 21st Chilean Architecture and Urbanism Biennial (2019). In 2019, the studio won First Place in the “WALK&TALK PAVILION” competition during the Azores Art Festival, Portugal, and in 2018, it received an award in the Young Architects of Latin America competition for its project “Free Schools,” presented at the 16th Venice Architecture Biennale. Additionally, the studio won First Place in the “Refugio de la Memoria” competition in the Los Lagos Region, Chile, in 2015, and was selected in 2025 as one of the 10 proposals to represent Chile at the Venice Architecture Biennale. Its founding members are faculty members at various institutions. Tomás García de la Huerta has taught at the Universidad del Desarrollo, the University of Chile, the Universidad San Sebastián, the University of Talca, and the Universidad Andrés Bello, while Xaviera Gleixner teaches at the Universidad del Desarrollo and the Universidad Andrés Bello.

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Florencia Galecio Donoso is a Chilean architect (1998). He began his studies in 2016 at the Pontificia Universidad Católica de Chile, where he obtained both the title of Architect and the Master of Architecture in 2021.

His work focuses on the intersections between architecture, ecology and care, exploring how to project spaces that respond to the challenges of climate change from a scale both territorial and microscopic. In his master's thesis, entitled "Architecture between the immunological and the microscopic: the reconfiguration of the minimum existence through the act of care (coidar, cogitare) in the salaries of Atacama before the climate crisis", he raises a critical reflection on architecture as a care tool in the face of invisible threats, such as pollution or water scarcity. Through architectural devices such as capsules, bunkers and refuges located in the Atacama desert, Galecio Donoso proposes an architecture that not only mitigates, but also generates symbiosis with fragile ecosystems. His work is characterized by a project sensibility that connects body, territory and ecology.

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Juan Gubbins Correa was born in Temuco on October 28, 1995. He began studying Architecture at the University of Chile in 2014, completing his fourth year at the University of Porto, Portugal, between 2017 and 2018. He completed his studies at the Pontifical Catholic University of Chile, where he obtained his degree in Architecture and a Master's degree in Architecture in 2021, with his thesis Edificio Errante (Wandering Building). During his formative years and his first years as a professional, he was an assistant in architectural design workshops at the Faculty of Architecture and Urbanism of the University of Chile. In 2023, he was a professor of Digital Drawing at the University of Las Américas (UDLA) and of Materials Technology at the University of Talca (UTALCA). He participated in the construction of the inflatable pavilion designed by Smiljan Radic and Nicolas Schmidt for the 23rd Architecture Biennial in Chile, and in the development of a private competition at the office of Christian Kerez. He currently works as an independent architect in Berlin. He has been part of the collective studio Zócalo Arquitectura since 2022 and has collaborated with GA Estudio on several occasions to date. In 2024, he collaborated with NORDSTUDIO Berlin and is currently with Álvaro Urbano Studio.

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Estudio Latente is a collaborative practice led by Andrea Molina Cuadro, Alberto Martínez García, Alejandro Carrasco Hidalgo, and Eduardo Cilleruelo Terán. Their work operates at the intersection of architecture, technology, infrastructure, and ecology, exploring how these dimensions intertwine in the production of contemporary territories.

Alberto Martínez García is an architect and researcher from Madrid, currently based in the United States. His work lies at the intersection of architecture, ecology, and colonialism, with a particular focus on modes of representation. He is currently pursuing a PhD at Yale University.

Andrea Molina Cuadro is an architect, researcher, and educator based in Los Angeles, working at the intersection of design, art, and ecology. She is pursuing her doctoral studies and teaching at the University of California, Los Angeles (UCLA).

Alejandro Carrasco Hidalgo is an architect, researcher, and educator. He is currently pursuing his doctoral dissertation at the University of Alcalá. His research focuses on the role of spatiality in the relationship between colonialism, modernity, extraction, and the construction of national identity.

Eduardo Cilleruelo Terán is an Assistant Professor at the Huckabee College of Architecture, Texas Tech University. An architect, researcher, and educator based in the United States, his work explores the relationship between infrastructure and data management, and how these reshape the ways of thinking and projecting contemporary architecture.

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Alejandro Carrasco Hidalgo is an architect, researcher, and lecturer. He is currently developing his doctoral thesis at the University of Alcalá with a predoctoral fellowship awarded by the Ministry of Science and Innovation of the Government of Spain. His research focuses on the role of spatiality in the relationship between colonialism, modernity, extraction, and the construction of national identity. He holds a degree in architecture from the University of Alcalá and a Master's degree in Architectural History from the Bartlett School of Architecture UCL (University College London). He was recently a visiting researcher at the University of Basel and the Bartlett School of Architecture. He is also the founder and editor of Momentum Magazine, a publication dedicated to the dissemination of architectural manifestos. His work has been exhibited and published by institutions such as the Venice Architecture Biennale, the Society of Architectural Historians of Great Britain (SAHGB), the Sarah Remond Parker Centre at UCL, Drawing Matter, and the Royal Academy of Spain in Rome.

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Eduardo Cilleruelo Terán is a New York/Madrid-based architect, researcher, and educator. He holds the position of Design Teaching Fellow at the College of Architecture, Art, and Planning at Cornell University. As part of his research and practice, he has been committed to the analysis of infrastructural relationships under the canopy of data management and its consequences in the architectural realm. Recently, he was awarded the Prize of Excellence (Space Group, Seoul, Fall 2022) for his studies of data civicness and urban possibilities in vertical public connectors in New York City. In collaboration with Associate Professor Jesse LeCavalier, he co-curated a public exhibition and symposium, "Common Clouds," in Berlin (June 2023) addressing the domains of technology intersecting with architectural typologies. In 2023 he received the Cornell Council of the Arts award, presenting the exhibition "Data Tactics: Information Control, and Colonization Strategies in the Data Center Technocene" at Cornell University, Spring 2024.
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Alberto Martinez Garcia is an architect and researcher born in Madrid in 1988 and currently residing in the United States. His work is situated at the intersection of architecture, ecology, and colonialism, with a particular interest in modes of representation that can democratize specialized knowledge and serve as tools for dialogue and transformation. He is currently pursuing a PhD at Yale University, where he also earned a Master of Environmental Design (MED). He previously studied at Cooper Union and earned his architectural degree from the Escuela Técnica Superior de Arquitectura de Madrid (ETSAM). He has lived and worked in Amsterdam, Madrid, and Shanghai. His interest lies in contemporary domesticity and the transition in the field of architecture from the movement to postmodernism. His work has been recognized with multiple awards and grants, including the 2016 COAM Award, a Tinker Research Grant, a Harold C. Conklin Research Fellowship, and a British Architectural Library Trust (BALT) Fellowship. He is a co-founder of the publishing project Hidden Architecture with Héctor Rivera Bajo, with whom he published the book Hidden Architecture: Atlas in 2023.

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Andrea Molina Cuadro is a Spanish architect, researcher, and educator working at the intersection of design, art, and ecology. Andrea is based in New York and teaches at the New Jersey Institute of Technology (NJIT). She is currently coordinating the Bauhaus of the Seas Sails art-narrative project in collaboration with TBA21. Andrea has been a Curatorial Fellow at Storefront for Art and Architecture and an artist-in-residence at Art Omi: Architecture 2025 and the Instituto Mutante de Narrativas Ambientales (IMNA) at Matadero Madrid in 2020. She has also worked as a researcher at the Center for Spatial Research (CSR) at Columbia University and as an architect at Estudio Herreros in Madrid. Her work has been awarded the Graham Foundation Grants for Individuals 2023 and published in e-flux Architecture and The Architect's Newspaper, among other publications. Andrea holds a degree in architecture from the University of Alcalá and the Higher Technical School of Architecture of Madrid (ETSAM), and a master's degree in Critical Curatorial and Conceptual Practices in Architecture from Columbia University.

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Published on: May 27, 2025
Cite:
metalocus, SARA GENT
"Territory, tradition, and future in the winning projects of the TAC! 2025 Festival" METALOCUS. Accessed
<https://www.metalocus.es/en/news/territory-tradition-and-future-winning-projects-tac-2025-festival> ISSN 1139-6415
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