Piranesi said after travelling from Rome to Venice and realising how difficult it would be in that period of crisis to mange to build things like those he imagined and saw in the ruins, that since there was no hope for architects of his time to really execute anything similar, he didn’t see for himself, or for any other architect of his era, any other possibility than explaining his ideas by imagining the impossible.

In the past, architects knew what to expect after finishing their degree. In reality, nobody considered other alternatives than what seemed to be a small bunch of unambiguous possibilities, typical and predictable channels of professional development.

Nowadays, it’s clear that the situation has mutated. Things are different, there are multiple channels, and even the ways we practise them are being reinvented. Just recall some of the examples in the first edition published two years ago (For example, the article whose link we have provided at the end: Arquitectos tenderos y ¡a mucha honra!)

Today, more and more, the way we see the reality has been reinvented. Monolithic ideas are viewed in a fractured way and then are constructed again in a new, equally valid reality.

The psychotherapist in the series In Treatment (a story based on the successful Israeli series of the same name), Paul, reconstructs the ideas of his patients from Monday to Thursday, a new reality for his narrators, leaving Friday for he himself to go to therapy with his colleague and friend of many years, Gina. During the sessions we learn about the various characters and the conflicts they confront.

The actors that participate in the first season of INTREATMENT [>2] - METALOCUS, are young architects looking for their own identity every week.

In this second season of INTREATMENT [>2] - METALOCUS project and when we first discussed the idea about a reconstruction of an architectural In Treatment, I remembered how METALOCUS was born of the same interests Fourteen years ago:

the need to explain reality in a different way than we were seeing it being narrated, knowing full well that interpretation was a common cause among the architects of that generation.

IN TREATMENT [>2] – METALOCUS will be the sofa where a series of architects will talk about reality kaleidoscopically, their reality. Using Yi Fu Tuan’s definition of place, they will build a place for contemporary architecture relating what they think about this reality, in this reality and with this reality. What links all the guests together is that they are architects far from the city where they studied, and the majority are even far from the country where they thought they would be professionally based.

Faraway from their city, from a reality that doesn’t exist, building a reality around a void. INTREATMENT [>2] - METALOCUS Thank you to the participants and thank you especially to the readers. Enjoy!

The architects of the second season:

JAVIER SANCHO
FRANCISCO PELAEZ
MICHAEL MORADIELLOS
MELISSA SCHUMACHER
VERÓNICA ROSERO
AINHOA MARTÍN


... and more if you send us contributions during the 2nd edition that are interesting. It is a vote to invite everyone to participate!

 

José Juan Barba (1964) architect from ETSA Madrid in 1991. Special Mention in the National Finishing University Education Awards 1991. PhD in Architecture ETSAM, 2004. He founded his professional practice in Madrid in 1992 (www.josejuanbarba.com). He has been an architecture critic and editor-in-chief of METALOCUS magazine since 1999, and he advised different NGOs until 1997. He has been a lecturer (in Design, Theory and Criticism, and Urban planning) and guest lecturer at different national and international universities (Roma TRE, Polytechnic Milan, ETSA Madrid, ETSA Barcelona, UNAM Mexico, Univ. Iberoamericana Mexico, University of Thessaly Volos, FA de Montevideo, Washington, Medellin, IE School, U.Alicante, Univ. Europea Madrid, UCJC Madrid, ESARQ-U.I.C. Barcelona,...).

Maître de Conférences IUG-UPMF Grenoble 2013-14. Full assistant Professor, since 2003 up to now at the University of Alcalá School of Architecture, Madrid, Spain. And Jury in competitions as Quaderns editorial magazine (2011), Mies van der Rohe Awards, (2010-2024), Europan13 (2015). He has been invited to participate in the Biennale di Venezia 2016 as part "Spaces of Exception / Spazi d'Eccezione".

He has published several books, the last in 2016, "#positions" and in 2015 "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi " and collaborations on "Spaces of Exception / Spazi d'Eccezione", "La Mansana de la discordia" (2015), "Arquitectura Contemporánea de Japón: Nuevos territorios" (2015)...

Awards.-

- Award. RENOVATION OF SEGURA RIVER ENVIRONMENT, Murcia, Sapin, 2010.
- First Prize, RENOVATION GRAN VÍA, “Delirious Gran Vía”, Madrid, Spain, 2010.
- First Prize, “PANAYIOTI MIXELI Award”. SADAS-PEA, for the Spreading of Knowledge of Architecture Athens, 2005.
- First Prize, “SANTIAGO AMÓN Award," for the Spreading of Knowledge of Architecture. 2000.
- Award, “PIERRE VAGO Award." ICAC -International Committee of Art Critics. London, 2005.
- First Prize, C.O.A.M. Madrid, 2000. Shortlisted, World Architecture Festival. Centro de Investigación e Interpretación de los Ríos. Tera, Esla y Orbigo, Barcelona, 2008.
- First Prize. FAD AWARD 07 Ephemeral Interventions. “M.C.ESCHER”. Arquin-Fad. Barcelona, Sapin 2007.

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