The cubic form of the new United States Courthouse, in Salt Lake City, Utah, USA, is the result to search a form that is strong, iconic, transparent, and metaphorically egalitarian as a symbol of the American judiciary system.

The 37,161 square meter of built area of courthouse designed by Thomas Phifer and Partners, with 10 levels, emerge on a garden terrace, that unites the two courthouses in a public-access amenity for the downtown area of Salt Lake City while establishing a required federal security setback from the street.
 

Description of project by Thomas Phifer and Partners

The design of the new United States Courthouse in Salt Lake City emanates from our search for a form that is strong, iconic, transparent, and metaphorically egalitarian as a symbol of the American judiciary system. The resulting cubic mass of the new courthouse, like the monumental buttes of southern Utah, is just such a primary form, projecting grounded dignity, immovable order, and an equal face to all sides. The 400,000 square foot, 10-story courthouse resides in a garden setting on a level terrace encompassing the entire city block including an existing, historic Federal Courthouse. This garden terrace unites the two courthouses in a public-access amenity for the downtown area of Salt Lake City while establishing a required federal security setback from the street.

The building contains ten courtrooms for the District Court of Utah, fourteen judges’ chamber suites, administrative Clerk of the Court offices, the United States Marshal Service, United States Probation, and other federal agencies. Courts parking and service for both new and existing courthouses occurs on two underground levels. Eight future courtrooms can be accommodated within the constructed volume by office relocation. The main public entry occurs on West Temple Street, linking the courthouse to the civic core of the downtown area.

The building’s encompassing glass and aluminum façades expose the life of the courthouse to the city while providing expansive views from the public and office spaces within. A quilt-work pattern of exterior, vertical aluminum sun screens tempers this transparency with a variable, protective veil that changes quietly with the solar orientation and the interior use. The softly reflective anodized finish along with the crystalline transparency of glass accentuates the distinctive quality of natural light in this pastorally urban setting as the sun passes over the luminescent Wasatch Mountains and across the Great Salt Lake.

This LEED Gold building, in its interior planning, celebrates daylight as an intrinsic quality of both public and individual space. The three-story main entry lobby occupies the southwest corner of the building serving as a beacon to the two primary streets and marking a cornerstone of the broader downtown area. In the core of the building, a sky-lit atrium extending the height of the building brings natural daylight to the centrally located public elevator lobbies. This atrium will contain a 10-story sculptural glass art installation by the renowned American glass artist James Carpenter that further siphons natural daylight into the space. From here, public waiting areas extend north and south to the building perimeter creating a light-filled central axis. The primary functions of the building – the courtrooms – occupy the four corners of the building, bathed in filtered natural daylight, bringing clarity and context to the proceedings within.

The new United States Courthouse in Salt Lake City strives to embody the ideals and aspirations of the American judiciary system - clarity of order, transparency of process, fairness of disposition and timeless relevance - in a building that invites participation, illuminates its civic purpose, and celebrates the extraordinary qualities of nature that characterize this region.

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Architects
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Project team
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Thomas Phifer, Stephen Dayton, Mitch Crowder, Ina Ko, Katie Bennett, Robert Chan, Rebecca Garnett, Andrew Mazor, Jon Benner, Chien Ho Hz.
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Collaborators
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Executive Architect.- Naylor Wentworth Lund Architects. Landscape Architect.- E. A. Lyman Landscape Architects. Civil Engineer.- McNeil Engineering. Mechanical Engineer.- Van Boerum & Frank Associates. Structural Engineering.- Reaveley Engineers & Associates. Blast Engineering.- Weidlinger Associates. Electrical Engineering.- BNA Consulting Engineers. Lighting Design.- Fisher Marantz Stone. Building Enclosure.- James Carpenter Design Associates. Acoustics.- Arup. Graphics.- Piscatello Design Centre. LEED Consultant.- CRSA Architecture. Elevators.- Lerch Bates Associates. Pool Design.- Water Design Inc. Cost Estimating.- Parametrix Inc. Artwork.- James Carpenter Design Associates.
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Client Cliente
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General Services Administration.
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General Contractor
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Okland Construction.
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Area
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37,000 sqm.
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Dates
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Completion.- 2014.
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Location
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United States Courthouse, Salt Lake City, Utah, USA.
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Photography
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Scott Frances.
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Thomas Phifer. Since founding Thomas Phifer and Partners in 1997, he has completed the North Carolina Museum of Art in Raleigh, N.C;, the Raymond and the Susan Brochstein Pavilion at Rice University in Houston, Texas; and the Salt Point House, the Millbrook House, and the Taghkanic House, all in the Hudson River Valley of New York State.

Work under construction includes the United States Federal Courthouse in Salt Lake City, Utah and the prototype of a new street light fixture for New York City. The firm is also designing a museum for the Glenstone Foundation in Potomac, Md.; a field house and velodrome for Brooklyn Bridge Park in Brooklyn, N.Y.; a federal office building in San Juan, Puerto Rico; and houses in Madison, Wis., and Dallas, Texas.

Phifer’s buildings have been repeatedly honored by the American Institute of Architects, including six AIA National Honor Awards and 21 AIA New York Honor Awards. In 2011 the North Carolina Museum of Art won a National Honor Award from the AIA and in 2010 the Raymond and Susan Brochstein Pavilion also won a National Honor Award. The international competition-winning design for the City Lights light fixture for New York City won a Research and Development Award from Architect magazine in 2009, and in 2008 the Salt Point House won an American Architecture Award from the Chicago Athenaeum. His projects have been published and exhibited extensively in the United States and overseas.

In 2004 Phifer was awarded the Medal of Honor, the highest award given to an individual or firm, from the New York Chapter of the AIA. In 1995 he received the prestigious Rome Prize from the American Academy in Rome, and in 2011 he was elected an Academician of the National Academy of Design. He is a Fellow of the American Institute of Architects and is serving as a Peer for the General Services Administration. He received his Bachelor of Architecture in 1975 and his Master of Architecture in 1977, both from Clemson University.

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