Apollolaan 171, is the latest high-end office building located on the avenue of the same name in Amsterdam. Designed by OMA/David Gianotten on behalf of Kroonenberg Groep, the proposal is defined by its transparency and tactility, establishing a dialogue with the neighborhood's buildings and with Berlage's architecture from the early 20th century.

The Apollolaan is a prominent green avenue in the south of Amsterdam – a mixed-use neighborhood characterized by historical city villas and modern buildings that accommodate housing and offices. The Hilton Hotel designed by the Dutch modernist architect H.A. Maaskant is an icon in the area. In the 1980s, the JP Morgan building with a largely opaque façade was constructed at a corner site along the Apollolaan. It followed the competition-winning design by Wim Quist – which beat other entries including that of OMA.

As the building transformed from JP Morgan’s workspace into rental offices in the subsequent years, the original design could no longer meet the new functional needs. Apollolaan 171 has been developed as a contemporary office that offers a more open work environment, integrated with the surroundings.
The form of the new five-story building, designed by OMA/David Gianotten, is a literal translation of the original JP Morgan bank envelope. Contrasting materiality gives the architecture a dual character. One side of Apollolaan 171 is defined by glass volumes organized like a 3D Japanese jigsaw puzzle.

The volumes have been dimensioned to match the scale of the nearby buildings, while the glass brings in abundant light and extends the Apollolaan’s greenery into the office interior. The primary finish material for the lobby and the main circulation core is green marble – in sync with the lush vegetation along the Apollolaan.

On the side of the Titiaanstraat, the building is cascaded and cladded with interwoven custom-designed bricks, evoking the historical housing in the area through scale, color, and tactility. The building’s form has resulted in multiple terraces, including a roof garden for use by the tenants.

Apollolaan 171 sits on the preserved basement of the old JP Morgan building, reusing the original foundation to minimize waste.

Sustainability has been a focal point throughout the entire project: the design meets Amsterdam’s ambitious sustainability goals and is integrated with the surroundings marked by greenery. Features such as triple-glazed windows, green roofs with rainwater retention systems, solar panels that generate power for electric vehicle charging stations, and a state-of-the-art climate control system have been incorporated.
 

Apollolaan 171 by OMA. Photograph by Ossip van Duivenbode.

Next to Apollolaan 171’s entrance is the sculpture “Hendrik Petrus Berlage, 2023” by artist Xavier Veilhans – which captures the influence of Berlage on the south of Amsterdam and Apollolaan 171. The work – a bronze bust with its posture inspired by the photographs of Berlage – not only evokes the presence of architects but also gives them a tangible form.

Along the driveway leading to the parking garage, Tracey Emin’s “The more of you the more I love you” – the flamingo pink neon sign once displayed on JP Morgan bank’s opaque exterior wall – has been reinstalled. The artwork is visible to the public through the new glass facade of the building.



Apollolaan 171 by OMA. Photograph by Ossip van Duivenbode.

Project description by OMA

The Apollolaan is a prominent green avenue in Amsterdam’s south district, within a unique neighborhood defined by Berlage’s architecture from the early twentieth century, and the iconic Hilton Hotel by the Dutch modernist H.A. Maaskant. In the late 1980s, the JP Morgan Bank organized a design competition for its new office located at a corner site along the Apollolaan. The monolithic design by Wim Quist with a largely opaque façade – suiting the security needs of the bank – was favored against other competition entries, including that of OMA. As the building transformed from the space for a single financial institution into rental offices in the subsequent years, the original design could no longer meet the new functional needs, or the anticipation of the tenants to work in a more open work environment connected with the neighborhood.

Commissioned by Kroonenberg Groep, Apollolaan 171 replaces the original bank building with an open and tactile design: a transparent glass façade along the Apollolaan marks the contemporary office’s inviting character; a brick façade facing the Titiaanstraat integrates it with the neighborhood’s historical architecture.


Apollolaan 171 by OMA. Photograph by Ossip van Duivenbode.


Apollolaan 171 por OMA. Fotografía por Ossip van Duivenbode.

The form of the five-story building is a literal translation of the original JP Morgan bank’s envelope. Contrasting materiality gives the architecture a dual character. Interlocking glass volumes resembling a 3D Japanese jigsaw puzzle – dimensioned to match the scale of the nearby buildings – form one side of Apollolaan 171. The glass brings in abundant light and extends Apollolaan’s greenery into the office interior. At the corner, the volumes become smaller and the ground floor is set back, forming a pleasant entrance plaza. On the side facing the Titiaanstraat, the building is cascaded and cladded with custom-designed bricks. Interwoven, these bricks evoke the historical housing in the area through scale, color, and tactility. The building’s form has resulted in multiple terraces: a roof garden that serves as a leisure space for office users, and platforms for solar panels and rainwater collection. Green marble is used as the primary finish material for the lobby and the main circulation core, in sync with the lush vegetation along the Apollolaan.

Apollolaan 171 sits on the preserved basement parking space of the JP Morgan bank and reuses the original building’s foundation. Tracey Emin’s “The more of you the more I love you” – the flamingo pink neon sign once installed on JP Morgan bank’s opaque exterior wall – is prominently displayed along the car park driveway, remaining visible to passers-by through Apollolaan’s new glass façade.

More information

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Architects
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OMA. Partner in Charge.- David Gianotten.
Project architect.- Vincent Kersten, Michael den Otter, Tanner Merkeley.
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Design team
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Margerida Amial, Deniz Arikan, Dagna Dembiecka, Michael den Otter, Gaetano Giordano, Igor Jablan, Honglin Li, Alex Mortiboys, Xaveer Roodbeen, Max Scherer, Haoyang Wu, Arda Yildiz, Wenjia Zhang.
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Collaborators
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Project Management.- vb&t Projectmanagement bv Eindhoven.
Structure.- v. Rossum BV raadgevende ingenieurs Amsterdam.
MEP and Acoustics.- Nelissen Ingenieursbureau Eindhoven.
Executive Architect TO and UO phase.- de Architecten CIE bv Amsterdam.
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Client
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Kroonenberg Groep Real Estate Investment Development.
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Contractor
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J.P. van Eesteren B.V. Amsterdam.
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Area
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Total GFA.- 9,345 m².
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Dates
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Demolition of the original JP Morgan bank building has begun, 2021.
Construction work will start in the autumn of 2021.
Completion.- 2023.
 
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Location
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Apollolaan Av., Amsterdam, The Netherlands.
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Photography
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Ossip van Duivenbode / OMA.
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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David Gianotten is the Managing Partner – Architect of OMA globally, responsible for the overall organizational and financial management, business strategy, and growth of the company in all markets, in addition to his own architectural portfolio.

As Partner-in-Charge, David currently oversees the design and construction of various projects including the Taipei Performing Arts Centre; the Prince Plaza Building in Shenzhen; the KataOMA resort in Bali; the New Museum for Western Australia in Perth; the masterplan of Rotterdam’s Feyenoord City and the design of the new 63,000 seat Stadium Feijenoord; and Amsterdam’s Bajes Kwartier, a conversion of a large 1960s prison complex into a new neighborhood with 1,350 apartments.

David led the design and realization of the MPavilion 2017 in Melbourne and the Shenzhen Stock Exchange headquarters. He was also responsible for the end stages of the CCTV headquarters in Beijing. David’s work has been published worldwide and several of his projects have received international awards, including the 2017 Melbourne Design Awards and the CTBUH Awards in 2013. David gives lectures around the world mainly related to his projects and on topics such as the future development of the architectural profession, the role of context within projects, and speed and risk in architecture.

David joined OMA in 2008, launched OMA's Hong Kong office in 2009, and became partner in 2010. He became OMA’s global Managing Partner – Architect in 2015 upon his return to the Netherlands after having led OMA’s portfolio in Asia for seven years. Before joining OMA, he was Principal Architect at SeARCH in the Netherlands.

David studied Architecture and Architectural Engineering at the Eindhoven University of Technology, where he has also served as a professor in the Architectural Urban Design and Engineering department since 2016. Additionally, he serves on the board of the Netherlands Asia Honors Summer School.

 
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Published on: December 14, 2023
Cite: "An urban dialogue with Berlage. Apollolaan 171 by OMA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/urban-dialogue-berlage-apollolaan-171-oma> ISSN 1139-6415
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