Yesterday, 07 August 2022, after a decade of construction, the long-awaited opening to the public of the Taipei Performing Arts Center designed by OMA occurred. The project jointly led by Rem Koolhaas and David Gianotten is located at Taipei’s vibrant Shilin Night Market. It is a place for the cultural creatives and the public to explore new possibilities in performing arts and experience different aspects of the theatre.
The compact and flexible building is composed of a spherical 800-seat Globe Playhouse, a 1,500-seat Grand Theater, and an 800-seat Blue Box plugged into a central cube. The cube accommodates the stages, backstages, and support spaces of the three theatres, allowing the Grand Theater and the Blue Box to be coupled to form a Super Theater—a massive space with factory quality for unsuspected performances. The Globe Playhouse with a unique proscenium allows experimentation with stage framing. The auditoria of the theatres with opaque facades appear as mysterious elements docking against the animated and illuminated central cube clad in corrugated glass.
 
The central cube is lifted off the ground to create a landscaped plaza. From there, a Public Loop – with portal windows open to views inside the three theatres – runs through the infrastructure and spaces for performing arts production that is typically hidden.


Taipei Performing Arts Centre by OMA. Photograph by Chris Stowers, for OMA.


Taipei Performing Arts Centre by OMA. Photograph by Chris Stowers, for OMA.
 
“When we first visited Taipei for the competition, we felt it was a city with an appetite for experiment. This building is a response to that discovery. We put three traditional theatres together in a way that offers theatre makers completely new opportunities to conceive spectacles and performances. We are proud to be part of the effort to realize the performing arts centre, which became possible only with the knowledge, creativity, and perseverance of the city, collaborators, and architects.”
Rem Koolhaas, OMA Founding Partner.

“It is extremely rewarding to see cultural creatives, audiences and visitors using the building both as we envisioned and in unexpected ways. The theatre culture and the vibrant street culture coexist in this public building and around the site. For us, this mix of cultures aptly captures the energy of Taipei, a city always open to changes."
David Gianotten, OMA Managing Partner – Architect.
 
“TPAC presents to the citizens of Taipei a peculiar yet familiar place. In many ways, it is new, foreign and extraordinary; but at the same time, it is friendly, intimate and amicable. It fits perfectly into the eccentric characteristics of Taipei and people love it. It is a truly public building in its fullest sense.”
Kris Yao, Founder of KRIS YAO | ARTECH, the Taiwanese design collaboration.


Taipei Performing Arts Centre by OMA. Photograph by Shephotoerd Co. for OMA.


Taipei Performing Arts Centre by OMA. Photograph by Chris Stowers, for OMA.


Taipei Performing Arts Centre by OMA. Photograph by Chris Stowers, for OMA.
 

Project description by OMA

An ancient art form for civic participation, theater has evolved into the modern world as a vocation of the culturally refined, with its significance in daily life diminished. Theater space is valued for its potency for formal cultural productions, rather than its power to include and divert, and to be instantaneous. Contemporary performance theaters increasingly become standardized: a combination of two different-sized auditoria and a black box, with conservative internal operation principles for authentic work. Can a public theater still be inclusive, accommodating the classic and the serendipitous, the highbrow and the masses, the artistic and the social—a place for the creative life of all?

Located at Taipei’s Shilin Night Market marked by its vibrant street culture, Taipei Performing Arts Center is architecture in limbo: specific yet flexible, undisrupted yet public, iconic without being conceived as such. Three theaters plugged into a central cube allow performing spaces to be coupled for new theatrical possibilities. The cube is lifted off the ground for a Public Loop to extend the street life of Taipei into the theater. New internal possibilities and connections of the theater generate different relationships between producers, spectators, and the public, also a critical mass that works as a fresh, intelligent icon.

The central cube consolidates the stages, backstages, support spaces of the three theaters, and the public spaces for spectators into a single and efficient whole. The theaters can be modified or merged for unsuspected scenarios and uses. The spherical 800-seat Globe Playhouse, with an inner and an outer shell, resembles a planet docking against the cube. Intersection between the inner shell and the cube forms a unique proscenium for experimentation with stage framing. Between the two layers of shells is the circulation space that brings visitors to the auditorium. The Grand Theater, slightly asymmetrical in shape and defying the standard shoebox design, is a 1500-seat theater space for different performing arts genres. Opposite to it and on the same level is the 800-seat Blue Box for the most experimental performances. When coupled, the two theaters become the Super Theater—a massive space with factory quality that can accommodate productions that are otherwise only possible in found spaces. New possibilities of theater configurations and stage settings inspire productions in unimagined and spontaneous forms.

The general public—with or without a ticket—is invited into the theater through a Public Loop, which runs through the theater’s infrastructure and spaces of production that are typically hidden. Portal windows along the Public Loop allow visitors to look at the performances inside and technical spaces in between the theaters.

Different than typical performance centers that have a front and a back side, Taipei Performing Arts Center has multiple faces defined by the theaters protruding above ground. With opaque facades, these theaters appear as mysterious elements against the animated and illuminated central cube clad in corrugated glass. A landscaped plaza beneath the compact theater is an additional stage for the public to gather, in this dense and vibrant part of Taipei.

More information

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Architects
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OMA. Architects.- Rem Koolhaas, David Gianotten and Project Director.- Chiaju Lin, with Taiwanese design collaborator KRIS YAO | ARTECH.
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Project team
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- Construction (2012 - 2021). Project Director.- Chiaju Lin. Associates.- Paolo Caracini, Inge Goudsmit, Daan Ooievaar. Team.- Yannis Chan, Hin-Yeung Cheung, Vincent Kersten, Han Kuo, Meng-Fu Kuo, Nien Lee.

- Design Development (2009 - 2013). Project Architects.- Ibrahim Elhayawam, Adam Frampton, Yannis Chan. Team.- Hin-Yeung Cheung, Jim Dodson, Inge Goudsmit, Alasdair Graham, Vincent Kersten, Chiaju Lin, Vivien Liu, Kai Sun Luk, Kevin Mak, Slobodan Radoman, Roberto Requejo, Saul Smeding, Elaine Tsui, Viviano Villarreal-Buerón, Casey Wang, Leonie Wenz.

- Competition (2008 - 2009). Partners.- Rem Koolhaas, David Gianotten, Ole Scheeren. Project architects.- Adam Frampton, Mariano Sagasta Garcia, André Schmidt.  Team.- Erik Amir, Joshua Beck, David Brown, Jean-Baptiste Bruderer, Andrew Bryant, Sean Hoo Ch'ng, Steven Yingnien Chen, Dan Cheong, Ryan Choe, Antoine Decourt, Mitesh Dixit     Pingchuan Fu, Miguel Huelga de la Fuente, Alexander Giarlis, Richard Hollington, Takuya Hosokai, Shabnam Hosseini, Nicola Knop, Ippolito Pestellini Laparelli, Chiaju Lin, Sandra Mayritsch, Vincent McIlduff, Alexander Menke, Gabriele Pitacco, Shiyun Qian, Joseph Tang, Agustín Pérez Torres, Xinyuan Wang, Ali Yildirim, Patrizia Zobernig.
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Collaborators
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Architect of Record.- KRIS YAO | ARTECH.
Theatre Consultant.- dUCKS Scéno, Creative Solution Integration Ltd.
Acoustic Consultant.- Theo Raijmakers (Level Acoustics & Vibration), DHV, SMW.
Landscape Designer, Interior Designer.-  Inside Outside.
Structure, MEP, Building Physics, Fire Engineer.- Arup.
Structural Engineer.-  Evergreen Consulting Engineering Inc.
Services Engineer.- Heng Kai Inc., IS Leng and Associates Engineers.
Fire Engineer.- Taiwan Fire Safety Consulting Ltd.
Lighting Consultant.-  Chroma 33.
Facade Engineer.- ABT, CDC Inc.
Sustainability Consultant.- Segreene Design and Consulting.
Landscape Consultant.-  CNHW
Geotechnical Engineer.- Sino Geotech.
traffic consultant.- Everest Engineering Consultants Inc.
Animation.- Artefactory.
Model.- RJ Models.
Model.-  Vincent de Rijk.
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Client
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Authority in charge.- Taipei City Government. Executive Departments.- Department of Cultural Affairs, Department of Rapid Transit Systems (First District Project Office), Public Works Department (New Construction Office).
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General contractor
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Main Construction Contractor (former general contractor).-  International Engineering & Construction Co., Ltd.
Main Construction Contractor (façade continuous construction).-
Sun-Sea Construction Co. LTD.
Main Construction Contractor (interior & landscape continuous construction).- Ancang Construction Co. LTD.
Theater Equipment Contractor.- L&K Engineering Co. LTD., IX Co. LTD., JR Clancy.

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Area
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58,658 m².
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Dates
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Competition.- 2008 - 2009.
Construction.- 2012 - 2022.
Opening.- 07 August 2022.
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Location
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臺北表演藝術中心Taipei Performing Arts Center No. 1號, Jiantan Rd, Shilin District, Taipei City, Taiwan 111.
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Budget
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Estimated: 6 billion Taiwan Dollars (around €180 million).
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Photography
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Video.- Shephotoerd Co. Photography for OMA
Model Photography.- Iwan Baan, Jeffrey Cheng, Frans Parthesius.
Site Photography.- Chris Stowers. Shephotoerd Co.
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Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.

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David Gianotten is the Managing Partner – Architect of OMA globally, responsible for the overall organizational and financial management, business strategy, and growth of the company in all markets, in addition to his own architectural portfolio.

As Partner-in-Charge, David currently oversees the design and construction of various projects including the Taipei Performing Arts Centre; the Prince Plaza Building in Shenzhen; the KataOMA resort in Bali; the New Museum for Western Australia in Perth; the masterplan of Rotterdam’s Feyenoord City and the design of the new 63,000 seat Stadium Feijenoord; and Amsterdam’s Bajes Kwartier, a conversion of a large 1960s prison complex into a new neighborhood with 1,350 apartments.

David led the design and realization of the MPavilion 2017 in Melbourne and the Shenzhen Stock Exchange headquarters. He was also responsible for the end stages of the CCTV headquarters in Beijing. David’s work has been published worldwide and several of his projects have received international awards, including the 2017 Melbourne Design Awards and the CTBUH Awards in 2013. David gives lectures around the world mainly related to his projects and on topics such as the future development of the architectural profession, the role of context within projects, and speed and risk in architecture.

David joined OMA in 2008, launched OMA's Hong Kong office in 2009, and became partner in 2010. He became OMA’s global Managing Partner – Architect in 2015 upon his return to the Netherlands after having led OMA’s portfolio in Asia for seven years. Before joining OMA, he was Principal Architect at SeARCH in the Netherlands.

David studied Architecture and Architectural Engineering at the Eindhoven University of Technology, where he has also served as a professor in the Architectural Urban Design and Engineering department since 2016. Additionally, he serves on the board of the Netherlands Asia Honors Summer School.

 
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: August 8, 2022
Cite: "Opening. Taipei Performing Arts Center by OMA / Rem Koolhaas and David Gianotten" METALOCUS. Accessed
<https://www.metalocus.es/en/news/opening-taipei-performing-arts-center-oma-rem-koolhaas-and-david-gianotten> ISSN 1139-6415
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