Beauty through volume sequence. Figure - Ground by Takuya Hosokai
30/03/2021.
[Niigata] Japan
metalocus, MARÍA FERNANDA MORA
metalocus, MARÍA FERNANDA MORA
Description of project by Takuya Hosokai.
A beauty salon in a provincial city. The project took 8 months from design to completion.
The site, about a 10-minute drive from the city center, is located in a quiet neighborhood that was converted to a residential area in 1927. When we visited the site for the first time, we felt that there are many buildings in this area that are composed of multiple small volumes in an inconsistent physical scale, such as an entrance, a bay window, a terrace, a warehouse, and a garage. In addition, although the buildings are reasonably tall, the streetscape has an intimate sense of scale because its composition allows the line of sight to pass through to the open sky.
Proposing a simple shape for the building on this site, such as a cube, would have emphasized its formal symbolism and made the building feel awkward in relation to the city. Therefore, we devised the beauty salon in the form of multiple volumes that have the same physical and intimate scale as the surrounding environment.
-Modeling from the program
First of all, we sought to create a space surrounded by soft and homogeneous indirect light because the program is a hair salon. Since the site is adjacent to a road on the north side, the openings take full advantage of this aspect to ensure a soft and consistent light internally. The site is long and narrow, and in order to obtain natural light at the back of the building, the shape of the building gradually expands from the front to the back, both in plan and elevation.
If we differentiate the program of a beauty salon, it can be divided into three categories: waiting, cutting hair, and washing the head. Because the quality of light required for each of these three activities is different, we decided to divide the space into three separate zones even though they are one sequence. Therefore, we created three volumes: a waiting room, a cutting area, and a shampoo area; two more volumes were added to the program: a staff room and a gallery. The interdigitation of these five volumes creates a sequence of spaces, even though each space is divided from the next.
-The town's hair salon with figure and ground composition
As a beauty salon, it is desirable to protect the privacy of its customers, simultaneously providing them with an appropriate sense of openness and security. In order to open up the building on a site surrounded by houses, it is desirable to have an alternative to connecting the inside and outside by transparency. Therefore, in this project, we tried to design a space that makes people feel as if they are outside even though they are inside by manipulating the building form.
In this study, we formed the interior space by arranging five rectangles on the site, and at the same time, we tried to obtain a plane as gardens and a patio. There is no hierarchy, and both are treated equally. The scale and form of both the architecture as "figure" and the site as "ground" are considered to be similar. As a result, when people walk through the interior space the "figure and the ground" are reversed creating the illusion that the interior and the exterior are interchangeable. Occupants are given the impression that they are walking along a path between the buildings, like a passage.
Through the manipulation of form and the interdigitation of volumes, the boundaries between interior and exterior, architecture and context, become blurred.
TAKUYAHOSOKAI is an architectural atelier in Tokyo, Japan, established by Takuya Hosokai in the fields of art, architectural design, urbanism and cultural analysis in 2005. Takuya is a first class authorized architect in Japan.
He received the Master of Excellence in Architecture in 2005 from Yokohama National University in Japan, and graduated with distinction for exhibiting his thesis project at the 1st International Architectural Biennale Rotterdam as a part of the Tokyo Ring Project in 2003 from the same university.
From 2008 to 2011 he worked at AMO / OMA Rem Koolhaas and BIG | Bjarke Ingels Group as a senior architect on numerous large scale regional planning projects. During this time he lived in several countries, in the US, South America and Europe, for his research in world life, culture, history, economy, religion and politics.
In 2011 he resided in Madrid, Spain, carrying out studies into radical structural design and innovative materials with Antón García-Abril at Ensamble Studio. For this research he received a grant from Arts and Culture Division Cultural Affairs Department Agency for Cultural Affairs Government of Japan.