«26 Camiones/26 Trucks» is the motto of the proposal with which architects Ignacio Olite Lumbreras and Koldo Fernández Gaztelu, together with Made.V Arquitectos, won first prize in the competition to design 80 affordable rental homes and collaborative spaces in Soria.

The project is conceived as a habitable landscape that uses the twenty-six trucks needed to transport the wooden structure as its unit of measurement. This structure is designed as an open, zigzag system that folds back on itself to create a sequence of public and community spaces, transforming the site into an urban park with permeable architecture that fosters community.

The proposal by Ignacio Olite Lumbreras, Koldo Fernández Gaztelu, and Made.V Arquitectos for 80 Affordable Rental Housing and Collaborative Spaces in Soria includes 1, 2, and 3-bedroom homes, as well as a ground floor conceived as an extension of the living space with coworking areas, a daycare, and multipurpose rooms. These unit types are organized in a linear, double-fronted layout: an exterior gallery that acts as a filter towards the industrial area to the north, and the main living areas facing south.

These longitudinal galleries widen at the access points to break the monotony of the corridor, creating a series of living spaces. These serve as meeting thresholds and expand the usable floor area of ​​the homes by 11% to 12%.

In terms of construction, the building consists of a concrete foundation for the basement and a lightweight cross-laminated timber (CLT) structure, organized using a modular system of five types of load-bearing walls. Energy efficiency is guaranteed by a 25 cm envelope finished in micro-perforated mini-corrugated sheet metal —in homage to the area's industrial past— and by a green roof that acts as a natural thermal regulator.

Rendering. 80 Collaborative Housing Units by Ignacio Olite, Koldo Fdez. Gaztelu y MADE.V

Rendering. 80 Collaborative Housing Units by Ignacio Olite, Koldo Fdez. Gaztelu y MADE.V.

 Project description by Ignacio Olite Lumbreras, Koldo Fernández Gaztelu y Made.V Arquitectos

Project Concept
The proposal begins with a simple yet powerfully evocative image: twenty-six trucks, the number needed to transport the prefabricated CLT panels that make up the building's structure—both vertical and horizontal. This seemingly anecdotal logistical detail becomes the starting point for an architectural reflection: an architecture born from measurement, folding, logistics, and action. Each truck contains fragments of space, possibilities for life, living units that are not repeated cells but pieces of an open system. Architecture here is conceived not as an isolated object, but as part of a larger system, a habitable landscape in which vegetation, air, and light are as structural as the walls or floors. Therefore, the project's strategy is clear: the creation of a new urban landscape. To achieve this, two fundamental tools are employed: the construction of public space—a park—that transforms the site into a city, and a domestic space, imbued with contemporary values, linked to the new urban landscape and a reflection of collective life. The complex articulates this new expansion of the city in a place where the street as an urban space for coexistence is no longer recognizable. Therefore, the housing units that comprise it reinforce their suburban character by seeking the universal and primordial references of human habitation: the midday sun and the naturalized environment.

The project is situated within a complex urban environment, on the boundary between the newly created residential city and the industrial fabric undergoing relocation. This border condition is embraced not as a problem, but as an opportunity to activate new spatial, social, and ecological relationships. The building is conceived as an articulated line, a zigzag that adapts to the irregular perimeter of the plot and, as it folds, generates a sequence of public and community spaces of varying sizes and intensities. Unlike the closed and homogeneous urban logic that has characterized many recent residential developments in the area, where the plot boundary is nothing more than a "fence" of privacy, this proposal seeks to construct an architecture open to the complexity of the site, capable of embracing the unexpected and fostering collective life.

In contrast to what René Boer has defined as the "smooth city"—a polished, homogenized, excessively regulated city designed from the aesthetics of neutrality and commercial efficiency—this proposal champions an architecture that acknowledges the rough edges of living, recognizing the diversity of uses, rhythms, and relationships that shape daily life. Against the closed order of the predefined, this proposal envisions an open, permeable infrastructure, ready to be interpreted and modified by its inhabitants. This approach does not imply abandoning design, but rather understanding it as a tool for generating possibilities, fostering encounters, and embracing the unfinished. The city envisioned here is not a perfect model, but a collective organism that, over time, will be inhabited, transformed, and enriched by those who live within it.

Rendering. 80 Collaborative Housing Units by Ignacio Olite, Koldo Fdez. Gaztelu y MADE.V.
Rendering. 80 Collaborative Housing Units by Ignacio Olite, Koldo Fdez. Gaztelu y MADE.V.

This project is not a definitive answer, but a framework for lives to unfold. It does not seek to impose a way of living, but to offer the conditions so that each person can build their own, together, at their own pace, with their own rituals. Twenty-six trucks: the precise number to imagine an entire building in transit, an architecture that moves to take root. Each gallery, each passageway, each corridor, each terrace is designed not only to be lived in. It is about building relationships, opening spaces for the common good without erasing the private, tracing a domestic topography where living is not synonymous with confinement, but with possibility. The aim is not to erect a building closed in on itself. The aspiration is to construct an urban piece that engages with its surroundings, that knows how to exist on the edge, that recognizes the city as a fabric still being woven. This building does not want to be the center of anything, but rather a node: a point of intersection between people, times, memories and futures.

Architectural Memory
The residential complex comprises 80 apartments, distributed as follows: 16 one-bedroom units, 48 ​​two-bedroom units, and 16 three-bedroom units. Four of these, located on the ground floor, have been designed as fully accessible apartments, in accordance with current regulations in Castile and León. All the others are adaptable, allowing for adjustments over time with a simple change to the bathroom door to accommodate different abilities and living needs.

The building has a total constructed area of ​​6,766 m², distributed across a ground floor plus three upper floors (ground floor + 3), and a 3,161.36 m² basement that houses 120 parking spaces and 80 storage units, one for each apartment. The overall layout follows a linear typology adapted to the context. The building is designed with two facades: one acting as a filter towards the industrial landscape and the other connecting it to the city. The access galleries face the industrial edge, acting as a filter, while the living spaces open to the south, engaging with the new urban park and the distant landscape. This arrangement not only optimizes climatic and visual conditions but also reinforces the building's border location, embracing its role as an urban connector.

The building is organized around a clear and functional structure that responds to both the site's urban planning requirements and the project's social, spatial, and environmental objectives. The layout of uses on each floor articulates the domestic and the communal, allowing the complex to function as a true domestic amenity. Each level fulfills a specific role within an integrated strategy where the construction logic, everyday comfort, and community life intertwine to create an open and evolving system. Collaborative spaces are not concentrated on a single level but are strategically dispersed as active articulations on each floor, accompanying the building's longitudinal circulation and intensifying its communal character.

On the ground floor, the building rises above a permeable plinth that subtly separates it from the terrain, lending it visual lightness and spatial autonomy. This level houses a wide range of collective uses open to the neighborhood, such as coworking spaces, a daycare center, workshops, multipurpose rooms, and cultural initiatives. To reinforce its connection with the urban fabric, the ground floor opens up with large pedestrian walkways that traverse the building's volume and become direct access points to the private spaces, linking the park with the domestic sphere. The corner of Elio Antonio de Nebrija Street has been reserved as a strategic point to highlight the collaborative use of the building, giving it urban visibility and the capacity for social activation. The management of these spaces is left open to future decisions by the community or the administration, but their presence in the project reflects a clear conviction: the ground floor is not merely a technical level, but an opportunity to build community, foster relationships, and open architecture to everyday life.

Below this level, the basement provides parking, utilities, and storage. Far from being conceived as a residual space, it has been designed as a section that allows for natural ventilation of the parking area through the grooves in the edge beams, eliminating the need for mechanical ventilation systems.

Model. 80 Collaborative Housing Units by Ignacio Olite, Koldo Fdez. Gaztelu y MADE.V.
Model. 80 Collaborative Housing Units by Ignacio Olite, Koldo Fdez. Gaztelu y MADE.V.

Access to the apartments is organized through longitudinal exterior galleries that run along each floor and structure the collective life of the complex. These walkways widen at the entrances to the apartments, creating intermediate thresholds where bicycles can be parked, everyday items left, or where people can simply stop to chat. These are transitional spaces that are not intended as mere passageways, but rather as areas for neighborly interaction, domestic in scale yet open to the community. These "expansions" break the monotonous linearity of the gallery and transform it into a series of small living spaces on the boundary between communal and private, which, in addition to fostering neighborly relations, expand the usable floor area of ​​the apartments by between 11 and 22%, depending on the unit type.

Construction Concept and Materials
The project stems from a key construction decision: to reduce the building's carbon footprint through a prefabricated cross-laminated timber (CLT) structural system. This choice is not solely based on technical criteria but constitutes a central idea of ​​the project, articulating sustainability, efficiency, and architectural quality. The building is conceived as a lightweight and precise infrastructure, capable of rapid construction, minimizing waste, and fostering a healthy and adaptable environment. Based on this premise, the complex is organized as a dual tectonic composition: a permeable, thermally inert base anchored to the ground, upon which rises a prefabricated, lightweight, dry, and modular timber structure. This duality not only optimizes the construction processes but also architecturally expresses the relationship between the building, the ground, and the urban landscape.

From this perspective, the project employs three fundamental construction strategies that articulate its technical, energy, and spatial logic: the foundation as a permeable and structural base for the entire complex, the load-bearing CLT structure as a prefabricated, sustainable, and efficient system, and a highly efficient thermal envelope designed to guarantee comfort and minimize energy consumption.

The foundation is resolved through a system of reinforced concrete footings and retaining walls. To reduce the environmental impact of contact with the ground, the ground floor is raised above street level, which not only minimizes the volume of excavation but also allows for natural ventilation of the parking area, eliminating the need for mechanical systems. This strategy translates into the construction of a reinforced concrete slab, whose deep beams incorporate ventilation buffer spaces, functioning as a thermal diaphragm, load-bearing base, and building services infrastructure.

The building's structure is resolved using a system of cross-laminated timber (CLT) walls and floors, combining lightness, precision, and sustainability. The housing units are organized around a basic unit measuring 3.40 x 7.10 meters, defined by CLT structural walls repeated throughout the complex. This modular scheme ensures significant space efficiency, simplifies assembly, and allows for rapid, clean, and dry construction, reducing construction time and associated emissions. The structural system is based on the repetition of five types of load-bearing walls, all with the same dimensions (11.00 x 2.90 meters), the only variation being the type of opening they incorporate: solid walls, walls with doors, walls with French doors, or double-leaf openings. This simplification allows for more precise construction, a reduction in on-site errors, and greater traceability in manufacturing. Furthermore, it facilitates transport—only 26 trucks are required for the entire complex—and reduces on-site assembly time.

Rendering. 80 Collaborative Housing Units by Ignacio Olite, Koldo Fdez. Gaztelu y MADE.V.
Rendering. 80 Collaborative Housing Units by Ignacio Olite, Koldo Fdez. Gaztelu y MADE.V.

The building's thermal envelope is achieved through a dry, industrialized system, allowing for high structural and thermal performance with a reduced thickness. This technical decision optimizes the built volume and improves the efficiency of the structural system without compromising interior comfort or durability. The total thickness of the façade is 25 cm, including continuous thermal insulation on the exterior and a self-supporting interior lining. The exterior finish is a micro-perforated, lacquered corrugated metal sheet in its natural color, providing a homogeneous, contemporary, and luminous appearance while reducing surface heating of the envelope. This is a nod to the recent past of the area and the commercial use of the adjacent plots with which the building will coexist for some time. A visual reminder of the future is also present. The roof features an inverted flat roof system with a 12 cm insulation layer and a green roof. This solution reinforces the building's thermal performance, improves the thermal inertia of the upper envelope, and allows for low-maintenance green surfaces that act as climate regulators, rainwater retainers, and potential community spaces.

All the construction systems employed have been conceived as part of the same design logic. This logic prioritizes material sustainability, energy efficiency, and long-term durability, without sacrificing spatial quality or architectural expressiveness.

More information

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Architects
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Ignacio Olite Lumbreras. Koldo Fernández Gaztelu. Made.V Arquitectos: Álvaro Moral García, Daniel González García, Antonio Olavarrieta Acebo.

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Collaborators
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MEP.- AM Ingenieros S.L.
Telecommunications Engineering.- ID Domótica.

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Developer
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SEPES. State Land Entity (Now CASA 47) Ministry of Housing and Urban Agenda.

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Area
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7,529.91 sqm.

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Dates
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2025.

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Location
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C/ Elio Antonio de Nebrija 2. Soria, Spain.

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Budget
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12,615,705.90 €.

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Ignacio Olite Lumbreras is an architect who graduated with distinction from the E.T.S.A. University of Navarra, he is also Associate Professor of Architecture Projects at the University of Zaragoza, UNIZAR and director of the Ultzama Campus School of Architecture of the Architecture and Society Foundation.

In 2009, he established IOARQUITECTOS in Pamplona, a practice focused on investigating and realizing projects of architecture, most of them as a result of an intense participation in national and international competitions. He has participated in exhibitions, conferences and workshops as a lecturer and guest critic at different schools of architecture and associations of architects, among other institutions.

His work has been published worldwide and recognized at national and international awards such as FAD Awards, COAVN Awards, MDA UNAV Architecture Students Award, ENOR Award, Construmat Awards, APLUS Awards, Spanish Biennial of Architecture and Urbanism, European Award for Architectural Heritage Intervention AADIPA, among others. He was awarded the prize at the VIII Ibero-American Biennial of Architecture and Urbanism.
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Los Arcos Gaztelu was founded in 2020 as a response to the need to formalise a collaborative body of work that had been developing since 2012. It succeeds the practice previously known as Gaztelu Jerez Arquitectos, active since 2006, and thus begins as an architectural studio with over a decade of professional experience.

The studio’s work spans all scales, from domestic architecture and interior design to landscape interventions and civic projects, and is combined with research and teaching at the university level. The studio understands architecture as a discipline that envelops and affects almost everything around us, with the human being as its central focus. A building should be intentionally placed in a location, or even constitute a place in itself. Location, climate, culture, function, and construction techniques are among its main points of reference.

In today’s context, the studio considers its work should be simultaneously “global” and “local.” It believes architecture should be a product of its time while also aspiring to timelessness; it should be rooted in the present while looking to the future without losing sight of the past. The studio values simplicity, austerity, and constructional rigour, and understands architecture as a fundamentally humanist and service-oriented activity, aimed at improving the environment in which people carry out their daily activities, and ultimately enhancing human life. Its work has been awarded, exhibited, and published on numerous occasions, including the Spanish Biennial of Architecture and Urbanism (2018), the Vasco-Navarro Official College of Architects Awards (2019, 2013), and the COACYLE/Burgos Awards (2019, 2016). Publications include METALOCUS, AITIM, Arquitectura Viva, El País, ON Diseño, and TectónicaBlog, among others.

Koldo Fernández Gaztelu (San Sebastián, 1980) graduated with distinction from the Higher Technical School of Architecture of Navarra (ETSA Navarra) in 2004 and completed a postgraduate degree in Architectural Restoration and Rehabilitation the same year. He is an Associate Professor of Architectural Design at EINA, the School of Engineering and Architecture at the University of Zaragoza.

He has worked in the studios of Ochotorena, KSP Engel und Zimmermann, Francisco Mangado, and Gálvez + Wieczorek. In 2005, he began his doctoral studies at the Higher Technical School of Architecture of the Polytechnic University of Madrid (ETSAM). In 2006, he participated in the workshop “Four Energy Observatories,” directed by Iñaki Ábalos, part of the I Canary Islands Biennial of Architecture, Art, and Landscape in La Palma. He has also taught at the Higher Center of Interior Design of Navarra and served as a visiting lecturer at the Universidade da Beira Interior (Covilhã, Portugal).

Amaia Los Arcos graduated with distinction from ETSA Navarra in 2005 and completed a postgraduate degree in Landscape and Environment the same year. From 2006 to 2012, she worked at IDOM Professional Services (IDOM ACXT), contributing to large-scale projects and new project development processes such as BIM (Building Information Modeling), while also serving as an external architectural consultant for firms like Ikertalde Grupo Consultor. In 2005, she began her doctoral studies at ETSAM. She has furthered her training in sustainability through the study of nearly zero-energy building standards, such as Passivhaus, and through specialised training in building diagnostics and pathologies.

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MADE.V Arquitectos is an architecture practice based in Valladolid, led by Eduardo Carazo, Daniel González, Álvaro Moral, and Antonio Olavarrieta. Founded in 2017, it is a natural evolution of over five years of collaboration on competitions and projects between the two generations of architects that make up the team.

MADE.V is an office that fosters intersections between professional practice, teaching, and research, actively participating in the activities of the Higher Technical School of Architecture of Valladolid. All its members combine professional work with research related to urban heritage and contemporary domesticity, with a significant focus on R&D and training.

Several of their projects have received awards and have been referenced in various specialized publications.

Eduardo Carazo Lefort, born in Valladolid in 1959, is an architect, having graduated from the University of Valladolid in 1983. He joined the faculty in 1987, obtaining his doctorate in 1990. He became a tenured professor in 1992 and a full professor in 2009. He has practiced as an architect since 1983 and founded the firm O.D.I. más P SLP in 1999. His publications include books such as *La arquitectura y el problema del estilo* (1993), *Arquitecturas centralizadas: el espacio sacro de planta central* (1995), and *Valladolid: Forma Urbis* (2010), as well as the monograph *Grijalba, Carazo y asociados* (Pamplona 2005), and many other scientific and professional publications. Among the awards he has received are the 1997 Royal Academy of Fine Arts of the Immaculate Conception prize for the rehabilitation of a residential building in San Martín and the first runner-up prize in the Galán Carvajal Prize in 1999. In 2021, he received the Targa D'Oro from the Unione Italiana per il Disegno.

Daniel González García, born in Salamanca in 1990, graduated as an Architect from the ETSA of Valladolid in 2016 and as a Technical Architect from the EPS of Zamora in 2012. He earned a Master's degree in Architectural Research from the ETSA of Valladolid in 2017. He is currently a doctoral candidate in Architectural Theory and Architectural Projects at the University of Valladolid (Spain), where he is researching contemporary transformations of domestic space in historic urban areas. His dissertation is supervised by Dr. Eduardo A. Carazo Lefort and Dr. Jose Manuel Martínez Rodríguez. He is a member of the Board of Directors of the Valladolid branch of COACYLE (Official Association of Architects of Castilla y León) and curator of several exhibitions promoting architecture and the profession.

Álvaro Moral García, born in Burgos in 1989, holds a degree in Technical Architecture from the University of Burgos (2012) and a degree in Architecture from the University of Valladolid (2016). He also holds a Master's degree in Architectural Research (2017) and a PhD (2021). Since 2018, he has been a professor at the Higher Technical School of Architecture of Valladolid, where he is currently an Assistant Professor. He has undertaken research stays at the University of Salerno, the University of Turin (POLITO), and the School of Architecture of Navarra (ETSAUNav). His research focuses on modern and contemporary architectural design, graphic analysis, and intervention in existing buildings. He has published with publishers such as Springer, EGA, Disegno, and DisegnareCON, and has participated in national and international conferences. He combines teaching and research with professional practice since 2016. His work has received awards (BEAU XV, COACYLE, COABU, 40u40) and has been published in specialized print and online media (METALOCUS, Diseño Interior, Afasia, Tectónica, Veredes, Cercha, Casa Viva, NAN Arquitectura). He is the author of the book Obra Inacabada, el proceso de idiota de la Catedral de Burgos (2023) and curator of the exhibition Miradas Fragmentadas (2021).

Antonio Olavarrieta Acebo, born in Santoña (Cantabria) in 1991, is an architect, having graduated from the Higher Technical School of Architecture of Valladolid (2016). He combines professional practice with academic research. He is currently working on his doctoral thesis, "The Territorial Object: Landscape and Construction of Space in the Work of Aurelio Galfetti," under the supervision of Carlos Rodríguez Fernández and Sagrario Fernández Raga. Since 2016, he has worked as an architect in various studios, gaining extensive experience in the development and management of large-scale projects nationwide. He has advanced training and broad experience in BIM methodology, both in collaborative environments and integrated workflows. He has performed modeling and interdisciplinary coordination roles, establishing a specialized technical profile as a BIM Expert.

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Published on: January 29, 2026
Cite:
metalocus, SARA GENT, ELVIRA PARÍS FERNÁNDEZ
"Adaptability. 80 Collaborative Housing Units by Ignacio Olite, Koldo Fdez. Gaztelu y MADE.V" METALOCUS. Accessed
<https://www.metalocus.es/en/news/adaptability-80-collaborative-housing-units-ignacio-olite-koldo-fdez-gaztelu-y-madev> ISSN 1139-6415
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