Botín Center, designed by the Italian architect Renzo Piano will open its doors next Friday. Located in the heart of Santander, next to the fantastic gardens designed by Pereda, the building is considered as a new granting for the city from which promote culture and art.
As we announced before, the proposal of the Italian architect Renzo Piano, who has developed the project in collaboration with Spanish architect Luis Vidal, has been conceived as a new endorsement solves some of the urban problems that had the city of Santander.

Finished in parallel to the construction of the building for the Botín Foundation the a good part of the promenade has been pedestrianized connecting Santander's city centre within the sea through Peredas gardens which have been expanded until the access of the building,  adding even greater importance in the actual urban structure.

The proposal of the architects has allowed the ground floor being free of construction and in that way, the building does not become a screen from which it would be impossible to see the sea. Now it is possible to see again the sea from the center of greater activity of Santander!

The Botín Center, which presents a floor plant with a shape that somehow reminds to a lungs, develops as two large cantilevers above the limit of the port, bringing users closer to the sea.

A vibrant facade is closed by large and light-colored pixels that make the volume of the building disappear among Santander's ever-gray sky.
 

Description of the project by Renzo Piano Building Workshop

The Centro Botín is a new space for art, culture and the diverse activities of the Fundación Botín. It will be constructed in the Jardines de Pereda, on the seafront of the city of Santander in north-western Spain. The project reclaims an area currently used as a car park, restoring it to the city. The site, organized as an extension of the city grid through the existing park, will provide direct access from the historic town centre to the sea and will enhance visual connections with the water.

The building will be a new landmark on the waterfront, both from a visual and cultural perspective, as well as a mean of boosting the activities of the Botín Foundation. Thanks to the Foundation’s diverse cultural and research programmes, it is expected that the centre will drive cultural, social and economic development in Santander.

By rerouting traffic on the existing Paseo del Muelle into a 200m-long tunnel, the existing Jardines de Pereda can be extended as far as the seafront, doubling its size. The Centro de Arte Botín sits in the new section of the park, right at the water’s edge. To its north, where various routes across the park from the city converge, is a new public plaza. An outdoor amphitheatre on the building’s west side can seat 2,000 people for concerts or film projections.

The centre is organized into two parts, a west and an east wing, joined by an elevated walkway that culminates in a platform cantilevered out over the sea.

The west wing of the building is an exhibition space: 2,500 sq m of 5m-high versatile spaces over two levels providing galleries and support areas. The upper level has a skylight system that allows some of the gallery space to be naturally lit.

The smaller east wing focuses on education and will accommodate a convertible 7.5m-high auditorium space with 300 removable seats and, on the building’s upper level, a multi-purpose area of approximately 255 sq m. The auditorium has a glazed façade to the south, offering the option to have speakers, actors or musicians performing against the backdrop of the bay with its traffic of ships.

Both buildings will be raising thanks to supporting columns. Together with the buildings' curved shape, this structure lightens the facility's presence on the site and allows clear views from the park to the sea. The curved edges also draw light and reflections off the water into the space under the building. The exterior will be clad with small off-white ceramic tiles that easily adapt to the shape of the building and that also have a shimmering, mother-of-pearl finish, which strengthens the building's luminosity, under Santander’s often grey sky.


Photography.- Rubén Pérez Bescós
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Architects
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Renzo Piano Building Workshop architects, in collaboration with Luis Vidal + architects
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Site managment
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Luis Vidal + architects
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Consultants
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PM Bovis, Typsa, Gleeds, Arup, Muller, F. Caruncho, Dynamis
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Client
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Fundación Botín
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Area
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10,000 m²
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Budget
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€ 40 M
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Renzo Piano was born in Genoa, Italy, in 1937 to a family of builders. He graduated Milan Polytechnic in 1964 and began to work with experimental light-weight structures and basic shelters. In 1971, he founded the Piano & Rogers studio and, together with Richard Rogers, won the competition for the Centre Pompidou in Paris. From the early 1970s to the 1990s, Piano collaborated with engineer Peter Rice, founding Atelier Piano & Rice in 1977. In 1981, he established the Renzo Piano Building Workshop, with offices today in Genoa, Paris and New York. Renzo Piano has been awarded the highest honors in architecture, including; the Pritzker Prize; RIBA Royal Gold Medal; Medaille d’Or, UIA; Erasmus Prize; and most recently, the Gold Medal of the AIA.

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The Renzo Piano Building Workshop (RPBW) was established in 1981 by Renzo Piano with offices in Genoa, Italy and Paris, France. The practice has since expanded and now also operates from New York.

RPBW is led by 10 partners, including founder and Pritzker Prize laureate, architect Renzo Piano.

The practice permanently employs about 130 architects together with a further 30 support staff including 3D visualization artists, model makers, archivers, administrative and secretarial staff.

Their staff has a wide experience of working in multi-disciplinary teams on building projects in France, Italy and abroad.

As architects, they are involved in the projects from start to finish. They usually provide full architectural design services and consultancy services during the construction phase. Their design skills extend beyond mere architectural services. Their work also includes interior design services, town planning and urban design services, landscape design services and exhibition design services.

RPBW has successfully undertaken and completed over 140 projects around the world.

Currently, among the main projects in progress are: the Academy Museum of Motion Pictures in Los Angeles; the École normale supérieure Paris-Saclay; the Paddington Square in London and; the Toronto Courthouse.

Major projects already completed include: the Centre Georges Pompidou in Paris; the Menil Collection in Houston, Texas; the Kanak Cultural Center in Nouméa, New Caledonia; the Kansaï International Airport Terminal Building in Osaka; the Beyeler Foundation Museum in Basel; the reconstruction of the Potsdamer Platz area in Berlin; the Rome Auditorium; the New York Times Building in New York; the California Academy of Sciences in San Francisco; the Chicago Art Institute expansion in Chicago, Illinois; The Shard in London; Columbia University’s Manhattanville development project in New York City; the Harvard museums in Cambridge, Massachusetts; the Intesa Sanpaolo office building in Turin, Italy; the Kimbell Art Museum expansion in Texas; the Whitney Museum of American Art in New York; the Valletta City Gate in Malta; the Stavros Niarchos Cultural Center in Athens; the Centro Botín in Santander; the New Paris Courthouse and others throughout the world.

Exhibitions of Renzo Piano and RPBW’s works have been held in many cities worldwide, including at the Royal Academy of Arts in London in 2018.
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