The swiss practice Herzog & de Meuron won the Grand Canal Museum Complex competition in Hangzhou, the capital of China’s Zhejiang province, China.

The new project will be designed by Herzog & de Meuron reflecting on the importance of this area in Chinese cultural and natural landscapes. The project want illustrates the story of the Grand Canal, through a continuous dialogue between the water and the museum.
Located on the main artery connecting the Grand Canal and the Hanggang River to other large urban development areas in Hangzhou’s north, the Grand Canal Museum Complex has a strategic pivotal position. Surrounded by water on 3 sides, a bold structure with a curved façade houses the museum and faces the river, “creating a visual and material dialogue between the subject and its narrator”. The proposal introduced also a gathering place at the Grand Canal.

"The museum is centered on the plot. By elevating it by 12m and minimizing the structural elements that touch the ground, the space beneath the hovering museum is freed and thus provides extra covered and shaded public space for the people of Hangzhou and its many visitors. Large public functions such as a grand ballroom and a banquet room are strategically located under the elevated museum, within a veil-like glass façade, and serve as magnets for activities as well as facilitate access for crowd-drawing events."
Herzog & de Meuron

50,000 sqm of exhibition areas are organized on two floors. A vertical core connects the programs of the building, including a conference center on the lower floors, museum lobby in the middle and restaurants and hotel on top. With a flexible layout, the space can cater to a large variety of curatorial programs.

Anchored by “a large mountain-shaped conference center-hotel complex on the east side of the plot”, embodying a classic Chinese ideal of “water in the front, mountain in the back”, the project is directly in relation to the city and the natural environment. The façade consisting of large concave cast glass elements resembles “the sparkle of rippling water and amplifies the natural beauty of the Grand Canal”, whereas the other façade facing the “Mountain” is mineral and solid. Finally, the landscape design is conceived as a conceptual representation of the various regional floras found throughout China.
 
"Additional landscape is provided on top of the museum roof, amplifying the greenery of the project and enhancing its sustainability by integrating the roof landscape into a storm water management system. From here, much like from a mountain plateau, views of the Grand Canal and Hangzhou’s revered natural landscape as well as its ancient and new urban developments unfold."
Herzog & de Meuron
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Architects
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Herzog & de Meuron. Jacques Herzog, Pierre de Meuron, Andreas Fries (Partner in Charge).
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Design team
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Linxi Dong (Associate, Project Director), Tristan Zelic (Project Manager), Pablo Garrido, Nicola Ragazzini, Leroy Patterson, David Goncalves Monteiro, Ning Guo, Harry M. X. Wei, Kristin Gudmundsdóttir, De Qian Huang, Pan Hu.
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Client
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Hangzhou Canal Preservation & Develoment Construction Group Co., Ltd. Hangzhou, PR China.
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Building Data
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Site Area.- 57,600 sqm.
Gross Floor Area (GFA).- 119,760 sqm.
Number of Levels.- 14.
Footprint.- 22,970 sqm.
Length.- 253 m, Width; 106 m, Height; 60 m.
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Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.

Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.

Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988).  The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987).  Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.

Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.

In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.

Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”

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Published on: December 19, 2019
Cite: "Herzog & de Meuron Releases Renderings of the Grand Canal Museum Complex" METALOCUS. Accessed
<https://www.metalocus.es/en/news/herzog-de-meuron-releases-renderings-grand-canal-museum-complex> ISSN 1139-6415
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