Langlands & Bell live and work in East London and their work explores human social and cultural relationships, from the personal to the political, through looking at architecture and other structures that we build and inhabit. 'Infinite Loop' was an exhibition of works representing the futuristic architecture of the global internet giants of the 21st century, and summed up the work of Langlands & Bell until June 6.

The work of Langlands & Bell that we bring today represents the "campus" still running or recently completed belonging to Apple, Facebook, IBM, the Gates Foundation and Nvidia. Stripped of background and context, they are shown against sharply coloured backgrounds that accentuate their shape.

Most of them are laid at an oblique angle, so audience ‘feel like God looking down at a Lilliputian landscape’, feeling experience a rare sense of power over companies that have influenced almost every aspect of our lives.

The exhibition Infinite Loop at Alan Cristea Gallery sought to expose how these vast buildings transmit power and human interaction in the digital age.
 
​“We see architecture as the most tangible and enduring record of the way we live,” said Langlands & Bell.
 

Since the 1980s Ben Langlands and Nikki Bell, through film and video, digital media projects, sculpture, installation, prints, and architecture, have decoded the structures of different types of buildings, from the past as well as the present, from our own society and from other cultures, including, The House of Osama Bin Laden (2003), their Turner Prize nomination work made while they were official war artists investigating The Aftermath of 9/11 and the War in Afghanistan.

Infinite Loop, which takes its name from the address of the new Apple HQ at Cupertino in California, was an exhibition of new work by British artist duo Langlands & Bell, depicting the futuristic architecture of 21st century global internet giants. Infinite Loop has been, until this moment, the largest exhibition held by Langlands & Bell in the UK

The work of Langlands & Bell is focused on a new generation of architecture, including the new headquarters of Apple, The Gates Foundation and Facebook, and investigates how these structures convey notions of power and human interaction in the 21st century.

Langlands & Bell turn their attention to the biggest and most successful companies in the world. Over the past five years, using the internet, Langlands & Bell have researched and made models of buildings as they were being built; The Gates Foundation, Seattle; IBM, Beijing; and Nvidia, Apple and Facebook, all situated in California.

The work includes twenty four editioned prints, presented in different colour variations, which illustrate futuristic models of the buildings as if they are floating in space. Infinite Loop (2016), which is also the title of four new prints, depicts the Apple headquarters isolated from its surroundings and turned on its side, shown at various points in rotation. Nicknamed ‘the space ship’ by Apple employees, the building has been designed by Foster and Partners. The architecture portrayed in Gates Foundation (Seattle), (2016), was designed by architects NBBJ, who were inspired by a map of the globe illustrating the pathways of world commerce and migration. Facebook, Menlo Park (2017), a wall sculpture which depicts the company’s interior, explores Facebook’s new ‘campus’ headquarters. Designed by Frank Gehry, it is the single largest room in the world with a half-mile walking loop, enabling free movement of 2,800 employees.

This body of prints and wall sculptures reflects the power and influence of 21st century global internet giants through the very design of their headquarter buildings, and the coded systems of mass-communication they use to negotiate a fast changing technological world.

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Ben Langlands & Nikki Bell, artists, are based in London. They met and began collaborating in 1977 while studying Fine Art at Middlesex Polytechnic. Their artistic practice ranges widely from sculpture, to film & video, innovative digital media projects, and full-scale architecture. Their art is focused on a poetic and conceptual exploration of architecture and the coded systems of mass-communication and exchange we use to negotiate an increasingly fast-changing technological world.

Langlands & Bell have exhibited widely internationally throughout their career including exhibitions at Tate Britain and Tate Modern, Serpentine Gallery and Whitechapel Art Gallery, in London, IMMA (Irish Museum of Modern Art) Dublin, Kunsthalle Bielefeld, Haus der Kunst, and Hamburger Bahnhof, Germany, MoMA, and the New Museum, New York, Centre for British Art, Yale, USA, Central House of the Artist, Moscow, State Hermitage Museum, St Petersburg, Venice Biennale, Seoul Biennale, CCA Kitakyushu, Kitakyushu, and TN Probe, Tokyo, Japan.

In 2002 Langlands & Bell were commissioned as “War Artists” by the Imperial War Museum to research The Aftermath of September 11 and the War in Afghanistan. In 2003 they won the BAFTA Award for Interactive Arts Installation and in 2004 were nominated for the Turner Prize for The House of Osama bin Laden the trilogy of art works they made on their return. Since 2003 The House of Osama bin Laden artworks have been exhibited in 17 museums and galleries in 11 different countries worldwide.

Artworks by Langlands & Bell are in the collections of many prominent national and international art museums including the British Museum, Imperial War Museum, Tate, V&A in London, MoMA New York, Carnegie Museum of Art, Pittsburgh, USA, Center for British Art, Yale, USA, State Hermitage Museum St Petersburg, Russia. Learn more on their website.

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