Lost House is now regarded as one the most significant domestic projects of recent times designed by David Adjaye, in 2004, is located occupying a former delivery yard in the heart of coveted King's Cross, in London.

Lost House is a masterclass in spatial design and light, a three-bedroom home with a breath-taking living space and indoor swimming pool. A residential project designed for fashion designer Roksanda Ilincic and her husband Philip de Mesquita, which has recently come on the market, granting an opportunity to see the interiors of one of the Adjaye's early residential works in detail.
David Adjaye designed the heart of this spectacular house, of approximately 372 m² inside, offering a modest presence on the street, only one window on its exterior facade, making a clear reference to its moniker led by anonymity.

The heart of house has, next to access, a vast reception area approximately 18m in length including big volume of ceiling height, encompassing a kitchen (with built-in raw concrete furniture), dining area and living area (all with black walls), around a small patio with a a fish pond, totally transparent, where the light comes in.

There are two other, large natural light wells, which culminate in a garden. To one side of the reception room is an all-green sunken seating and cinema area. Beyond the kitchen there is  a guest bathroom and stairs up to a large bedroom, bursting with natural light which can also be used as an office.

Lost House uses a former concrete loading platform, existing in delivery yard, as a plinth for an upper-level swimming pool with black-painted walls next to the pink-walled main bedroom. The house also has a large private garage with two parking spaces and accessed from York Way.

Lost House scooped a slew of awards and its spaces have featured in fashion shows, TV series and filmography over the years. Now is on the market via Sotheby's International Realty and The Modern House for €7.17m.
 

Project description by David Adjaye
 

"To bring light into the deep section, the roof is punctuated by three courtyards and several roof lights, and the bedrooms are connected by light scoops to the nearest courtyards."


The east and west facades of the Alaska Building were previously connected by a service road leading to a yard with a loading platform along one side. For protection from the weather, the platform and parking area were recessed into the section of the building above. In the Lost House, the platform supports the concrete basin of a lap pool, and the parking strip is occupied by two bedrooms and a sunken cinema. The living space, a small office and garage, occupy the remaining areas of the yard and service road.

Belying its position at the bottom of a light well, the Lost House is arranged as an expansive single-storey dwelling with a variety of internal and external views. The identity of the parallel spaces described by the section of the delivery yard are both reinforced and broken down by the fabric of the house.

The master bedroom has a water-level view of the pool and the wall between the living space and the bedrooms includes several slit windows. To bring light into the deep section, the roof is punctuated by three courtyards and several rooflights, and the bedrooms are connected by light scoops to the nearest courtyards.

The spatial layering of the plan is reinforced by the use of colour. In the living space, the wall to the bedrooms and the ceiling are stained black, matching the resin floor, while the kitchen, storage and seating areas are in a range of earthy colours. Each of the bedrooms is a different colour with matching carpet, and the pool is painted mat black.

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Architects
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Collaborators
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Electrical Engineer.- RJP Ltd. Mechanical/Plumbing Engineer.- RJP Ltd. Structural Engineer.- Price & Myers.
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Area
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365 m² (3,930 ft²).
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Dates
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2004.
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Photography
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David Adjaye was born in Dar es Salaam, Tanzania, in 1966. The son of a Ghanaian diplomat who has lived in Tanzania, Egypt, Yemen, and Lebanon before moving to Britain at the age of nine, he led a privileged life and was privately educated. He earned his BA at London South Bank University, before graduating with an MA in 1993 from the Royal College of Art. In 1993, the same year of graduation, Adjaye won the RIBA Bronze Medal, a prize offered for RIBA Part 1 projects, normally won by students who have only completed a bachelor's degree.

Previously a unit tutor at the Architectural Association, he was also a lecturer at the Royal College of Art. After very short terms of work with the architectural studios of David Chipperfield (London) and Eduardo Souto de Moura (Porto), Adjaye established a practice with William Russell in 1994 called Adjaye & Russell, based in North London. This office was disbanded in 2000 and Adjaye established his own eponymous studio at this point.

Recent works include the Museum of Contemporary Art in Denver, the Nobel Peace Centre in Oslo, and the Skolkovo Moscow School of Management completed in 2010. On April 15, 2009, he was selected in a competition to design the $500 million National Museum of African American History and Culture, part of the Smithsonian in Washington, D.C., planned to open in 2015. His design features a crown motif from Yoruba sculpture.

Alongside his international commissions, Adjayes work spans exhibitions, private homes, and artist collaborations. He built homes for the designer Alexander McQueen, artist Jake Chapman, photographer Juergen Teller, actor Ewan McGregor, and artists Tim Noble and Sue Webster. For artist Chris Ofili, he designed a new studio and a beach house in Port of Spain. He worked with Ofili to create an environment for the Upper Room, which was later acquired by Tate Britain and caused a nationwide media debate. He also collaborated with artist Olafur Eliasson to create a light installation, Your black horizon, at the 2005 Venice Biennale. He has also worked on the art project Sankalpa with director Shekhar Kapur. Adjaye coauthored two seasons of BBC's Dreamspaces television series and hosts a BBC radio program. In June 2005, he presented the documentary, Building Africa: Architecture of a Continent. In 2008, he participated in Manifesta 7.

In February 2009, the cancellation or postponement of four projects in Europe and Asia forced the firm to enter into a Company Voluntary Arrangement (CVA), a deal to stave off insolvency proceedings which prevents financial collapse by rescheduling debts – estimated at about £1m – to creditors.

Adjaye currently holds a Visiting Professor post at Princeton University School of Architecture. He was the first Louis Kahn visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard Graduate School of Design. In addition, he is a RIBA Chartered Member, an AIA Honorary Fellow, a Foreign Honorary Member of the American Academy of Arts and Letters, and a Senior Fellow of the Design Futures Council. He also serves as member of the Advisory Boards of the Barcelona Institute of Architecture and the London School of Economics Cities programme.

The studio's first solo exhibition: "David Adjaye: Making Public Buildings" was shown at the Whitechapel Gallery in London in January 2006, with Thames and Hudson publishing the catalogue of the same name. This followed their 2005 publication of Adjaye's first book entitled "David Adjaye Houses".

http://www.adjaye.com

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Published on: October 11, 2020
Cite: "Lost House. A house with enigmatic light wells by David Adjaye" METALOCUS. Accessed
<https://www.metalocus.es/en/news/lost-house-a-house-enigmatic-light-wells-david-adjaye> ISSN 1139-6415
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