Lost House. A house with enigmatic light wells by David Adjaye
10/10/2020.
[London] UK
metalocus, MARÍA ANASTIDAS
metalocus, MARÍA ANASTIDAS
Project description by David Adjaye
"To bring light into the deep section, the roof is punctuated by three courtyards and several roof lights, and the bedrooms are connected by light scoops to the nearest courtyards."
The east and west facades of the Alaska Building were previously connected by a service road leading to a yard with a loading platform along one side. For protection from the weather, the platform and parking area were recessed into the section of the building above. In the Lost House, the platform supports the concrete basin of a lap pool, and the parking strip is occupied by two bedrooms and a sunken cinema. The living space, a small office and garage, occupy the remaining areas of the yard and service road.
Belying its position at the bottom of a light well, the Lost House is arranged as an expansive single-storey dwelling with a variety of internal and external views. The identity of the parallel spaces described by the section of the delivery yard are both reinforced and broken down by the fabric of the house.
The master bedroom has a water-level view of the pool and the wall between the living space and the bedrooms includes several slit windows. To bring light into the deep section, the roof is punctuated by three courtyards and several rooflights, and the bedrooms are connected by light scoops to the nearest courtyards.
The spatial layering of the plan is reinforced by the use of colour. In the living space, the wall to the bedrooms and the ceiling are stained black, matching the resin floor, while the kitchen, storage and seating areas are in a range of earthy colours. Each of the bedrooms is a different colour with matching carpet, and the pool is painted mat black.
David Adjaye was born in Dar es Salaam, Tanzania, in 1966. The son of a Ghanaian diplomat who has lived in Tanzania, Egypt, Yemen, and Lebanon before moving to Britain at the age of nine, he led a privileged life and was privately educated. He earned his BA at London South Bank University, before graduating with an MA in 1993 from the Royal College of Art. In 1993, the same year of graduation, Adjaye won the RIBA Bronze Medal, a prize offered for RIBA Part 1 projects, normally won by students who have only completed a bachelor's degree.
Previously a unit tutor at the Architectural Association, he was also a lecturer at the Royal College of Art. After very short terms of work with the architectural studios of David Chipperfield (London) and Eduardo Souto de Moura (Porto), Adjaye established a practice with William Russell in 1994 called Adjaye & Russell, based in North London. This office was disbanded in 2000 and Adjaye established his own eponymous studio at this point.
Recent works include the Museum of Contemporary Art in Denver, the Nobel Peace Centre in Oslo, and the Skolkovo Moscow School of Management completed in 2010. On April 15, 2009, he was selected in a competition to design the $500 million National Museum of African American History and Culture, part of the Smithsonian in Washington, D.C., planned to open in 2015. His design features a crown motif from Yoruba sculpture.
Alongside his international commissions, Adjayes work spans exhibitions, private homes, and artist collaborations. He built homes for the designer Alexander McQueen, artist Jake Chapman, photographer Juergen Teller, actor Ewan McGregor, and artists Tim Noble and Sue Webster. For artist Chris Ofili, he designed a new studio and a beach house in Port of Spain. He worked with Ofili to create an environment for the Upper Room, which was later acquired by Tate Britain and caused a nationwide media debate. He also collaborated with artist Olafur Eliasson to create a light installation, Your black horizon, at the 2005 Venice Biennale. He has also worked on the art project Sankalpa with director Shekhar Kapur. Adjaye coauthored two seasons of BBC's Dreamspaces television series and hosts a BBC radio program. In June 2005, he presented the documentary, Building Africa: Architecture of a Continent. In 2008, he participated in Manifesta 7.
In February 2009, the cancellation or postponement of four projects in Europe and Asia forced the firm to enter into a Company Voluntary Arrangement (CVA), a deal to stave off insolvency proceedings which prevents financial collapse by rescheduling debts – estimated at about £1m – to creditors.
Adjaye currently holds a Visiting Professor post at Princeton University School of Architecture. He was the first Louis Kahn visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard Graduate School of Design. In addition, he is a RIBA Chartered Member, an AIA Honorary Fellow, a Foreign Honorary Member of the American Academy of Arts and Letters, and a Senior Fellow of the Design Futures Council. He also serves as member of the Advisory Boards of the Barcelona Institute of Architecture and the London School of Economics Cities programme.
The studio's first solo exhibition: "David Adjaye: Making Public Buildings" was shown at the Whitechapel Gallery in London in January 2006, with Thames and Hudson publishing the catalogue of the same name. This followed their 2005 publication of Adjaye's first book entitled "David Adjaye Houses".
http://www.adjaye.com