It is the Ghanian-British architect's first project in Texas. David Adjaye has designed a building to exhibit the Foundation’s growing collection of over 800 paintings, sculptures, installations, and video works by international contemporary artists. Admission will be free.
The museum Ruby City is described by Adjaye himself as a "very shy building" and offers a quiet stop in between his career-defining National Museum of African American History and Culture in Washington, DC and his next two projects, the UK Holocaust Memorial and the National Cathedral of Ghana.
The new $16 million, 14,000-square-foot (1,300 square metres) art center, designed by Adjaye Associates, derives its name from the iris-burning hue of its crimson cladding, which densely aggregates two types of recycled red glass, pigment, mica, volcanic rock, and other admixtures. However by the overcast afternoon, the brownish mineral tones latent in the carapace have been coaxed to the surface, smothering the otherwise-dominant reds and pinks.
First unveiled in 2015, Ruby City at 150 Camp Street has a red exterior that architect Adjaye's design based on a sketch of a red building made by the late philanthropist and charity founder Linda Pace, after she saw one in her sleep. The museum also feature a jagged roofline and a cantilevered structure.
The museum Ruby City is described by Adjaye himself as a "very shy building" and offers a quiet stop in between his career-defining National Museum of African American History and Culture in Washington, DC and his next two projects, the UK Holocaust Memorial and the National Cathedral of Ghana.
The new $16 million, 14,000-square-foot (1,300 square metres) art center, designed by Adjaye Associates, derives its name from the iris-burning hue of its crimson cladding, which densely aggregates two types of recycled red glass, pigment, mica, volcanic rock, and other admixtures. However by the overcast afternoon, the brownish mineral tones latent in the carapace have been coaxed to the surface, smothering the otherwise-dominant reds and pinks.
First unveiled in 2015, Ruby City at 150 Camp Street has a red exterior that architect Adjaye's design based on a sketch of a red building made by the late philanthropist and charity founder Linda Pace, after she saw one in her sleep. The museum also feature a jagged roofline and a cantilevered structure.
"My goal was to translate Linda's idea into a building that will do justice to her legacy. It is a tremendous responsibility, and one that is dear to my heart."
David Adjaye
A few miles south of San Antonio’s core, amid cell-phone towers and highway interchanges, this beachhead of culture arrives at a key moment for the growing city, which has seen a steady influx of white-collar professionals and a rash of cheap five-over-ones to meet them. In this same spirit including the rehabilitation of San Pedro Creek as a pedestrian promenade; its last leg, due to be completed in the coming decade, will run right past Ruby City’s front door.