A proposal by Adjaye Associates and Ron Arad Architects, with Gustafson Porter + Bowman, has been announced as the successful design for the UK's new Holocaust Memorial and Learning Center. The decision was made by a 13-strong Jury including the Secretary of State for Communities and Local Government, the Mayor of London, the Chief Rabbi, experts from architecture, art and design, and both first and second generation Holocaust survivors.
The landmark will be located next to the Houses of Parliament in Westminster, the new UK Holocaust Memorial will honour the six million Jewish men, women and children who were murdered in the Holocaust, and all other victims of Nazi persecution, including Roma, gay and disabled people.

Two honorable mentions were awarded to heneghan peng architects with Sven Anderson, and Diamond Schmitt Architects.

Its co-located Learning Centre will contextualise the Memorial above and use the stories and facts of the Holocaust to explore anti-Semitism, extremism, Islamophobia, racism, homophobia and other forms of hatred and prejudice in society today. From its location next to Parliament, it will ask questions about the role of society and its institutions in encouraging respect for others and preventing hatred.

Sir David Adjaye, speaking on behalf of Adjaye Associates, Ron Arad and Gustafson Porter + Bowman said:
 

The complexity of the Holocaust story, including the British context, is a series of layers that have become hidden by time. Our approach to the project has been to reveal these layers and not let them remain buried under history. To do so, we wanted to create a living place, not just a monument to something of the past. We wanted to orchestrate an experience that reminds us of the fragility and constant strife for a more equitable world.

We are deeply honoured to have been given the opportunity to tell these stories to the nation through a National Memorial and Learning Centre. It is critical these highly important and emotive historical touchpoints are explored, so that future generations are able to experience, learn, reflect and act.
 

Description of the winning concept

The winning design concept was inspired by research into the site, Victoria Tower Gardens, next to the Houses of Parliament, with Sir David Adjaye describing the location as a “park of Britain’s conscience”. The memorial links with the statue of Emmeline Pankhurst, the Burghers of Calais and the Buxton Memorial: all four recognising injustice and the need to oppose it.

In order to keep the park as a park and to maintain the green space, the team placed its Holocaust Memorial at the far southern end of the gardens, embedded in the land. Accordingly, a visitor approaching the memorial would see a subtle grass landform with only the tips of the memorial’s fins “bristling in the distance”, its intriguing design giving a sense that something is happening underground and encouraging people to find out more.

The design concept takes visitors on a journey that culminates in confronting the 23 tall bronze fins of the memorial, the spaces in between representing the 22 countries in which Jewish communities were destroyed during the Holocaust. Entering the memorial would be a sensory experience. While the outside and inside space emphasises collective gathering, the 23 bronze fins require the visitor to enter in an isolated, solitary way, each pathway planned as a different experience. Each path eventually leads down into the Threshold – a generous hall which acts as a place of contemplation and transition into the Learning Centre below ground. The Learning Centre includes a “hall of testimonies” and a “Contemplation Court”: a silent, reflective space with eight bronze panels. On leaving the memorial, the circulation route ensures visitors will emerge to see the classic uninterrupted view of Parliament – and the reality of democracy.

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Ron Arad received his training from the Bezalel Academy of Art and Design, in Jerusalem, and the Architectural Association School of Architecture, in London. In 1981 he founded the One Off design and production studio with Caroline Thorman and in 1989 he created the Ron Arad architecture and design studio. He has also been Professor of Design Products at Royal College of Art in London from 1998 to 2009.

Ron Arad has exhibited his work at galleries and museums such as the Victoria and Albert Museum in London, Centre Georges Pompidou in París, MoMA (Museum of Modern Art) in New York and Barbican Art Gallery in London.

Photography © John Davis.

 

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David Adjaye was born in Dar es Salaam, Tanzania, in 1966. The son of a Ghanaian diplomat who has lived in Tanzania, Egypt, Yemen, and Lebanon before moving to Britain at the age of nine, he led a privileged life and was privately educated. He earned his BA at London South Bank University, before graduating with an MA in 1993 from the Royal College of Art. In 1993, the same year of graduation, Adjaye won the RIBA Bronze Medal, a prize offered for RIBA Part 1 projects, normally won by students who have only completed a bachelor's degree.

Previously a unit tutor at the Architectural Association, he was also a lecturer at the Royal College of Art. After very short terms of work with the architectural studios of David Chipperfield (London) and Eduardo Souto de Moura (Porto), Adjaye established a practice with William Russell in 1994 called Adjaye & Russell, based in North London. This office was disbanded in 2000 and Adjaye established his own eponymous studio at this point.

Recent works include the Museum of Contemporary Art in Denver, the Nobel Peace Centre in Oslo, and the Skolkovo Moscow School of Management completed in 2010. On April 15, 2009, he was selected in a competition to design the $500 million National Museum of African American History and Culture, part of the Smithsonian in Washington, D.C., planned to open in 2015. His design features a crown motif from Yoruba sculpture.

Alongside his international commissions, Adjayes work spans exhibitions, private homes, and artist collaborations. He built homes for the designer Alexander McQueen, artist Jake Chapman, photographer Juergen Teller, actor Ewan McGregor, and artists Tim Noble and Sue Webster. For artist Chris Ofili, he designed a new studio and a beach house in Port of Spain. He worked with Ofili to create an environment for the Upper Room, which was later acquired by Tate Britain and caused a nationwide media debate. He also collaborated with artist Olafur Eliasson to create a light installation, Your black horizon, at the 2005 Venice Biennale. He has also worked on the art project Sankalpa with director Shekhar Kapur. Adjaye coauthored two seasons of BBC's Dreamspaces television series and hosts a BBC radio program. In June 2005, he presented the documentary, Building Africa: Architecture of a Continent. In 2008, he participated in Manifesta 7.

In February 2009, the cancellation or postponement of four projects in Europe and Asia forced the firm to enter into a Company Voluntary Arrangement (CVA), a deal to stave off insolvency proceedings which prevents financial collapse by rescheduling debts – estimated at about £1m – to creditors.

Adjaye currently holds a Visiting Professor post at Princeton University School of Architecture. He was the first Louis Kahn visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard Graduate School of Design. In addition, he is a RIBA Chartered Member, an AIA Honorary Fellow, a Foreign Honorary Member of the American Academy of Arts and Letters, and a Senior Fellow of the Design Futures Council. He also serves as member of the Advisory Boards of the Barcelona Institute of Architecture and the London School of Economics Cities programme.

The studio's first solo exhibition: "David Adjaye: Making Public Buildings" was shown at the Whitechapel Gallery in London in January 2006, with Thames and Hudson publishing the catalogue of the same name. This followed their 2005 publication of Adjaye's first book entitled "David Adjaye Houses".

http://www.adjaye.com

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Published on: October 24, 2017
Cite: "David Adjaye and Ron Arad Architects to design UK Holocaust memorial" METALOCUS. Accessed
<https://www.metalocus.es/en/news/david-adjaye-and-ron-arad-architects-design-uk-holocaust-memorial> ISSN 1139-6415
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