From 16 September Ivorypress will host Maya Lin's first solo exhibition in Spain, entitled Rivers and Mountains. The show will take place in the cycle around art in relation with architecture and design that Ivorypress presents annually in Madrid each September.
The exhibition, at galería Ivorypress, Madrid, guides us through the career of this American artist and architectural designer of Chinese heritage, with works and projects produced in the past decade as well as sketchbooks and preliminary studies. In her work, Lin approaches landscapes from an environmentally conscious perspective, outlining a critical reflection on the negative consequences of humankind’s carbon footprint.

William Fox, one of the authors of the texts for the show’s catalogue, says ‘Maya Lin has long had a serious knack for dragging us into geomorphology with great sensuous pleasure’. In her works the artist has ‘amassed tens of thousands of individual pieces of wood into large topographies, cast the courses of major rivers in shimmering bathymetries of recycled silver and sculpted the successive disappearance of lake waters with tabletop terraces of marble’. This personal interpretation of landscape and orography is evident in some of the works that will be on show at Ivorypress, such as Greenwich Mean Time , 2013; Wire Landscape (Everest) , 2012 and Blue Lake Pass , 2006.
 
Furthermore, some of the works have been produced specifically for the exhibition. This is the case of Glaciers , 2014, which are made of Macael marble and the two Pyrenees tables, 2014, made of wood and the other one of marble. Together they emulate the Pyrenean mountain chain.

Another of the works that will be exhibited at Ivorypress is Pin River Tagus Watershed , from her series The Pin River , in which Lin uses hundreds of thousands of pins to create shapes in the space. ‘These large yet delicate pieces represent water in a multiplicity of states—rivers and lakes, but also the storm surge of a hurricane’, Fox describes. ‘The pins assemble into even more complex representations of hydrology, their permeable boundaries allowing us to imagine how the meeting of ground and water changes shape in response to local and global conditions.’
 
When.- 16 September to 1 November 2014. Opening with the presence of the artist: 16 September at 7:30 p.m.
Where.- Ivorypress Press. C/ Comandante Zorita 46-48. 28020 Madrid. Spain.
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Maya Lin. (Athens, Ohio, USA, 1959) studied art and architecture at Yale University. Her first project was the Vietnam Veteran’s Memorial in Washington D.C. (1981-1982), which she produced when she was barely twenty-two years old. At that time she set up her studio in New York, from which she carried out numerous architectural, landscaping, and public space projects.

A member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, she has been profiled in, among others, TIME, The New  York Times Magazine, and The New Yorker. The 1996 documentary about her, Maya  Lin: A Strong Clear Vision, won the Academy Award for Best Documentary. Her book about her work and creative process, Boundaries, is in its fifth printing with Simon & Schuster. Maya Lin: Topologies, a monograph spanning the past 30 years of her career was first released in the Fall of 2015 by Skira Rizzoli and is in its second printing. In 2009 she was awarded the National Medal of Arts, the nation's highest honor for artistic excellence, and in 2016 she was awarded the Presidential Medal of Freedom, by President Barack Obama, the Nation's highest  Civilian Honor.

Artist, designer, and environmentalist, Maya Lin interprets the natural world through science, history, politics, and culture, creating a remarkable and highly acclaimed body of work in art and architecture. Her works merge the physical and psychological environment, presenting a new way of seeing the world around us.

Her work has also been exhibited in museums and galleries worldwide, with solo shows such as Il Cortile Mare (1998) at the American Academy in Rome or those celebrated at the De Young Museum in San Francisco, the Corcoran Art Gallery in Washington D.C., the Heinz Architectural Center in Pittsburgh, the Wanås Foundation in Sweden, or the David Brower Center in Berkeley to name a few.

Lin's Memorials address the critical social and historical issues of our time.  From the Vietnam Veterans Memorial which she designed as an undergraduate student at  Yale, to The Civil Rights Memorial in Alabama, and the Women's Table at Yale make our history part of the landscape. Her, What is Missing? is focused on the environment.

Lin's art explores how we experience and relate to Nature, setting up a systematic ordering of the land that is tied to history, memory, time, and language. Her interest in landscape has led to works influenced by topographies and natural phenomena.

Her work asks the viewer to reconsider nature and the environment at a time when it is crucial to do so. A committed environmentalist, she is working on her last memorial, "What is Missing?"; a cross-platform, global memorial to the planet, located in select scientific institutions, online as a website, and a  book, calling attention to the crisis surrounding biodiversity and habitat loss.  www.whatismissing.org

Her architectural projects include the main building and master plan for Novartis Institutes for Biomedical Research in Cambridge, MA (2015), the Museum for Chinese in America (2009) in New York City, and the Riggio-Lynch Interfaith Chapel (2004), and Langston Hughes Library (1999) in Clinton, Tennessee. Currently, she is working on the redesign of the Neilson Library at Smith College. Her designs create a close dialogue between the landscape and the built environment, and she is committed to advocating sustainable design solutions in all her works.

Lin has been the subject of numerous solo exhibitions at museums and galleries worldwide, with works in the permanent collections of the National Gallery of  Art; The Metropolitan Museum of Art; The Museum of Modern Art; The Smithsonian  Institution; The Nelson-Atkins Museum of Art; The Nevada Museum of Art; Crystal  Bridges Museum of American Art; and the California Academy of Sciences.
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