The curve gently stretches out into the street to create a reception space for museum visitors. Clad in Corten steel, the structure dialogues with the red bricks of the old hospital buildings.
Upon entering, a floor-to-ceiling curved glass wall displays a view of a sheltered green courtyard and forest, where the refugee camp used to be. The courtyard allows light to flow into the entrance hall which functions as a foyer or temporary exhibition space before continuing its journey into one of the museum's wings.
The exhibition area in the north wing contains gallery spaces and the south wing features a flexible conference room, smaller exhibition spaces, a café and back-of-house functions with the same character and materiality as in the wing. north: white walls and intersections covered with white-painted wooden planks oriented according to the angular roofline, as well as yellow bricks throughout the museum floor, connecting past and present structures.
Flugt. Danish Refugee Museum by BIG. Photograph by Rasmus Hjortshoj.
Flugt. Danish Refugee Museum by BIG. Photograph by Rasmus Hjortshoj.
Project description by BIG
Located at the site of Denmark’s largest Refugee camp from World War II, FLUGT, gives a voice and a face to refugees worldwide and captures the universal challenges, emotions, spirit and stories shared by displaced humans. FLUGT is BIG’s second museum for Vardemuseerne: a local institution dedicated to archaeology, dissemination, and collection of historical knowledge about the region. BIG has adapted and extended one of the camp’s few remaining structures – a hospital building – into a 1,600 m² museum.
At its peak, the camp became the fifth-largest city of Denmark at the time. Today, little of the camp in Oksbøl remains, but the story of arriving at the doorstep of a new country is as relevant as ever. The former hospital, which is transformed into FLUGT, is comprised of two elongated buildings. BIG has connected the two buildings architecturally and historically by adding a soft curve-shaped volume which brings 500 m² of additional space to the museum and creates a welcoming structure, visible from afar.
The curve is gently pulled towards the street to create an inviting arrival moment for the museum visitors. Clad in Corten steel, the structure feels at home along the red bricks of the former hospital buildings. From outside, the abstract volume welcomes visitors into what appears to be a closed entry hall. Upon entering, a floor-to-ceiling curved glass wall reveals a view of a sheltered green courtyard and the forest, where the refugee camp used to be. The courtyard lets light flow into the entry hall that functions as a lobby or a temporary exhibition space for guests to experience before continuing their journey into one of the museum wings.
The exhibition area in the north wing contains gallery spaces organized according to the original flow/circulation in the hospital. While most of the hospital room walls were torn down, some of the inside walls are kept intact and stabilized by three cross sections, creating larger exhibition spaces. The south wing features a flexible conference room, smaller exhibition spaces, cafe, and back of house functions with the same character and materiality as in the north wing: white walls and intersections covered in white painted wood boards oriented according to the angle ceiling line, as well as yellow bricks across the entire museum floor, connecting past and present structures.
In addition to preserving and reusing the hospital buildings for historical value, extending the lifespan of the existing structures supports BIG’s mission of reducing waste, conserving resources, and creating a smaller carbon footprint as it relates to materials manufacturing and transport.
The courtyard designed by BIG Landscape creates a peaceful sensory experience inside the museum as well as outside. A small mirror pool in the heart of the courtyard reflects the sky above it. Around the basin, heath planting known from the region emphasizes the identity of the area. Visitors leave the museum having experienced a part of an important place in Danish history, with a new perspective on the refugee experience.
