In the future we will print 3D bone tissue, grow living breathing chairs and construct buildings by hatching swarms of tiny robots. The future is closer than we think; in fact, versions of it are already present in our midst. At the core of these visions lies the desire to potentiate our bodies and the things around us with an intelligence that will deepen the relationship between the objects we use and which we inhabit, and our environment: a Material Ecology.

So when people look at you know, at the ability to 3D print using a robotic arm, they're very, very curious about the possibility of in the future, printing full scale houses, so I think the media lab and specifically in the Media Matter Group, we don't focus only on efficiency translations. For that, I would open a practice in the commercial world, but that's not the function of this lab... — CNN's - THE NEXT LIST
 

Neri Oxman is a designer, architect, artist and founder of the Mediated Matter group at MIT’s Media Lab. Neri Oxman was recently profiled in a 30-minute segment and interviewed by Dr. Sanjay Gupta. CNN also published a short essay in which Ms. Oxman begins to define a design credo suitable for the contemporary context, wherein the World-as-Machine is replaced by the World-as- Organism. The five components include;  Growth over Assembly, Integration over Segregation, Heterogeneity over Homogeneity, Difference over Repetition and Material is the New Software.
 

"I don't want to design a building as I have learned," Neri Oxman tells CNN, "I want to question what it means to design a building." Oxman explains how the whole is more than the sum of its individual parts in this model—and those parts can also grow and transform in a similar manner as the natural environment. "There is nothing that I consider unachievable or undoable or inconceivable," says. Recently named as one of the most creative people in design by Fast Company, Oxman has a very distinct design process. Listed below are the five avant-garde design credos that she employs to create innovative projects that are inspired by—and operate similar to—nature.

Some ideas by Neri to develop a manifesto. http://www.thelavinagency.com/blog-cnns-next-big-thing-neri-oxmans-world-as-organism-design-model.html

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1. Growth Over Assembly: "Nature grows things," Oxman explains. As such, her design projects are not put together for a single purpose, but rather, can grow and adapt over time to meet the changing needs of its users and environment.

2. Integration Over Segregation: Instead of creating buildings that require heating and cooling systems to shield the interior from the elements, for example, Oxman suggests creating building skins that contract and expand to respond to the environment around them. Oxman and her team are researching ways to print breathable skins that can act as both a barrier and a filter to the world around it.

3. Heterogeneity Over Homogeneity: While man-made products are predominantly constructed from a single material, things in nature are very heterogeneous and composed of many different materials. Oxman seeks to move objects away from their industrial homogeneity.

4. Difference Over Repetition: In nature, Oxman explains that every cellular unit is unique. By understanding how variation and difference cause repetition in nature, she says you can then learn which elements are repeatable and which are unique.

5. Material Is The New Software: "Our ability to design and fabricate intelligent materials and objects will no longer depend on patching materials with electronics, but rather on our ability to turn material itself into software," she writes. "It inspires us to embed material with distributed intelligence rather than attach it to an on-off switch."

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Neri Oxman is the Sony Corporation Career Development professor and assistant professor of Media Arts and Sciences at the MIT Media Lab, where she founded and directs the Mediated Matter design research group. Her group explores how digital design and fabrication technologies mediate between matter and environment to radically transform the design and construction of objects, buildings, and systems. Her goal is to enhance the relationship between the built and the natural environments by employing design principles inspired by nature and implementing them in the invention of novel digital design technologies. Areas of application include product and architectural design, as well as digital fabrication and construction.

Oxman was named to ICON's list of the top 20 most influential architects to shape our future (2009), and was selected as one of the 100 most creative people by FASTCOMPANY (2009). In 2008, she was named "Revolutionary Mind" by SEED Magazine. Her work has been exhibited at MoMA (NYC) and is part of the museum's permanent collection. In 2012 the Centre Georges Pompidou Museum (Paris, France) acquired her works for its permanent collection. Other exhibitions include the Smithsonian Institute (Washington, DC), Museum of Science (Boston, MA), FRAC Collection (Orleans, France), and the 2010 Beijing Biennale. She is included in prestigious private collections and has received numerous awards including a 40 Under 40 Building Design + Construction Award (2012), a Graham Foundation Carter Manny Award (2008), the International Earth Award for Future-Crucial Design (2009), and a METROPOLIS Next Generation Award (2009).

Neri Oxman received her PhD in design computation as a Presidential Fellow at MIT, where she developed the theory and practice of Material-based Design Computation. In this approach, the shaping of material structure is conceived of as a novel form of computation. Prior to MIT, she earned her diploma from the Architectural Association (RIBA 2) after attending the Faculty of Architecture and Town Planning at the Technion Israel Institute of Technology, and the Department of Medical Sciences at the Hebrew University in Jerusalem. http://www.media.mit.edu/people/neri

Act.>. 12-2012

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