Tor Alva is the name of the world's tallest 3D-printed tower, resulting from an initiative by Nova Fundaziun Origen in collaboration with ETH Zurich. Architect Michael Hansmeyer and Benjamin Dillenburger, professor of Digital Building Technologies at ETH Zurich, designed the tower.

Tor Alva, which means "White Tower" in Romansh, is a project intended to be a driving force for revitalisation, inaugurated in the quiet Swiss village of Mulegns, a town that blends into the mountainous landscape of the Julier Pass and is threatened by depopulation, with only 11 inhabitants.

The tower is an example of how digital construction techniques can be used to create load-bearing structures without formwork. This technique allows the tower to be dismantled and rebuilt elsewhere after the five years it is expected to remain in Mulegns.

“The White Tower is more than a technical triumph — it inspires the building sector, encourages sustainable tourism and offers new cultural space. It also gives a fading village a new chance. That’s extraordinary.”

Giovanni Netzer, theatre director and founder of Nova Fundaziun Origen.

Michael Hansmeyer and Benjamin Dillenburger 's project creates a multi-layered structure reminiscent of a cake, referencing the emigration of the Grisons pastry makers, who spread their art throughout Europe. The structure is composed of 32 columns crafted from white concrete, arranged over four floors, tapering and branching out before opening like a tree to form the dome's vaulted space.

The columns were made using an additive manufacturing process, rather than being formworked like traditional concrete. This new method is carried out by an industrial robot that applies the concrete layer by layer according to complex algorithms, allowing for the creation of freeform elements without the need for support moulds.

For this process, Robert Flatt, Professor of Physical Chemistry of Building Materials at ETH, developed a special concrete that was soft enough to bond the delicate layers together, yet hardened quickly to support subsequent layers. Furthermore, just before the concrete exits the pressurised nozzle, two additives are added to the mix, creating the characteristic teardrop-shaped relief of the columns.

Tor Alva by Michael Hansmeyer, Benjamin Dillenburger. Photograph by Benjamin Hofer, Nova Fundaziun OrigenTor Alva by Michael Hansmeyer, Benjamin Dillenburger. Photograph by Benjamin Hofer, Nova Fundaziun Origen.

“The tower combines the latest insights from research with the expertise of companies and experts. Building the tower here, at the foot of the Julier Pass, has also allowed our researchers to gain important practical experience.”

Joël Mesot, president of ETH Zurich.

What's unique about this project is that the 3D-printed elements not only serve as a frame, but are also capable of supporting loads. This is thanks to a new reinforcement concept implemented through a robot-assisted innovation. While one robot applies the concrete layers, another robot places annular reinforcements in the new structure every 20 centimeters, which are then complemented by longitudinal bars added after printing. 

This process, known as "growing reinforcement," was developed by Walter Kaufmann, Robert Flatt, and Benjamin Dillenburger (professors at ETH), in collaboration with Mesh. They also developed a method that allows the load-bearing capacity of 3D-printed concrete to be calculated for the first time, a requirement that ensures a future in which these buildings can be tested as safely as traditional reinforced concrete structures.

Tor Alva by Michael Hansmeyer, Benjamin Dillenburger. Photograph by Birdviewpicture, Nova Fundaziun OrigenTor Alva by Michael Hansmeyer, Benjamin Dillenburger. Photograph by Birdviewpicture, Nova Fundaziun Origen.

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Architects
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Collaborators
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ETH Zurich
Architecture.- Dr. Ana Anton (Research Lead), Eleni Skevaki, Che Wei Lin, Ming-Yang Wang, Lena Kitani, Su Huang, Dr. Konrad Graser (ZHAW Institute of Construction Technology and Processes, Project Coordination).
Structure.- Prof. Dr. Walter Kaufmann, Institute of Structural Engineering (IBK), Dr. Alejandro Giraldo Soto, Dr. Lukas Gebhard, Dr. Lucia Licciardello.
Building Materials.- Prof. Dr. Robert Flatt, Institute for Building Materials, Dr. Timothy Wangler, Dr. Lex Reiter.
Geodesy.- Prof. Dr. Andreas Wieser, Geosensors and Engineering Geodesy (GSEG).
Technicians / Robotic Fabrication Laboratory.- Mike Lyrenmann, Philippe Fleischmann, Tobias Hartmann, Luca Petrus, Jonathan Leu.

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Client
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Nova Fundaziun Origen, Dr. Giovanni Netzer.
Team.- Anja Diener, Rebecca Suenderhauf, Philipp Bühler, Torry Trautmann, Sandro Pirovino.

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Builder
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Nova Fundaziun Origen
Site Management.- Invias AG, Diego Casparin, Nova Fundaziun Origen, Anja Diener.
Master Builder.- Zindel + Co. AG (Zindel United), Nico Russi, Battaglia Bau AG (Uffer Gruppe), Sascha Pittet.
Structural Engineer.- Conzett Bronzini Partner AG, Jürg Conzett.
Building Physics.- mk bauphysik, Martin Kant.

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Dates
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Opening.- May 2025.

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Location
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At the Julier Pass, Mulegns, Switzerland.

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Structura
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Four floors composed of eight double and quadruple columns (32).
Double dome formed by eight triple and eight single columns (16).
A total of 48 load-bearing columns with fully integrated reinforcement.

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3D Print
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Approximately 2,500 layers of concrete, 8 mm high and 25 mm deep.
Total printing time: ~500 hours.

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Elements
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3D-printed concrete elements.- 232.
Precast concrete elements with printed formwork.- 104.

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Dimensions
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Total height.- 30.00 m (including the base).
Diameter.- 7.00 to 9.00 m.

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Cupola Theatre
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Space height.- 8.00 m.
Capacity.- 32 people.

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Facade
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Removable plastic membrane as temporary weather protection.

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Transport
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Printed.- Zurich.
Pre-assembled.- Savognin.
Assembled.- Mulegns.

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Photography
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Benjamin Hofer, Birdviewpicture, CheWei Lin, Hansmeyer/Dillenburger.

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Michael Hansmeyer is a German architect and programmer who explores the use of algorithms to generate and fabricate architectural forms.

Recent work includes the design of two full-scale 3D printed sandstone grottos, the production of an elaborate Muqarna for Mori Art Museum in Tokyo, the installation of a hall of columns at Grand Palais in Paris, and the design of 3D-printed white tower for the village of Mulegns. He has exhibited at museums and venues including the Museum of Arts and Design New York, Palais de Tokyo in Paris, Martin Gropius Bau Berlin, Design Miami / Basel, and the Gwangju Design Biennale. His work is part of the permanent collections of FRAC Centre and Centre Pompidou.

Michael has taught architecture as visiting professor at the Academy of Fine Arts in Vienna and at Southeast University in Nanjing, and as a lecturer at the CAAD group of the Swiss Federal Institute of Technology (ETH) in Zurich. He previously worked for Herzog & de Meuron architects, as well as in the consulting and financial industries. Michael holds a Master of Architecture degree from Columbia University.

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Benjamin Dillenburger was born in 1977 in Saarbrücken, Germany. He studied architecture at the Technical University of Kaiserslautern, where he earned a Master of Architecture, and subsequently completed a Master of Advanced Studies at ETH Zurich. He is an architect and professor recognized for his work in computer-aided design and digital fabrication in architecture.

He was an assistant professor at the John H. Daniels Faculty of Architecture, Landscape and Design at the University of Toronto and served as a faculty member in the Computer-Aided Architectural Design (CAAD) group at ETH Zurich.

He is currently a Professor of Digital Building Technologies at the Institute of Technology in Architecture (ITA) in the Department of Architecture at ETH Zurich. His research focuses on the intersection of computer-aided design, digital fabrication, and new materials, particularly exploring the potential of large-scale 3D printing in construction.

Among his most notable projects is "Digital Grotesque," a human-scale 3D-printed room developed in collaboration with Michael Hansmeyer. This work represents an innovative fusion of art, technology, and architecture.

Dillenburger was a finalist in MoMA PS1's Young Architects program and has exhibited his work at institutions such as the Centre Pompidou in Paris, the FRAC Archilab 2013 exhibition, and Art Basel/Design Miami.

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Published on: May 25, 2025
Cite:
metalocus, SARA GENT
"The future printed in 3D concrete. Tor Alva by Michael Hansmeyer, Benjamin Dillenburger" METALOCUS. Accessed
<https://www.metalocus.es/en/news/future-printed-3d-concrete-tor-alva-michael-hansmeyer-benjamin-dillenburger> ISSN 1139-6415
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