Remittance Architectures in Risaralda. Husos at the Oslo Architecture Triennale
08/09/2016.
Oslo Architecture Triennale 2016 [Oslo] Norway
metalocus, ÁLVARO LAMAS
metalocus, ÁLVARO LAMAS
Husos presents the project “Interfaced Urbanisms of Remittances: Mediating the Forces of Love, Work and Translocal Microfinance” at the Oslo Architeture Triennale / After Belonging / 2016.
Diagram. Airport rituals. Image courtesy of Oslo Architectural Trienale.
Diagram. Airport rituals. Image courtesy of Oslo Architectural Trienale.
Diagram. Airport rituals. Image courtesy of Oslo Architectural Trienale.
Torshov. Image courtesy of Oslo Architectural Trienale.
Torshov. Image courtesy of Oslo Architectural Trienale.
Torshov, move models. Image courtesy of Oslo Architectural Trienale.
Copenhagen. Image courtesy of Oslo Architectural Trienale.
Copenhagen. Image courtesy of Oslo Architectural Trienale.
kirkenes Harbour. Image courtesy of Oslo Architectural Trienale.
“Interfaced Urbanisms of Remittances: Mediating the Forces of Love, Work and Translocal Microfinance” by Husos. Fotogram video by HUSOS.
Interfaced Urbanisms of Remittances: Mediating the Forces of Love, Work and Translocal Microfinance por HUSOS.
Interfaced Urbanisms of Remittances: Mediating the Forces of Love, Work and Translocal Microfinance por HUSOS.
Interfaced Urbanisms of Remittances: Mediating the Forces of Love, Work and Translocal Microfinance por HUSOS.
Vardagsrum tensta. Photograph © Matti Stling.
Vardagsrum tensta. Photograph © Matti Stling.
House built with remittances in El Salvador. Andrés Asturias. Courtesy of the author.
Inside the Oslo Architecture Triennale develops the concept In Redicence, form of an exhibition and a lecture series. Also on 9 September a roundtable involved the studio of architecture Madrid HUSOS.
Remittance Architectures
Remittances—transfers of capital from migrants to family members staying in the home country—involve not only economic exchanges, but are accompanied by the circulation of technical expertise and new understandings of luxury and success. These flows translate to the design, production, and commercialization of objects and architectures, which enact the long-distance building practices that architecture writer Sarah Lynn Lopez has analyzed.
Due to migratory trends starting in the second half of the 20th century (primarily labor migration), Colombia is the country in South America with the largest emigrant population, primarily located in the United States and Spain. These flows have resulted in robust commercial, social, and cultural networks affecting both the regions of origin and destination: 4 billion dollars of remittances were received in Colombia in 2012, benefitting 10% of its inhabitants. This influx of money has fostered new economic initiatives such as Mi Casa con Remesas—an agglomeration of banks, including the Inter-American Development Bank—which offers access to mortgages for families who receive monthly money orders from abroad that pay for the loans on their new homes.
The Colombian coffee-growing region of Risaralda is one of the areas characteristically shaped by the increasing transformation of the spaces of residence resulting from remittances: the renovation and vertical expansion of the preexisting family houses and larger new constructions result in specific programmatic structures. Their augmented dimensions provide the possibility to divide the units into separate spaces for different family members or for rental, as well as to include new businesses on the ground floor as an additional source of revenue. These variations of scale and typology, that result in features such as a multiple exterior access points (as discussed with the reporters of the site Husos), manifest the different social dynamics of transnational families. But these constructions also entail building techniques and materials which follow from hybrid appropriation, making extensive use of mirrored glass, bright colors, pronounced balconies and cornices, and distinct ornamental motifs.
This case allows the questioning of the effects of this architecture on the urban landscape; on international economic transactions and labor fluctuations; and in reflecting the affections, desires and aspirations of transnational communities.
Site Report (A Teaser): Husos on Remittance Architectures in Risaralda
The project is an ongoing research, developed by Husos Architects in Pereira- Colombia, New York, and Madrid.
It is a study on the impact of remittances −international money transfers in small amounts sent by migrants to their home countries− in architecture and the urban landscape, grounded in the case of the coffee producing region of Risaralda and other surrounding areas in Colombia.
Because of global mobility, remittances have grown to become a powerful force helping to shape and construct the world today, both materially and immaterially. One out of every 5 families in Risaralda and other surrounding areas receive economical support from their relatives abroad. It is a process that implicates both migrants and their families, developers, financial institutions and multilateral institutions such as the Interamerican Development Bank among many other agents.
How does these flows of affections and money generate new urbanisms and architectures from the distance? What can we learn from them, about the construction of today’s societies and their new forms of belonging?
Roundtable Discussion on (not) Belonging
Three reporter teams engaged in the In Residence exhibition will discuss and reflect on the topic of belonging and their work and research connected to three of the sites: Oslo Airport/Norway, Risaralda/Colombia and Prato/Italia.
Participants: James Bridle, Matidle Cassani and Husos Architects.
Remittance Architectures
Remittances—transfers of capital from migrants to family members staying in the home country—involve not only economic exchanges, but are accompanied by the circulation of technical expertise and new understandings of luxury and success. These flows translate to the design, production, and commercialization of objects and architectures, which enact the long-distance building practices that architecture writer Sarah Lynn Lopez has analyzed.
Due to migratory trends starting in the second half of the 20th century (primarily labor migration), Colombia is the country in South America with the largest emigrant population, primarily located in the United States and Spain. These flows have resulted in robust commercial, social, and cultural networks affecting both the regions of origin and destination: 4 billion dollars of remittances were received in Colombia in 2012, benefitting 10% of its inhabitants. This influx of money has fostered new economic initiatives such as Mi Casa con Remesas—an agglomeration of banks, including the Inter-American Development Bank—which offers access to mortgages for families who receive monthly money orders from abroad that pay for the loans on their new homes.
The Colombian coffee-growing region of Risaralda is one of the areas characteristically shaped by the increasing transformation of the spaces of residence resulting from remittances: the renovation and vertical expansion of the preexisting family houses and larger new constructions result in specific programmatic structures. Their augmented dimensions provide the possibility to divide the units into separate spaces for different family members or for rental, as well as to include new businesses on the ground floor as an additional source of revenue. These variations of scale and typology, that result in features such as a multiple exterior access points (as discussed with the reporters of the site Husos), manifest the different social dynamics of transnational families. But these constructions also entail building techniques and materials which follow from hybrid appropriation, making extensive use of mirrored glass, bright colors, pronounced balconies and cornices, and distinct ornamental motifs.
This case allows the questioning of the effects of this architecture on the urban landscape; on international economic transactions and labor fluctuations; and in reflecting the affections, desires and aspirations of transnational communities.
Site Report (A Teaser): Husos on Remittance Architectures in Risaralda
The project is an ongoing research, developed by Husos Architects in Pereira- Colombia, New York, and Madrid.
It is a study on the impact of remittances −international money transfers in small amounts sent by migrants to their home countries− in architecture and the urban landscape, grounded in the case of the coffee producing region of Risaralda and other surrounding areas in Colombia.
Because of global mobility, remittances have grown to become a powerful force helping to shape and construct the world today, both materially and immaterially. One out of every 5 families in Risaralda and other surrounding areas receive economical support from their relatives abroad. It is a process that implicates both migrants and their families, developers, financial institutions and multilateral institutions such as the Interamerican Development Bank among many other agents.
How does these flows of affections and money generate new urbanisms and architectures from the distance? What can we learn from them, about the construction of today’s societies and their new forms of belonging?
Roundtable Discussion on (not) Belonging
Three reporter teams engaged in the In Residence exhibition will discuss and reflect on the topic of belonging and their work and research connected to three of the sites: Oslo Airport/Norway, Risaralda/Colombia and Prato/Italia.
Participants: James Bridle, Matidle Cassani and Husos Architects.
More information
Venue
National Museum - Architecture. Bankplassen 3, Oslo
Date
9 September 2016
Time
From 18.30 to 20.00
