Want to live (and work) in Richard Rogers' Wimbledon House? Apply to Harvard's new Richard Rogers Fellowship.

Being on sale three years ago, the Wimbledon House, a landmarked building designed by Richard Rogers in the late 1960s, was finally donated to the well-known University, to Harvard Graduate School of Design, and will host a new research residency program. Dubbed the Richard Rogers Fellowship, the program is open to accomplished professionals and scholars working in fields related to the built environment. It will also serve as a venue for lectures and events in 2017.

Accepted applicants, pooled from an international open call, will inhabit the house for three months. Harvard will provide travel expenses to London and a $10,000 USD prize. The residency is intended to foster research around alternative and sustainable futures, in line with Rogers’ own cross-disciplinary, research-driven practice.

The house, a bright yellow modern masterpiece, was originally designed for Rogers’ parents.

Applications for the residency are due by November 28, 2016 and winners will be announced in early December.

For more information on the Fellowship, check here.

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Richard Rogers. (Florence, July 23, 1933 – London, December 18, 2021) was a central figure in international architecture from the late twentieth to the early twenty-first century, widely recognized for his role in consolidating high-tech architecture and for his sustained engagement with urban debate. Born in Italy to a British family, he moved to the United Kingdom as a child during the Second World War. This early experience of displacement would later inform his sensitivity to the social and urban issues that permeated his work. He was educated at the Architectural Association in London, a key institution in the renewal of architectural thought, and later continued his studies at Yale University, where he encountered other architects who would go on to achieve international prominence.

In 1977, he founded his own practice, initially known as Richard Rogers Partnership, which later evolved into Rogers Stirk Harbour + Partners. From this professional platform, he developed an approach characterized by technical innovation, constructive clarity, and a strong commitment to making visible the systems that shape a building. His architecture is distinguished by the externalization of structural and service elements, understood not only as functional solutions but as an essential part of architectural expression.

Among his most influential works is the Centre Pompidou in Paris, designed in collaboration with Renzo Piano, which represented a radical break from conventional architectural languages and redefined the role of the cultural building within the city. Likewise, the Lloyd’s building in London stands as another paradigmatic example of his approach, where technology and programmatic flexibility are integrated into a proposal that challenges traditional typologies.

Throughout his career, he received numerous distinctions, including the Pritzker Prize in 2007, widely regarded as architecture’s highest honor, the RIBA Gold Medal in 1985, and the Golden Lion for Lifetime Achievement at the Venice Biennale in 2006. He was knighted in 1991 and was later appointed a Member of the Order of the Companions of Honour in 2008, in recognition of both his professional work and his contribution to urban thought.

Beyond his built work, Rogers played an active role in shaping urban policy, particularly in the United Kingdom. He chaired the Urban Task Force in the late 1990s, promoting strategies for the regeneration of British cities based on models of compact, diverse, and sustainable urban development. His vision emphasized the importance of public space as a structuring element of urban life, as well as the need to integrate environmental criteria into urban growth.

His legacy extends beyond a body of iconic buildings to encompass a broader understanding of architecture as a discipline deeply connected to society, politics, and the environment. Through his work, Rogers helped redefine both professional practice and the role of the architect in shaping the contemporary city.

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Published on: October 13, 2016
Cite:
metalocus, JOSÉ JUAN BARBA
"Want to live and work, in Richard Rogers' Wimbledon House? " METALOCUS. Accessed
<https://www.metalocus.es/en/news/want-live-and-work-richard-rogers-wimbledon-house> ISSN 1139-6415
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