The Valencian studio Fran Silvestre Arquitectos will start up the execution of its research project for the port area of the Marina de Valencia. It is an infrastructure that produces sustainable energy for the self-sufficiency of the port.

The project, on which Fran Silvestre Arquitectos has been researching for more than ten years with the collaboration of the Polytechnic University of Valencia (UPV) and the Technological Institute of Energy (ITE), will be carried out in the coming years, with Financial support from Net de Guerrers.

The Tower, with a height of 170 meters, will contain in its interior approximately one thousand wind mills of vertical axis allowed in the interior of the cities thanks to which they are covered and to which they are silent. It also has a continuous wrapping grid on the facade to avoid a possible danger to birds while protecting the propellers.

The project aims to make the Wind Tower a center for research into alternative energies in urban environments, as well as an important visual reference in the city of Valencia.

Description of project by Fran Silvestre Arquitectos

A landmark which modifies its proportions depending on the viewpoint and the effect of the sunlight; revealing an element in a constant evolution. An engraved tower devoted to the wind.

The building combines renewable energy it which feeds the city and its facilities with electricity, without needing other resources. Taking advantage of the possibilities that it suggests, much as for its construction as for its shape

Its stillness contrasts with the mobility of the shadows, its firmness emphasizes the strength of the wind to which it frames.

An emblem which reveals the intense light and the powerful wind to appraise the positive view of a society which has always taken advantage of the surrounding elements.

The plan view is designed by means of three vertical communication cores connected two abreast, trying to solve the commitment between the desire to be part of the landscape and the will to trap the wind.

This geometry is repeated in the ways which integrate the structure within its surroundings; the open Podium towards the pedestrian access, where there are the Conference Hall with one hundred people capacity, the Children Library, the Parvis (Atrium) and the services area.

The tower proposes a suggesting route. The ground floor incites to come in through a shadowed exterior space whose deck acts as a Belvedere on the garden. The program is distributed so that the traffic between the entering and leaving visitors do not pass each other. By using one of the communication cores to move upward, another to go down and the third one to use in case of emergency and to maintenance.

In each one of the communication cores, an staircase and two panoramic lifts, which encompass different views of the scenery, are displayed; cores whose night view emphasizes the slender character of the building. Once up, the cafeteria proportions maximize the perimeter of contact with the outside, making an all directions view of the scenery possible. The cafeteria is disposed in two levels with two different atmospheres. The deck is shaped as a one hundred and seventy meters high observation deck, where the city can be observed.

The arrangement of the vertical communications and the fact that they are connected bestow it with a good structural performance. The pressure of the wind is always dimmed by a rigid nucleus, whereas the orientation and the shape of the geometry allow it to change the prevailing wind into power. The vertical axis wind turbines are arranged in the curve areas which connect the communication cores. Both the wind turbines and the panoramic lifts are covered by an openwork metallic skin which being permeable to the wind together with the views confer a monolithic appearance to the structure. The construction is developed in an obvious and simple way thanks to the fast-speed climbing casings which make possible to materialize the built as an icon.

Structure proposes a wind turbine system of vertical axe, meanwhile its deep foundations based on pilings, most characteristic of buildings in height, allows the incorporation of geothermal energy. The volume presents wide surfaces in contact with the exterior. Here, the vertical areas constitute the support for the photovoltaic panel, taking advantage of its constant exposure to solar radiation. Besides, the podium’s horizontal surface is used in the obtaining of thermoelectric energy.

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Fran Silvestre Arquitectos is an architecture studio based in Valencia, founded in 2005 by architect Fran Silvestre. The studio operates from the former workshop of sculptor Andreu Alfaro, a 7,000 m² space where a multidisciplinary team of more than 50 professionals develops projects. Its work encompasses residential, cultural, corporate, and public buildings in different countries, characterized by formal purity, modulation, serialization, and the innovative use of materials and technologies.

Fran Silvestre was born on July 5, 1976, and graduated in Architecture from the School of Architecture of Valencia in 2001, obtaining his degree with honours. One year later, he completed his qualification as an urbanist at the Technische Universiteit Eindhoven (TU/e), also with the highest distinction. He holds a PhD in Architecture from the Polytechnic University of Valencia, where he earned a Doctorate in Design with the distinction Cum Laude.

His professional education was further enriched by a fellowship to work in the studio of Portuguese architect Álvaro Siza, recipient of the Pritzker Prize, with whom he has maintained professional collaborations since then. In parallel, he has pursued an intense academic career: he has been a professor in the Department of Architectural Design at the Polytechnic University of Valencia since 2006 and at the European University since 2009. In 2011, he was appointed Deputy Director of the School of Architecture of Valencia, and in 2018, he was awarded the Victor L. Regnier Chair at Kansas State University (KSU), in the United States. He currently also directs the March Postgraduate School in Architecture and Design. He is the great-grandson of Valentín Silvestre Fombuena, who, according to the records of the Spanish Patent and Trademark Office, was the most prolific inventor in the second half of the nineteenth century.

Throughout his career, he has received numerous awards, including the Fundación Caja de Arquitectos Prize (2001), the COACV Architects’ Association Award (2010), and the Red Dot Design Award (2013). In 2012, he was appointed Ambassador of Spanish Architecture in the United States by the Ministry of Culture and Sport. He has also received the NYCxDESIGN Award (2016), the German Design Award on several occasions (2016, 2020, 2021, and 2024), the IF Design Award (2021), and the Bronze Delta Award at the ADI Awards (2024), as well as the first prize at the XIII Spanish Biennial of Architecture and Urbanism (BEAU) in the design category. In 2022, he was awarded the First Prize with a Gold Medal in the Architecture category by the International Federation of Architects and Designers.

His work has been exhibited at international museums and institutions such as the Museum of Modern Art (MoMA) in New York and the Serralves Museum in Porto, and he has been invited to lecture at universities and institutions including KSU, the American Institute of Architects (AIA) in New York, and Virginia Tech. His projects have been widely published in leading architectural journals such as Architectural Record, GA Houses, On-Diseño, and Interni, as well as by major publishers including Phaidon, Taschen, Thames & Hudson, and GG. Several monographs have documented the studio’s work, including those published by TC Cuadernos, A.Mag, and Arianuova, with particular note of the monograph published by Rizzoli (New York), featuring texts by critic Philip Jodidio.

Projects by Fran Silvestre Arquitectos are located across countries, including China, the United States, Brazil, Thailand, Egypt, Croatia, Italy, Australia, and Spain. Throughout its trajectory, the studio has worked on projects of both small and large scale. Notable works include the Atrium House (2009), the House on the Slope of a Castle (2010), the Cliff House (Alicante), the Balint House (Valencia), the Hollywood Hills House (Los Angeles), the Sabater House (Orihuela), the Zibo Master Plan (China), the Boutique Hotel in Vis (Croatia), and the Wind Tower (Valencia).

The studio’s architecture is deeply influenced by the work of Álvaro Siza and Andreu Alfaro. According to critic David Cohn, Fran Silvestre’s work is not driven by a search for a lost authenticity nor by the pursuit of the perfect geometry of form, but rather by the creation of environments that, through abstraction and precise architectural intention, elevate everyday life toward a more intense and conscious engagement with the surrounding environment.

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Published on: March 15, 2019
Cite:
metalocus, BLANCA VÁZQUEZ
"Wind tower in the harbor by Fran Silvestre Arquitectos" METALOCUS. Accessed
<https://www.metalocus.es/en/news/wind-tower-harbor-fran-silvestre-arquitectos> ISSN 1139-6415
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