The San Francisco Museum of Modern Art (SFMOMA) unveiled the details of its 21.832m² / 235,000 sqf building expansion that will double the museum's exhibition and education space while enhancing the visitor experience and more deeply weaving the museum into the fabric of the city. Completion is projected in 2016.

Construction of its expansion will begin this summer. From June 3, 2013 through early 2016. This expansion is about much more than the extension of the museum's physical footprint. The new building will both transform the museum and enliven the city by opening up new routes of public circulation around the neighborhood and into the museum.

The sketches for SFMOMA's expansion, developed in collaboration with the architecture firm Snøhetta, reveal a transformative design for the museum, the neighborhood, and the city. "Our design for SFMOMA responds to the unique demands of this site, as well as the physical and urban terrain of San Francisco," says Snøhetta principal architect Craig Dykers. "The scale of the building meets the museum's mission, and our approach to the neighborhood strengthens SFMOMA's engagement with the city."

Slated to open in early 2016, the approximately 22,000m² expansion will seamlessly join the existing Mario Botta-designed building with a new addition spanning from Minna to Howard Streets. SFMOMA's new building will include seven levels dedicated to diverse art experiences and programming spaces, and three housing enhanced support space for the museum's operations. It will also offer approximately 12,000m² of indoor and outdoor gallery space, as well as nearly 1,400m² of art-filled free-access public space, more than doubling our current capacity for the presentation of art while maintaining a sense of intimacy and connection to the museum's urban surroundings.

New public spaces and additional public entrances to the building (on Howard and Minna Streets) are designed to increase access and weave the museum more deeply into the neighborhood. A mid-block, street-level pedestrian promenade will open a new route of circulation in the area, enlivening the side streets and offering a pathway between SFMOMA and the Transbay Transit Center currently under construction two blocks east of the museum. Additional outdoor features include a new sculpture terrace on the third floor with a large-scale vertical garden (the biggest public living wall of native plants in San Francisco), and a seventh-floor terrace with incredible city views.

An expansive free-to-access gallery on the ground floor with 25-foot-high glass walls facing Howard Street will place art — such as Richard Serra's enormous walk-in spiral sculpture Sequence (2006) — on view to passersby. This gallery will also feature stepped seating, offering a resting and gathering point for museum tour groups and neighborhood denizens alike.

A versatile, double-height "white box" space on the fourth floor will create new possibilities for live performance, accommodating theater-in-the-round configurations, multiscreen projections, and special installations. It will also serve as a starting point for many school tours, allowing the number of K–12 student visits to increase from 18,000 to 55,000 annually when we reopen in 2016. Together with the revitalization of existing spaces such as the Phyllis Wattis Theater and Koret Visitor Education Center, the addition of new features and spaces supporting education and family programs deepens their commitment to providing broad access to and fostering a lifelong engagement with art.

Behind the scenes, state-of-the-art conservation studios on the seventh and eighth floors will further SFMOMA's progressive work in the care and interpretation of their collections. The expansion will also make field-leading contributions to global standards of energy efficiency for art museums; they are on track to achieve LEED Gold certification, with a 15 percent energy-cost reduction, 30 percent water-use reduction, and 20 percent reduction in wastewater generation.

SFMOMA Expansion Virtual Tour; video courtesy Snøhetta/MIR

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Snøhetta is an architecture, landscape, and interior design studio with offices in Oslo, Norway, and New York City, USA. Founded in 1989, it is led by Craig Dykers and Kjetil Thorsen. The studio, named in honour of Mount Snøhetta, the highest peak in the Dovrefjell mountains of Norway, has approximately 100 collaborators working on large-scale international projects across a wide range of typologies. Their approach is deeply collaborative and transdisciplinary, bringing together architects, designers, engineers, and landscape professionals to explore multiple perspectives depending on the nature of each project.

Snøhetta has completed a series of world-renowned cultural and landmark projects, including the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, and the Lillehammer Art Museum in Norway. Current projects include the National Pavilion of the September 11 Memorial Museum at the World Trade Center site in New York, as well as urban and landscape developments that aim to merge local identity, sustainability, and public experience.

In 2004, Snøhetta was awarded the Aga Khan Award for Architecture, and in 2009, the Mies van der Rohe Award. The studio is the only practice to have won the World Architecture Award for Best Cultural Building twice in consecutive years: in 2002 for the Bibliotheca Alexandrina and in 2008 for the Oslo Opera House and Ballet, consolidating its international prestige.

Kjetil Trædal Thorsen (born 1958 on the coastal island of Karmøy, Norway) is a co-founder of the studio and a multiple award-winning architect. He is a visionary and humanist designer who has redefined the boundaries of contemporary practice. Under his leadership, Snøhetta has produced iconic, sustainable structures that are highly sensitive to their cultural context, combining technological innovation with a profound environmental awareness. Thorsen’s work is recognized for its focus on social interaction, sustainability, and the creation of spaces that foster human connection and sensory experience, establishing a benchmark in contemporary global architecture.

Craig Dykers (born 1961 in Frankfurt, Germany) is also a co-founder of the studio and director of its New York office. Snøhetta has earned a reputation for maintaining a deep integration of landscape, architecture, and urban experience across all its projects. Key works include the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, the National Pavilion of the September 11 Memorial Museum in New York, and the redesign of Times Square. Professionally and academically active, Dykers has been a member of the Norwegian Association of Architects (NAL), the American Institute of Architects (AIA), and the Royal Society of Arts in England. He has served as a diploma juror at the Architectural College in Oslo and as a distinguished professor at City College, New York. He has delivered numerous lectures across Europe, Asia, and the Americas, and has undertaken public art installation projects, many of which explore the interplay between context, landscape, and human experience.

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Published on: February 17, 2013
Cite:
metalocus, PEDRO NAVARRO
"Works in progress, SFMOMA expansion by Snøhetta" METALOCUS. Accessed
<https://www.metalocus.es/en/news/works-progress-sfmoma-expansion-snohetta> ISSN 1139-6415
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