In the city of Bergamo an intervention was carried out in the "Sala delle Capriate" in the "Palazzo della Ragione", a 12th-century building that represents the physical and functional center of the ancient city. This intervention is characterise by a minimum impact and is composed of a suspended structure of hexagons, conceived as gazes over the city.

The project, carried out by CN10ARCHITETTI, consists of the raised structure formed by an hexagonal mesh which is dimensioned following the rhythm of the wooden trusses from where they are taken down, and another hexagonal structure in the lower part that allows a free placement. The project will allow a non-invasive intervention, improve the value of space, be luminous, be flexible, be dynamic and compact.
 

Description of the project by Gianluca Gelmini

The project provides for a new set-up of the "Sala delle Capriate" in the “Palazzo della Ragione” of Upper Bergamo. The building dates back to the XII century and represents the physical and functional center of the historic city. It is the core of a system of open public spaces and it directly relates to them on different sides. Once the building stopped to host the municipality, the upper room changed a series of different functions. Today its walls are covered with a significant review of art pieces collected over time from different buildings of the city.

The result is a minimal intervention made of a suspended system of hexagons, intended as gazes over the city: like the circles drawn on the embroidery of the colored windows, the suspended structure puts on display the excellences of the territory. This is exactly as it occurs in the cellars of the beehive, where the repetition of the hexagonal frame becomes the structure where life happens. Similarly, the hexagons of the project can become light, sound, image, space. It is a dynamic system of possible configurations that transform the room according to the given event and program.

The hexagonal mesh is dimensioned coherently with the pace of the wooden trusses. The result is a simple and modular composition, made out of the combination of beams and joints. The beams incorporate in their own structure the technological solutions necessary to set in the room different arrangements. They host indeed the technical devices like lightning, both fixed and movable, sound and video systems, motorized projection tarps and hooks to hang panels and other equipment. The fixing system that allows to hang the hexagons to the trusses is located on the joints. The whole structure can be easily lowered thanks to a motorized solution, in order to guarantee fast changes of setting, a simple maintenance and a better management of the space.

The new set-up is completed on the ground floor by a system of hexagonal structures with the same dimension of the suspended one, that can be freely arranged in the room. They are made of modular elements that increase the number and the complexity of the different configurations of the room.

The project intends to bring the "Sala delle Capriate" back to its original connection with the city, re-establishing its relationship with the square and with the underlying portico. The project proposed is characterized by the following qualities:

It is NON-INVASIVE. The "Sala delle Capriate" and the art pieces on its walls remain visible and interact with the setting.

It ENHANCES THE VALUE OF THE SPACE. The new set-up allows to have a full perception of the space in its integrality and magnificence as well as emphasising the scenographic impact. The walls remain visible from floor to ceiling while the windows are re-opened allowing external views.

It is BRIGHT. The setting encourages a sapience use of both natural and artificial light and their combination can be adapted to the different configurations of the room.

It is FLEXIBLE. By permitting the projection of images and the exposition of panels and other materials, an adaptable use of space is encouraged. The room can be organized both as a single space and as a series of smaller autonomous settings.

It is DYNAMIC. The set-up can be used fully or partially according to the needs of the different event and exposition host. The total or partial removal of the different settings is managed through dismantling operations that minimize times and costs.

It is COMPACT. The set-up components incorporate the technical elements necessary to their use, minimizing the needs for further interventions in the room.

It is NON-EXCLUSIVE. The project allows to install temporary structures for expositions and equipment for other activities, that are integrated to the permanent setting.

BRANDS AND PRODUCTS. All project components have been specially designed and handcrafted.

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Venue
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Bergamo, Italy
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Client
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Municipality of Bergamo
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Architects
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CN10ARCHITETTI
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General contractor
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Krea allestimenti
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Area
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450 m²
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Dates
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2017
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CN10 architects.- The office was founded in 2004 by Gianluca Gelmini. The architectural firm deals with architectural planning and recovery of historical heritage at different scales of intervention. Over the years the firm has participated in national and international competitions winning prizes and awards.

CN10 architects has realized several works between public and private. Among the most significant: the restoration of the churches San Giorgio e San Giuliano in Bonate Sotto (BG); the restoration of Botta church in Sotto il Monte (BG); the recovery of Palazzo Furietti Carrara in Presezzo (BG); the extension of the Parish Center of Carvico (BG); the restoration of Torre del Borgo in Villa d'Adda (BG); the recovery of the ex school in Miniera di Novafeltria (Rn).

Any action inevitably causes changes, every new building as well as any recovery intervention involves a transformation more or less radical of the territory. Only by being aware of these conditions do architecture, it is possible to act with the utmost respect for a given environment. It is an attitude supported by a certain autonomy from the possible constraints imposed by the location and history, a position that asserts the secularity of architectural design. That does not mean remain indifferent to the context but understand their most intimate relationships, understand the characters, forms and matter, in order to create a coherent synthesis with the initial program.
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