A superb exhibition. Archigraphies. Guido Guidi and Álvaro Siza

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Board of directors
President.- José Manuel Dias da Fonseca. Executive director.- Nuno Sampaio. Accounting officer.- Joaquim Mendes Pinto.
General commissioner
Nuno Sampaio.
Curatorship
Joaquim Moreno. Paula Pinto.
Exhibition project
Joaquim Moreno. Collaboration.-Rita Sampaio.
Consultancy and photography
Guido Guidi.
Video installation
Concept and Direction.- Paulo Catrica. Editing.- Aurélio Vasques.
Graphic design
Pedro Nora.
Production
Carla Barros (coord.). Júlio Senra. Manuel Gonçalves.
Communication and image
Margarida Portugal (coord.). Filipa Guimarães. Joana de Belém. José Pereira. Pedro Rocha.
Fundraising and partnerships
Margarida Matos (coord.).
Educational service
Filipa Godinho (coord.). Alice Marques.
Exhibition content and supports
Content and Supports Assembly.- Dynamic Place.
Frames production
Felisberto Oliveira.
Translation
Mário Seabra.
Lighting
Arnaldo Rozeira.
Location
Casa da Arquitectura – Portuguese Centre for Architecture. Menéres avenue 456, 4450-189 Matosinhos, Portugal.
Dates
17/4/2021 - 8/10/2021.

Paula Parente Pinto Paula Parente Pinto

Paula Parente Pinto (Porto, 1971) has a degree in Fine Arts: Sculpture, Faculty of Fine Arts of Porto (1998); Master (pre-Bologna) in Architecture and Urban Culture, Polytechnic University of Catalonia, Barcelona, Spain (2004); PhD in Visual and Cultural Studies, University of Rochester, NY, USA (2016).

She has worked in historical research and as an independent curator in several exhibitions, including: “Puzzle Group: Collective painting = individual painting” at Centro de Artes e Espectáculos (Figueira da Foz, 2011); “Ângelo de Sousa: Still the sculptures” at Guarda’s Municipal Theatre Gallery (Guarda, 2012); “Guido Guidi / Carlo Scarpa: Tomba Brion” at Centro Cultural de Belém (Lisbon, 2014-15); “I never did an exhibition of drawings” with unpublished work by Albuquerque Mendes at CAAA Centre for Art and Architecture Affairs (Guimarães, 2015-16); “Stefano Serafin: art in a state of war”, an exhibition about 100 years since the destruction of museums during the First World War, which was held until June 2017 at José de Guimarães International Centre for the Arts (Guimarães).

Joaquim Moreno Joaquim Moreno

Joaquim Moreno (Luanda, 1973) has a degree in Architecture from the Faculty of Architecture of the University of Porto (1998); Master (pre-Bologna) in Architecture and Urban Culture, Technical School of Architecture of Barcelona, Polytechnic University of Catalonia (2001); PhD in Architecture, School of Architecture, Princeton University (2011).

Independent curator since 2002, in a continuous work that includes the exhibition “Drawing Project of Drawing” (2002), co-curated by Alberto Carneiro, dedicated to architecture drawing in the Portuguese twentieth century, the Portuguese representation at the Venice Architecture Biennale in 2008, with the philosopher José Gil, the exhibition “Guido Guidi / Carlo Scarpa: Tomba Brion” at Centro Cultural de Belém (Lisbon, 2014-15) with Paula Pinto and also the exhibition “The University is Now on Air”, at CCA Canadian Centre for Architecture in Montreal, dedicated to teaching Modern Architecture through Radio and Television that the British Open University proposed in the 1970s. He is an Assistant Professor at the Faculty of Architecture of the University of Porto.

ÁLVARO SIZA VIEIRA

Álvaro Joaquim Melo Siza Vieira was born in Matosinhos (near Porto), in 1933. From 1949-55 he studied at the School of Architecture, University of Porto. His first built project was finished in 1954. From 1955-58 he was collaborator of Arch. Fernando Távora. He taught at the School of Architecture (ESBAP) from 1966-69 and was appointed Professor of "Construction" in 1976. He was a Visiting Professor at the Ècole Polythéchnique of Lausanne, the University of Pennsylvania, Los Andes University of Bogotá and the Graduate School of Design of Harvard University; he taught at the School of Architecture of Porto (jubilate in 2003).

He is the author of many projects such as: the Boa Nova Tea House and Restaurant; 1200 dwellings built in Malagueira, Évora; the Superior School of Education in Setúbal, the new School of Architecture in Porto; the Library of Aveiro University; the Museum of Modern Art in Porto; the Church and Parochial Centre in Marco de Canavezes; the Pavilion of Portugal for EXPO '98 and the Pavilion of Portugal in Hannover 2000 (with Souto de Moura); the dwelling and offices complex of “Terraços de Bragança” in Lisbon; and he has rebuilt the burnt area of Chiado in Lisbon since 1988, including the projects for some buildings like Castro e Melo, Grandella, Chiado Stores, and others.

He has been coordinated the plan of Schilderswijk's recuperation in The Hague, Holland, since 1985, which finished in 89; in 1995 he finished the project for blocs 6-7-8 in Ceramique Terrein, Maastricht.

In Spain he has completed the projects for the Meteorological Centre of Villa Olimpica in Barcelona; the Museum of Contemporary Art of Galicia and the Faculty of Information Sciences in Santiago de Compostela; the Rectorate of the Alicante University; Zaida building – offices, commercial and dwelling complex in Granada; Sportive Complex Cornellà de L’lobregat in Barcelona.

Cultural Centre and auditorium for the Ibere Camargo Foundation in Brazil; Municipal Centre of Rosario in Argentina; lodging-house in the Plan of Recuperation and Transformation of Cidade Velha in Cap Vert; Serpentine Pavillion (2005) with Eduardo Souto Moura; Museum of Modern Art of Naples in Italy; Anyang Pavilion in South Korea (with Carlos Castanheira); Mimesis Museum in South Korea (with Carlos Castanheira); are to be mentioned.

He has participated in several lectures and conferences in Portugal, Spain, Italy, Germany, France, Norway, Holland, Switzerland, Austria, England, Colombia, Argentina, Brazil, Japan, Canada, United States, Romania, Greece, South Korea and Sweden.

Having been invited to participate in international competitions, he won the first place in Schlesisches Tor, Kreuzberg, Berlin (now built), at the recuperation of Campo di Marte in Venice (1985) and at the renewal of Casino and Café Winkler, Salzburg (1986); Cultural Centre for the La Defensa, Madrid (with José Paulo Santos) (1988/89); J. Paul Getty Museum, Malibu, California (with Peter Testa) (1993); Pietà Rondanini Room, Sforzesco Castell, Milan (1999); Special Plan Recoletos-Prado, Madrid (with Juan Miguel Hernandez Leon e Carlos Riaño) (2002); Toledo Hospital (Sánchez-Horneros office) (2003); “Atrio de la Alhambra” in Spain (with Juan Domingo Santos)(2010); “Parco delle Cave”, Lecce in Italy (with Carlos Castanheira) (2010).

He has participated in the competitions for Expo 92 in Sevilla, Spain (with Eduardo Souto de Moura and Adalberto Dias) (1986); for "Un Progetto per Siena", Italy (with José Paulo Santos) (1988); the Cultural Centre La Defensa in Madrid, Spain (1988/89); the Bibliothèque of France in Paris (1989/90), the Helsinki Museum (with Souto de Moura) (1992-93); Flamenco City of Xerez de la Frontera, Spain (with Juan Miguel Hernandez Leon) (2003).

From 1982 to 2010 has won many different awards and have been assigned with Medals of Cultural Merit from many country around the world. Doctor "Honoris Causa" in various European and International universities.

He is a member of the American Academy of Arts and Science; "Honorary Fellow" of the Royal Institute of British Architects; AIA/American Institute of Architects; Académie d'Architecture de France and European Academy of Sciences and Arts; Royal Swedish Academy of Fine Arts; IAA/International Academy of Architecture; American Academy of Arts and Letters.

Guido Guidi

Guido Guidi (1941) is an Italian photographer with an extended carrer of more than forty years of experience and a close relationship with architecture.

He started the architecture degree at the IUAV university in 1956, to move later to industrial design where he took courses tought by Luigi Veronesi, Carlo Scarpa and Italo Zannier. It was in the lively climate of that period in Venice that he decided to dedicate his career to photography, concentrating on the marginal, anti-spectacular elements of the Italian landscape.

From the late 1960s he worked on important personal quests, looking at landscape and its transformations, and experimenting with the language of photography by means of research projects linked to the transformation of the city and the environment. These include Archive of Space (1991 Province of Milan), work on public building projects by Ina-Casa (1999), and on the Italian Atlas (edited by the General Directorate of Contemporary Architecture and Art).

Alongside his work as photographer, for many years he taught photography, promoting the profession. In 1989, together with Paolo Costantini and William Guerrieri, he launched Borderline for Contemporary Photography, in Rubiera. From 1989 he was Professor of Photography at the Academy of Fine Arts, Ravenna, and from 2001 he taught at IUAV in Venice. His exhibitions include shows in prestigious Italian and international institutions such as Fotomuseum Winthertur, the Venice Biennial Exhibition of Art and Architecture, the Canadian Centre for Architecture in Montreal, the New York Guggenheim Museum, and the Centre Georges Pompidou in Paris.
JUNG METALOCUS

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