This sports facility is located in the town of Pasajes (Guipúzcoa, Spain), by the side of Molinao estuary, whose specific natural and historical conditions will determine the character of the building.

The absence of architectural identity of this Basque town leaded to the understanding of the project as an element of urban regeneration, which should serve as a focus of activity in addition to the sports function.

Vaumm architects, who were chosen in a competition organized by Pasajes City Hall to design the sports facility, propose a multifaceted building, moulded with an almost objetual treatment, which partially sinks into the ground. The sports court is in charge of providing an architectural entity in the area, which presented a bare aspect due to the abandonment of factories that previously filled the estuary banks.

The public nature which was injected into the project holds a great importance in the final result: the pelota court is actually a multipurpose space, whose spacious dimensions and stands make it a suitable choice for housing any type of event organized in the location. This urban commitment is also shown in the decision of the opening of an adjacent square. Thus, pelota court and square form a symbiosis of public space in which one can not be understood without the other.

Description of the project by Vaumm

Pasajes Bay is a privileged natural location, determined by a mouth of 300 meters long; a natural corridor flanked by cliffs, which gives access to the seaport and protects the ships inside, setting an exceptional refuge seaport.

The historical evolution of this territory has verified over the years, that its great virtue was its great problem, indeed. In this unique natural setting, heavy metal processing industries, great rail transport infrastructure, coal based thermal power plant and countless logistic industries were settled down, completely transforming both appearance and economy of the region.

The dismantling of abandoned industrial buildings and the decontamination of the soils occupied by these buildings, left as a result, a lunar terrain, with no references to the past, with no recognizable topography, with no significant reference points, apart from its clearly defined edges: railway infrastructure, ring road and Molinao river.

In this place, result of "tabula rasa", the first intervention was setting up a new topography. Taking advantage of the required excavation to build the Pelota Court, a small hill is given shape, which besides is complemented with a powerful wooded dough; this way it's built a spacer element for this new urban area, from the ring road. This element is further supported by the construction of a sports path that runs along the highest point of the site, connecting with both ends of existing paths, which besides serves as a support to a new platform with sports sets for elderly people.

The intermediate area of the place is configured by a public square, linked to Pelota Court, recalling the classic urban typology of Basque Pelota Courts, where Square and Pelota Court form an indivisible unit. The square is configured as an "empty" space, where it's possible to take place a variety of events, from concerts, popular lunches, to circus on regional tour. The Pelota Court also maintains its multipurpose spirit, and gives up its regulatory measures of the game of Pelota, for all kind of cultural and social events that can take place in the emptiness of its trihedron of 36 x 14 x 12 meters, open to bleachers for a capacity of 250 spectators.

The last layer of the intervention sets a riverside promenade accompanying the Molinao river. The need to match the levels of both edges of the riversides is solved by a prefabricated concrete wall, revealing at first glance the original level, on which the new urban landscape rises.

The built object of the Pelota Court is the most prominent element of the intervention. Its dimensions require a large volume, which through its partial burial, gets a suitable scale, respectful to the surroundings. This downscaling is emphasized by the treatment of the built piece as an object, turning the building into an almost sculptural element. A little "kiosk" cafe and an automatic toilet, serve as intermediate functional elements between the uses of the Pelota Court and the square.

The faceted shaped geometry of the building, always suggests a fragmented reading of the sculptural volume of the piece. This way its presence, always changing, is the result to several points of view. This same planes key reading is amplified due to the construction, since the different sides impose different orientations for each zinc sheet, providing a texture that singularly designs each plane. These same patterns of faceted shaped geometries organize the proper elements of urbanization, such as handrails and closings, as well as flowerbeds or seat banks, building through geometry and matter, a unity of different elements that form a whole.

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Architects
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Collaborators
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Technical Architect.- Julen Rozas Elizalde.
Client.- Pasajes Town Hall.
Structural engineers.- Landabe.
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Area
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8.300 sqm.
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Dates
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2012 (project) – 2015 (finishing of construction).
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Budget
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€1 Mill.
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Photography
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Aitor Ortiz.
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vaumm architects is the coincidence of several people (Marta Álvarez Pastor, Iñigo García Odiaga, Jon Muniategiandikoetxea Markiegi, Javier Ubillos Pernaut & Tomás Valenciano Tamayo) who since establishment in 2002, operate under a strategy of adding. Adding goals, hope, efforts and experiences, with a broad sense of curiosity and research-based methodology. Incorporating specialists from diverse disciplines, inside and outside the office, finally adding knowledge to present solutions. Through this changeable organization, intensifying the permanent office, multiple collaborations are carried out in each situation, crafting the best global team in every project.

Our work is dedicated to the thoughtful conception of projects and careful crafting of buildings and spaces, exploring the intersection of contemporary design and building production. The Office has worked since its establishment at many different scales from diverse angles; completed works include various new and rehabilitation building works, collaborations with artists as technical support for the realization of constructive intervention and urban planning with a cultural or theoretical view.

 

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