Beige landscape. Life House by John Pawson
03/05/2016.
[Llanbister, Mid Wales] UK
metalocus, INÉS LALUETA
metalocus, INÉS LALUETA
Description of project by John Pawson
From the beginning, the thinking behind the Life House was an uncompromisingly modern design where it would be possible to inhabit a different sort of architectural space. Experiments with massing and orientation have produced a composition that is bedded into the fall of the land. The proliferation of blackened gorse in the surrounding heathland is reflected in the dark exterior brickwork, whilst the rough moor grass provides a reference for the lighter bricks used inside.
The house’s programme is arranged as a series of self-contained folds, opening off two corridors. Meeting at a right angle, these passageways generate extended internal vistas and a plan designed to allow groups living in proximity to spend time together and apart, in a spatial arrangement that shares certain characteristics with the monastic cloister. The corridors — one light, one dark — represent more than just the means to get between the different parts of the house, they are key architectural experiences, each charged with its own distinctive character.
In the spirit of creating a contemporary Walden, communal and private quarters are shaped by the idea of supporting and enriching specific rituals and activities. Across the Life House this translates into optimised inventories of equipment and functional conditions, but also into a series of finely calibrated atmospheres.
John Pawson was born in 1949 in Halifax, Yorkshire. After a period in the family textile business he left for Japan, spending several years teaching English at the business university of Nagoya. Towards the end of his time there he moved to Tokyo, where he visited the studio of Japanese architect and designer Shiro Kuramata. Following his return to England, he enrolled at the Architecture Association in London, leaving to establish his own practice in 1981.
From the outset the work focused on ways of approaching fundamental problems of space, proportion, light and materials, rather than on developing a set of stylistic mannerisms - themes he also explored in his book Minimum, first published in 1996, which examines the notion of simplicity in art, architecture and design across a variety of historical and cultural contexts.
Early commissions included homes for the writer Bruce Chatwin, opera director Pierre Audi, contemporary art dealer Hester van Royen and collector Doris Lockhart Saatchi, together with art galleries in London, Dublin and New York. Subsequent projects have spanned a wide range of scales and building typologies, from Calvin Klein's flagship store in Manhattan and airport lounges for Cathay Pacific in Hong Kong to the new Cistercian monastery of Our Lady of Novy Dvur in Bohemia.
In May 2006, two decades of visits to the twelfth century Cistercian monastery of Le Thoronet culminated in an exhibition, 'John Pawson: Leçons du Thoronet', the first such intervention ever to be held within the precincts of the abbey. Two weeks after the exhibition opening in Provence, celebrations in London marked the completion of the Sackler Crossing - a walkway over the lake at Kew's Royal Botanic Gardens. The same year also marked the practice's first stage design, with a set for a new ballet choreographed by Wayne McGregor for the Royal Ballet which premiered at London's Royal Opera House in November 2006.