Belgian Architect Aude-Line Dulière wins 2018 Wheelwright Prize
04/04/2018.
Harvard University Graduate School of Design [Cambridge] USA
metalocus, VANESA DEL OLMO
metalocus, VANESA DEL OLMO
Harvard University Graduate School of Design (GSD) names Belgian architect Aude-Line the winner of the 2018 Wheelwright Prize, a $100,000 traveling fellowship to fund Dulière’s research proposal Crafted Images: Material Flows, Techniques, and Uses in
Set Design Construction.
An analytical model of the Frank House by Walter Gropius and Marcel Breuer. Produced for the GSD option studio, "The Bauhaus in America."
Refurbishment of a neoclassical corner house in Brussels; currently on site. The house preserved its original atmosphere from 1830.
Conceptual model of an refurbishment of a 1000-square-foot, listed Georgian house in London into an artist residence, a project on which Duliere worked while at David Chipperfield Architects.
Aude-Line Dulière
Cambridge, MA (April 3, 2018)—Harvard University Graduate School of Design (Harvard GSD) is pleased to name Brussels-based architect Aude-Line Dulière the winner of the 2018 Wheelwright Prize, a $100,000 fellowship supporting travel-based research and investigative approaches to contemporary design. Dulière’s winning proposal "Crafted Images: Material Flows, Techniques, and Uses in Set Design Construction" aims to examine construction methods and supply systems in the global film industry, engaging the space-making elements of film and set design as well as potential innovations around material use and reuse throughout architecture and construction generally.
Dulière was among four finalists selected from more than 125 applications from nearly 40 countries. She previously was an architect at David Chipperfield Architects in London and at Rotor Deconstruction in Brussels, as well as a movie-production design assistant at studios throughout Europe.
Dulière’s Wheelwright Prize proposal Crafted Images argues that film-set construction, through its cyclical and fast-paced nature, is the ideal incubator for testing innovative practices of material reuse. Through visits to a variety of film sets in Russia, India, Nigeria, the United Kingdom, and elsewhere, Dulière will research material reuse strategies for the film industry, with an eye to applications for long-lasting building and contemporary architecture practice.
Dulière was among four finalists selected from more than 125 applications from nearly 40 countries. She previously was an architect at David Chipperfield Architects in London and at Rotor Deconstruction in Brussels, as well as a movie-production design assistant at studios throughout Europe.
Dulière’s Wheelwright Prize proposal Crafted Images argues that film-set construction, through its cyclical and fast-paced nature, is the ideal incubator for testing innovative practices of material reuse. Through visits to a variety of film sets in Russia, India, Nigeria, the United Kingdom, and elsewhere, Dulière will research material reuse strategies for the film industry, with an eye to applications for long-lasting building and contemporary architecture practice.
“The movie industry has the potential to offer clues for streamlining material flows and offers opportunities for experimentation on sustainability for contemporary architectural practice,” Dulière writes. At the same time, finding solutions to reduce waste within the film industry is also integral to Dulière’s mission, she continues. “How much waste for an image?” she asks.
Through an itinerary responsive to strategic moments in film schedules—from initial construction to ultimate demolition—Dulière expects to visit a number of studios in several countries, including the United Kingdom, Germany, Hungary, China, India, Nigeria, Hong Kong, and Russia. Additionally, Dulière plans to visit on-site productions as they occur around the world. To fuel this itinerary, she plans to organize a network of set-design suppliers and resellers operating globally.
“Aude-Line’s work demonstrates a sophisticated vision of spatial quality in a variety of forms that translates into her interest in the architecture of set design,” says Mohsen Mostafavi, Dean and Alexander and Victoria Wiley Professor of Design at Harvard GSD. “By exploring material reuse strategies at the intersection of film, construction, and architecture, Aude-Line’s project offers exciting possibilities for innovative approaches to sustainability, infused with an equally important and very sensitive consideration of aesthetic beauty.”
Dulière holds a Master of Architecture degree from Harvard GSD and previously studied in Brussels at the Institut Superieur d’Architecture La Cambre and at Sint-Lucas (KU Leuven). Since 2003, Dulière has worked as an architect and film-production design assistant. She was a designer at David Chipperfield Architects between 2010 and 2015 and later at Rotor Deconstruction in Brussels, which focuses on material flows in the construction industry.
In addition to being a registered architect, Dulière is a member of the British Film Design Guild, and a board member of the Brussels-based space La Loge, dedicated to contemporary art, architecture, and theory. She co-authored Once Upon a Time… Monsterpieces of the 2000s! (ORO Editions), presented at the Architectural Association (AA) and at the Storefront for Art and Architecture. Dulière is currently teaching at the Ecole Nationale Supérieure des Arts Visuels of La Cambre and has taught at the KADK and the AA Summer program. At Rotor, Dulière was involved in large-scale projects relating to the reuse of building materials through “deconstruction” and design projects.
Dulière follows 2017 Wheelwright Prize winner Samuel Bravo, whose proposal Projectless: Architecture of Informal Settlements is taking him to the Amazon, Peru, Colombia, Brazil, Nigeria, Bangladesh, Nepal, India, and elsewhere.
Now in its sixth year as an open international competition, the Wheelwright Prize supports travel-based research initiatives proposed by extraordinary early-career architects. Previous winners have circled the globe, pursuing inquiries into a broad range of social, cultural, environmental, and technological issues. The Wheelwright Prize originated at Harvard GSD in 1935 as the Arthur C. Wheelwright Traveling Fellowship, which was established to provide a Grand Tour experience to exceptional GSD graduates at a time when international travel was rare. In 2013 Harvard GSD opened the prize to early-career architects worldwide as a competition, with the goal of encouraging new forms of prolonged, hands-on research and cross-cultural engagement. The sole eligibility requirement is that applicants must have received a degree from a professionally accredited architecture program in the previous 15 years.
The 2018 Wheelwright Prize jury consisted of Jose Ahedo (2014 Wheelwright Prize winner), Edward Eigen, Frida Escobedo, Mark Lee, Michelle Wilkinson, and standing Committee members Mohsen Mostafavi and K. Michael Hays.
The Wheelwright Prize jury commends the 2018 finalists for their outstanding applications: José Esparza Chong Cuy — MCA, Chicago, Illinois, United States, Gustavo Utrabo — ALEPH ZERO, São Paulo, Brazil, Catty Dan Zhang — UNC CHARLOTTE, Charlotte, North Carolina, United States.
